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  • 2015-2019  (6)
  • 2010-2014  (7)
  • History  (12)
  • Jews
  • Jews History
  • Jews History 1800-2000
  • Musicology  (12)
  • Agriculture, Forestry, Horticulture, Fishery, Domestic Science
Material
Language
Years
Year
Subjects(RVK)
  • 1
    ISBN: 9781580469210
    Language: English
    Pages: x, 292 Seiten , Illustrationen, Notenbeispiele
    Year of publication: 2018
    Series Statement: Eastman studies in music v. 145
    Series Statement: Eastman studies in music
    DDC: 780.92
    RVK:
    Keywords: Levy, Sara ; Bach family Appreciation ; Jewish women ; Jewish musicians ; Music Social aspects ; History ; Aufsatzsammlung ; Levy, Sara 1761-1854 ; Levy, Sara 1761-1854 ; Bach Familie : 16.-19. Jh. : Deutschland ; Kulturleben ; Berlin ; Geschlechterforschung ; Musikleben ; Jüdische Musik ; Geschichte 1780-1850
    Abstract: "Sara Levy nâee Itzig (1761-1854), a salonniáere, skilled performing musician, and active participant in enlightened Prussian Jewish society, played a powerful role in shaping the dynamic cultural world of late eighteenth- and early nineteenth-century Berlin. A patron and collector of music, she studied harpsichord with Wilhelm Friedemann Bach (1710-84) and commissioned musical compositions from both Friedemann and his brother Carl Philipp Emanuel Bach (1714-88). Archival evidence demonstrates Levy's position as an essential link in the transmission of the music of their father, Johann Sebastian Bach (1685-1750), and as a catalyst for the "Bach revival" of the early nineteenth century, which was led by her great-nephew Felix Mendelssohn. Sara Levy's World: Gender, Judaism, and the Bach Tradition in Enlightenment Berlin represents the first scholarly exploration of the cultural, political, and aesthetic contexts that shaped Levy's world. Bringing together leading scholars from the fields of musicology, Jewish Studies, history, literary studies, gender studies, and philosophy, this volume presents cutting-edge, multidisciplinary research on the numerous mutually reinforcing aspects of Levy's life and work"--back cover
    Abstract: What was the Berlin Jewish salon around 1800? / Marjanne E. Goozâe -- Sara Levy's musical salon and her Bach collection / Christoph Wolff -- Remaining within the fold : the cultural and social world of Sara Levy / Natalie Naimark-Goldberg -- Women's voices in Bach's musical world : Christiane Mariane von Ziegler and Faustina Bordoni / George B. Stauffer -- Lessing and the limits of Enlightenment / Martha B. Helfer -- Poetry, music, and the limits of harmony : Mendelssohn's aesthetic critique of Christianity / Elias Sacks -- Longing for the sublime : Jewish self-consciousness and the St. Matthew Passion in Biedermeier Berlin / Yael Sela -- Duets in the collection of Sara Levy and the ideal of "Unity in multiplicity" / Rebecca Cypress -- The sociability of salon culture and Carl Philipp Emanuel Bach's quartets / Steven Zohn
    Note: Literaturverzeichnis: Seite 255-277
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  • 2
    Online Resource
    Online Resource
    Leiden : Brill
    ISBN: 9789004358300
    Language: English
    Pages: 1 Online-Ressource (XXI, 554 Seiten) , Illustrationen, Notenbeispiele
    Year of publication: 2018
    Series Statement: Brill's companions to the musical culture of medieval and early modern Europe volume 2
    Series Statement: Brill's companions to the musical culture of medieval and early modern Europe
    Parallel Title: Erscheint auch als A companion to music in sixteenth-century Venice
    RVK:
    Keywords: Music History and criticism ; 16th century ; Italy ; Venice ; Music Social aspects ; History ; 16th century ; Italy ; Venice ; Music History and criticism 16th century ; Music Social aspects 16th century ; History ; Music
