ISBN:
0292725604
,
9780292725607
Sprache:
Englisch
Seiten:
XVII, 373 S.
,
Ill
,
24 cm
Ausgabe:
1. ed
Erscheinungsjahr:
2011
Serie:
Jewish history, life, and culture
Paralleltitel:
Erscheint auch als Lustenberger, Sibylle Judaism in motion
DDC:
791.43095694
Schlagwort(e):
Motion pictures
;
Identity (Psychology) in motion pictures
;
Aufsatzsammlung
;
Israel
;
Film
;
Geschichte
Anmerkung:
Includes bibliographical references and index
,
Introduction ; The nation imagined on film. Filming the homeland: cinema in Eretz Israel and the Zionist movement, 1917-1939
,
Helmar Lerski in Israel
,
Ecce Homo: The Transfiguration of Israeli Manhood in Israeli Films
,
War and Its Aftermath. From Hill to Hill: A Brief History of the Representation of War in Israeli Cinema
,
From Hero to Victim: The Changing Image of the Soldier on the Israeli Screen
,
The Lady and the Death Mask
,
Coping with the Legacy of Death: The War Widow in Israeli Films
,
The Privatization of War Memory in Recent Israeli Cinema
,
An Ethno-Cultural Kaleidoscope. Disjointed Narratives in Contemporary Israeli Films
,
Trajectories of Mizrahi Cinema
,
Immigrant Cinema: Russian Israelis on Screens and behind the Cameras
,
Holocaust and Trauma. The Holocaust in Israeli Cinema as a Conflict between Survival and Morality
,
Near and Far: The Representation of Holocaust Survivors in Israeli Feature Films, 1945-2010
,
Homonational Desires: Masculinity and Sexuality in the Cinema of Eytan Fox
,
Jewish Orthodoxy Revisited. Negotiating Judaism in Contemporary Israeli Cinema: The Spiritual Style of My Father, My Lord
,
Seeking the Local, Engaging the Global: Women and Religious Oppression in a Minor Film
,
Beaufort and My Father, My Lord: Traces of the Binding Myth and the Mother's Voice
,
Filming the Palestinian Other. The Foreigner Within and the Question of Identity in Fictitious Marriage and Streets of Yesterday ; / sandra meiri ; a rave against the occupation?: speaking for the self and excluding the other in contemporary israeli political cinema
,
Borders in Motion: The Evolution of the Portrayal of the Israeli-Palestinian Conflict in Contemporary Israeli Cinema
,
Smashing Up the Face of History: Trauma and Subversion in Kedma and Atash
,
New Cinematic Discourses. Discursive Identities in the (R)evolution of the New Israeli Queer Cinema
,
Kibbutz Films in Transition: From Morality to Ethics
,
The End of a World, the Beginning of a New World: The New Discourse of Authenticity and New Versions of Collective Memory in Israeli Cinema
URL:
http://www.h-net.org/reviews/showrev.php?id=34187
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