    Abstract: Introduction. Mapping musical life in cinquecento Venice / Katelijne Schiltz -- Musical institutions. San Marco / Giulio M. Ongaro ; Music at parish, monastic, and nunnery churches and at confraternities / Jonathan Glixon ; Parish and monastic churches : civic custom and the quotidian in the system of institutional patronage / Elena Quaranta ; Music and the academies of Venice and the Veneto / Iain Fenlon -- Music in the public and private space. Music, ritual, and festival : the ceremonial life of Venice / Iain Fenlon ; Ridotti and salons : private patronage / Rodolfo Baroncini -- Musical actors. The maestri di cappella / Francesco Passadore ; Silent voices : professional singers in Venice / Paolo Da Col ; Instrumentalists and instrument makers before c. 1550 / Bonnie J. Blackburn ; Instruments, instrument makers, and instrumentalists in the second half of the sixteenth century / Jeffrey Kurtzman -- Music printing and publishing in cinquecento Venice / Sherri Bishop ; From Aaron to Zarlino : music theorists in the social and cultural matrix of sixteenth-century Venice / Rebecca Edwards -- Genres, styles, and cross-cultural traditions. Cori spezzati in composition and sound / David Bryant ; The frottola in the Veneto / Giovanni Zanovello ; Venetian instrumental music in the sixteenth century / Eleanor Selfridge-Field ; Language, style, and subgenre in Venetian-language polyphony / Daniel Donnelly ; Jewish art music in late sixteenth- and early seventeenth-century Italy / Don Harran ; The 'other' coastal area of Venice : musical ties with Istria and Dalmatia / Ivano Cavallini
    Note: Includes bibliographical references and index
    URL: DOI
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  • 3
    ISBN: 9783861080398
    Language: German
    Pages: 427 Seiten , Illustrationen, Karten, Pläne, Diagramme
    Edition: 2. ergänzte Auflage
    Year of publication: 2017
    Series Statement: AhlemSchriften Band 1
    Series Statement: AhlemSchriften
    RVK:
    Keywords: Israelitische Gartenbauschule Ahlem ; Geschichte ; Germany ; Ahlem ; Horticulture ; Germany ; Horticulture ; Israel ; Jews ; Germany ; Ahlem ; History ; Landscape architecture ; Germany ; Landscape architecture ; Israel ; Israelitische Gartenbauschule Ahlem ; Aufsatzsammlung ; Israelitische Gartenbauschule Ahlem ; Geschichte
    Note: Literaturverzeichnis: Seite 332-348
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  • 4
    ISBN: 3944122321 , 9783944122328
    Language: German
    Pages: 287 Seiten , Illustrationen , 21.5 cm x 13.5 cm
    Edition: 1. Auflage
    Year of publication: 2017
    Series Statement: seismograph
    Uniform Title: Violins of hope
    Parallel Title: In Beziehung stehende Ressource
    DDC: 787.2092392404
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Violinists / Biography / Europe Jewish musicians / Biography / Europe ; Holocaust victims / Biography ; Musical instruments / Maintenance and repair / History / 20th century ; Violinists Biography ; Europe ; Jewish musicians ; Biography ; Europe ; Holocaust victims ; Biography ; Musical instruments ; Maintenance and repair ; History ; 20th century ; Bibliografie ; Europa ; Musiker ; Geiger ; Judenverfolgung ; Geschichte 1933-1945 ; Weinstein, Amnon 1939-2024 ; Musikinstrument ; Violine ; Restaurierung ; Musiker ; Judenverfolgung
    Abstract: Nachdem er jahrelang die Zerstörung seiner Familie im Holocaust verdrängte, beginnt der Geigenbauer Amnon Weinstein in seiner Werkstatt in Tel Aviv in den 1990er Jahren damit, Geigen zu restaurieren, die von jüdischen Musikern während des Holocausts gespielt wurden. Denn vor ihm steht ein Mann, der im Orchester von Auschwitz spielte, seine Violine über Jahrzehnte nicht angerührt hat und sie nun für seinen Enkel reparieren lassen will. Als Weinstein das Instrument öffnet, entdeckt er im Inneren Asche, die aus den Krematorien stammen muss. Grymes erzählt die Geschichte von sieben Geigen, die Weinstein in den folgenden Jahren zu neuem Glanz und Leben erweckt: Für die Musiker konnten sie ein Mittel sein, um rechtzeitig aus Europa zu fliehen, wie bei Bronislaw Hubermann, dem Gründer des Palestine Orchestra, des späteren berühmten Israel Philharmonic Orchestra. Um nicht vollständig Mut und Verstand zu verlieren, wenn sie wie Erich Weininger bei seiner Odyssee nach Palästina von den Briten abgefangen und für Jahre nach Mauritius deportiert wurden. Oder wie Henry Meyer in Konzentrationslagern und Ghettos um ihr Leben spielten. Geigen konnten sogar dazu dienen, sich mit Waffen zu wehren, wie die Geschichte von Mordechai Schlein zeigt, der es schaffte, mit Hilfe eines Geigenkastens, in dem er Sprengstoff versteckte, einen Club voller SS-Offiziere in die Luft zu jagen. Und sie wurden zum einzigen Andenken an lang vermisste Verwandte, wie bei Shimon Krongeld, dessen Instrument nach seinem Tod völlig unerwartet bei seiner Familie in Jerusalem auftauchte.
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  • 5
    Book
    Book
    Hildesheim : Georg Olms Verlag
    ISBN: 3487311798 , 9783487311791
    Language: German
    Pages: 335 Seiten , Notenbeispiele , 25 cm
    Edition: 2., überarbeitete Auflage
    Year of publication: 2017
    Series Statement: Netiva Band 6
    Series Statement: Netiva
    Dissertation note: Dissertation Folkwang Universität der Künste 2001
    DDC: 781.76
    RVK:
    RVK:
    Keywords: Jews ; Organ music ; Hochschulschrift ; Deutschland ; Synagoge ; Orgel ; Geschichte 1800-1938 ; Deutschland ; Judentum ; Geistliche Musik ; Orgelmusik ; Geschichte 1800-1938
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  • 6
    ISBN: 9783955930622
    Language: German
    Pages: 238 Seiten , Illustrationen
    Edition: Erstausgabe
    Year of publication: 2015
    DDC: 780
    RVK:
    Keywords: Kestenberg, Leo ; Musicians Biography ; Piano teachers Biography ; Music teachers Biography ; Music Instruction and study 20th century ; History ; Politics and culture History 20th century ; Biografie ; Kestenberg, Leo 1882-1962
    Description / Table of Contents: Vorwort -- Vorspiel : Aufbruch und Ankunft -- Frühe Kindheit und Elternhaus : Rosenberg und Prag 1882-1889 -- Kunst und Sozialismus : Lehr- und Wanderjahre : frühe Erfährungen in Reichenberg 1889-1904 -- "Liebster, verehrtester Meister!" : bei Busoni in Weimar 1900 und in Berlin 1904 -- Vom Pianisten zum Volkserzieher : Sozialdemokratische Bildungsarbeit in Berlin 1904-1930 -- Bildungsidee und Kunstverständnis -- Die Reformen des Preussischen Musikwesens : Schul- und Privatmusikunterricht 1922-1932 -- Musikpolitik in Preussen : Berlin 1920-1932 -- Universalismus und Internationalismus : Exil in Prag und Paris 1933-1938 -- Am anderen Ufer : Neubeginn in Tel Aviv 1938-1962 -- Religion und Judentum, Sozialismus und Zionismus -- "Wir müssen lernen, in Fesseln zu tanzen" : Mensch : Lehrer : Künstler -- Abbildungsverzeichnis -- Literatur -- Register.
    Note: Literaturverz. S. 225 - 232
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  • 7
    Book
    Book
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 9780300154306 , 9780300205350
    Language: English
    Pages: XII, 358 S , 24 cm
    Year of publication: 2013
    DDC: 780.89/924043
    RVK:
    RVK:
    Keywords: Jewish composers History 20th century ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 Music and the war ; Jews Music ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 ; Music and the war ; Jews ; Germany ; Music ; Jews ; Austria ; Music ; Totalitarianism and music ; Germany ; History ; 20th century ; Juden ; Komponist ; Verfolgung ; Exil ; Nationalsozialismus
    Abstract: With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. -- Jacket
    Description / Table of Contents: German and Jewish Wagner and German Jewish composers in the nineteenth century An age of liberalism, Brahms, and the chronicler, Hanslick Mahler and his chronicler, Korngold The Jugendstil School of Schoenberg, Schrecker, Zemlinsky, and Weigl A musical migration Hey! We're alive! A question of musical potency : the Anti-romantics The resolute Romantics Between Hell and Purgatory Exile and worse Restitution.
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  • 8
    Book
    Book
    [Paris] : Cité de la Musique, Fayard | [Paris] : Fayard | 12-Millau : Impr. Maury
    ISBN: 9782213677217
    Language: French
    Pages: 254, [32] S. , Ill. , 24 cm
    Year of publication: 2013
    DDC: 780.944 3610904
    RVK:
    Keywords: Music History and criticism 20th century ; Music Social aspects 20th century ; History ; Concerts 20th century ; World War, 1939-1945 Music and the war ; Vie musicale France Paris (France) 1900-1945 ; Guerre mondiale (1939-1945) Musique et guerre ; Musique et politique France Paris (France) 1900-1945 ; France History German occupation, 1940-1945 ; France 1940-1945 (Occupation allemande) ; Aufsatzsammlung ; Paris ; Musikpflege ; Geschichte 1940-1944 ; Frankreich ; Besetzung ; Musikleben ; Geschichte 1940-1944 ; Paris ; Besetzung ; Musikleben ; Geschichte 1940-1944
    Abstract: Sous l’Occupation, Paris ne reste pas silencieux. Peu après l’installation des Allemands, les musiciens reprennent leurs activités comme l’ensemble des artistes. Les salles de concerts et les studios radiophoniques et d’enregistrement se remettent à fonctionner. Dans ce contexte, nombre d’interprètes et de compositeurs français bénéficient de conditions de travail inédites, profitant de l’absence de concurrence étrangère conjuguée à la mise à l’écart des œuvres des compositeurs, morts ou vivants, exclus par les lois scélérates. Centré sur la musique savante, cet ouvrage collectif traite de la diffusion de la musique, grâce à des études sur quelques sociétés de concerts spécifiques à cette période, sur des œuvres du répertoire, sur la création contemporaine et sur le rôle de certains interprètes. Il met en évidence les personnalités de Francis Poulenc, Olivier Messiaen et Arthur Honegger ainsi que d’Alfred Cortot, Germaine Lubin, Charles Munch et Wilhelm Kempff, en insistant sur les ambiguïtés entretenues rétroactivement par certains acteurs de la vie musicale sur leur carrière pendant les années noires. Il analyse également la manière dont quelques grandes figures du passé (Mozart, Berlioz, Wagner) sont susceptibles de s’inscrire dans un discours de propagande, largement véhiculé par les critiques et les musicologues. Cette réflexion sur la trace mémorielle d’une époque se clôt par l’évocation de deux débats récents, qui montrent que ce passé passe difficilement.
    Note: Bibliogr. p. 25. Index
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  • 9
    ISBN: 1580464327 , 9781580465229 , 9781580464321
    Language: English
    Pages: xv, 360 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Year of publication: 2013
    Series Statement: Eastman studies in music 97
    Series Statement: Eastman studies in music
    DDC: 720.973
    RVK:
    Keywords: Hanslick, Eduard ; Hanslick, Eduard ; Music Philosophy and aesthetics 19th century ; Musical criticism History 19th century ; Hanslick, Eduard, 1825-1904 ; Criticism and interpretation ; Music theory ; History ; 19th century ; Music ; 19th century ; History and criticism ; Aufsatzsammlung ; Konferenzschrift 2009 ; Hanslick, Eduard 1825-1904
    Note: Literaturverzeichnis: Seiten 339-343 , Hier auch später erschienene, unveränderte Nachdrucke , Negotiating the "absolute" : Hanslick's path through musical history , Hanslick's composers , Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music , Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk , Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna , Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception , "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark , German humanism, liberalism, and elegy in Hanslick's writings on Brahms , The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity , "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century , Body and soul, content and form : on Hanslick's use of the organism metaphor , Hanslick and Hugo Wolf , Battle rejoined : Hanslick and the symphonic poem in the 1890s , On "Jewishness" and genre : Hanslick's reception of Gustav Mahler
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  • 10
    Book
    Book
    Cambridge [u.a.] : Cambridge University Press
    ISBN: 9781107003002 , 1107003008
    Language: English
    Pages: XII, 328 S. , Ill., Notenbeisp. , 26 cm
    Edition: 1. publ.
    Year of publication: 2012
    Series Statement: New perspectives in music history and criticism
    DDC: 780.92
    RVK:
    Keywords: Wolpe, Stefan ; Musicians Biography ; Avant-garde (Music) History 20th century ; Wolpe, Stefan ; Musicians ; Biography ; Avant-garde (Music) ; History ; 20th century ; Wolpe, Stefan 1902-1972 ; Avantgarde ; Musik ; Exil
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [304]-321) and index
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  • 11
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199946846
    Language: English
    Pages: XXXIII, 280 S. , Ill., Notenbeisp. , 23 cm
    Edition: 1. issued as an Oxford Univ. Press paperback
    Year of publication: 2012
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89924
    RVK:
    RVK:
    Keywords: Jews Music ; History and criticism ; Modernism (Music) ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Judentum ; Musik ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik ; Zionismus ; Musik
    Description / Table of Contents: Prologue: before Jewish music -- Places of Jewish music. The Jewish village: music at the border of myth and history ; The people without music history: rediscovering Jewish music in the Mediterranean ; East and West -- Ontologies of Jewish music. Inventing Jewish music ; Self-reflecting-self: Jewish music collecting in the mirror of modernity ; Paths toward Utopia -- Beyond Jewish music. Parables of the metropole ; Jewishness in music: mirrors of selfness in Jewish music ; Staging Jewish music -- Epilogue: after Jewish music.
    Note: Orig. publ. 2008 , Includes bibliographical references (S. 247 - 263) and index -- Discography: S. 265 - 266
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  • 12
    Online Resource
    Online Resource
    Farnham [u.a.] : Ashgate
    ISBN: 9781409421610 , 9781283048033
    Language: English
    Pages: 1 Online-Ressource (XXII, 271 S.)
    Year of publication: 2011
    Parallel Title: Erscheint auch als
    DDC: 781.7/600901
    RVK:
    Keywords: Geschichte Anfänge-70 ; Geschichte ; Christentum ; Geschichte ; Judentum ; Musik ; Religion ; Music Religious aspects To 500 ; Judaism ; History ; Music Religious aspects To 500 ; Christianity ; History ; Music in the Bible ; Frühchristentum ; Musik ; Judentum ; Frühchristentum ; Musik ; Geschichte ; Judentum ; Musik ; Geschichte Anfänge-70
    Note: Includes bibliographical references and index
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  • 13
    Book
    Book
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 9780300137132 , 0300137133
    Language: English
    Pages: XI, 274 S. , Ill., Notenbeisp.
    Year of publication: 2010
    DDC: 780.89/924047
    RVK:
    RVK:
    RVK:
    Keywords: Jews Music ; History and criticism ; Jewish musicians History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Jews ; Russia ; Music ; History and criticism ; Jewish musicians ; Russia ; History ; Music ; Russia ; 19th century ; History and criticism ; Music ; Russia ; 20th century ; History and criticism ; Russland ; Juden ; Musik ; Geschichte 1860-1917
    Description / Table of Contents: Emancipating sounds : Anton Rubinstein and the rise of the Russian Jewish musician -- National voices, imperial echoes : Joel Engel and the Russian Jewish musical fin de siecle -- The most musical nation : the birth of the society for Jewish folk music -- Frozen folk songs : modern Jewish culture between art and commerce -- The neighbors' melodies : the politics of music in war and revolution.
    Note: Includes bibliographical references and index
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