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  • 1
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 17-30
    Keywords: Adam ; Eve ; Bible Influence ; Women in popular culture ; Eden
    Abstract: This chapter looks at two areas of popular culture that frequently refer to Adam and Eve: society’s ongoing rethinking of the role of women and the dispute between evolutionary biologists and creationists. Movies like Fig Leaves (1926) and Adam’s Rib (1949) illustrate how contentious the “battle of the sexes” can be. These movies use Adam and Eve as shorthand for “man” and “woman” and avoid coming to any definitive conclusions about proper gender roles. Regarding the debate between evolution and creationism, the chapter explores the Creation Museum in Kentucky and the 2014 debate between Bill Nye and Ken Ham. Both Nye and Ham attempted to integrate faith with knowledge, mirroring the story of Eden itself.
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  • 2
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 46-62
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 46-62
    Keywords: Roeg, Nicolas, ; Samson and Delilah (Motion picture : 1996) ; Bible. Criticism, interpretation, etc. ; Bible In motion pictures
    Abstract: This chapter considers popular understandings of Samson and Delilah’s relationship in Judges 16, arguing that readers’ interpretations of this relationship are often guided by the discourses, beliefs, and ideologies dominant within their own sociocultural context. The chapter first offers an overview of some common interpretive traditions surrounding this biblical story, which appear to draw upon those familiar tropes of feminine treachery and masculine vulnerability. Specifically, it suggests that interpreters’ reading strategies for the Judges 16 text are constantly negotiated and shaped by readers’ own heteronormative assumptions and discourses of gender and sexuality. In the subsequent section, the chapter focuses on a cultural retelling of this biblical story—Nicolas Roeg’s 1996 movie, Samson and Delilah—and considers the ways that this contemporary cultural text likewise employs these same tropes, imbued with the cultural flavors of the time, to offer a portrayal of Delilah as a postfeminist femme fatale whose erotic allure proved too hot to handle for “new man” Samson. Considering interpretive and cultural afterlives side by side, the chapter demonstrates the complexities of the reading process and the multiple threads—those sociocultural discourses, ideologies, and trends—that occupy and direct readers’ interpretations of the biblical text.
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  • 3
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 63-82
    Keywords: David, ; Bathsheba ; Bible. Appreciation ; Children's Bibles ; Novelle History and criticism
    Abstract: The chapter traces the story of David and Bathsheba in two forms of popular writing: children’s Bibles and Bible-based novels for adults. An account of the ubiquity of children’s Bibles in American life since the mid-nineteenth century is followed by brief surveys of recent scholarship on both the children’s and adults’ genres. The main body of the work traces changing ways this story of sex and murder has been presented to children while preserving a favorable view of David and the shifting treatments by novelists, leading toward both romance and sardonic irreverence, with Bathsheba emerging as a subject in her own right especially since the 1980s.
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  • 4
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 145-161
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 145-161
    Keywords: Bible. Influence ; Creation ; Popular culture
    Abstract: The biblical creation accounts have always held the interest of interpreters, but during the history of the United States, major social and scientific changes have framed and profoundly influenced interpretations. Study of the reception history of the early chapters of Genesis provides ample illustration of the mutual interplay of influence between scriptural text and culture, artist and consumer, science and society, in a tangled web whose threads help us to understand our history and ultimately ourselves, as well as hopefully the texts in Genesis. There is benefit to focusing on music, television, film, and visual art that engages with the text of Genesis as well as with controversies about those stories at the divergence between those sacred texts as traditionally understood and aspects of modern life including (but not limited to) the natural sciences. In doing so we can obtain a clearer picture of the cultural impact and importance of Genesis and issues surrounding its interpretation than is easily accessible through a direct look at debates about either the text or modern science. The controversies themselves are often so entangled and heated as to thwart attempts at analysis. The ripples of broader cultural impact on the arts, and in genres of storytelling such as science fiction, illuminate the bigger picture as well as clarifying what aspects of the interpretation of these texts persist in driving controversy and maintaining the attention of North American culture in particular.
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  • 5
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 472-487
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 472-487
    Keywords: Bible. Influence ; Popular culture ; Museums ; Creation ; Eden ; Noah's ark
    Abstract: This chapter describes creation museums as alternative natural history museums that replace evolutionary theory with young-earth creationism, which holds, first, that Genesis 1 depicts God creating the earth and all life forms less than ten thousand years ago, and, second, that Noah’s catastrophic worldwide flood (Genesis 6–9) established the earth’s present topology and fossil record approximately four thousand years ago. Creation museums claim to interpret the Bible as literal history and contend that a careful study of flood geology will prove the truth of the Bible. An examination of the Ark Encounter, the spectacular creation museum of Answers in Genesis, reveals that the exhibits routinely supersede scripture with the wholesale fabrication of historical information. For young-earth creationists, nevertheless, the museum simply feels true and functions as a pilgrimage site.
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  • 6
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 537-552
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 537-552
    Keywords: Bible Criticism, interpretation, etc. ; Biblical scholars ; Popular culture
    Abstract: This essay is an examination of scholarship on the Bible and (American) popular culture. It reviews the history and assumptions of cultural studies and maps how this body of work influenced biblical scholarship after 1990. It surveys an array of examples of scholarship on the Bible and popular culture and concludes with some suggestions for future work. Specifically, this essay asks the following: How has interest in Bible and popular culture affected academic publishing? How did these trends emerge, and what assumptions prompt them? What new journals or series or reference works have appeared that are specifically devoted to this broad topic, and what are some ways that the Bible and popular culture have been treated therein?
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  • 7
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 31-45
    Keywords: Moses ; Bible Influence ; Popular culture
    Abstract: The story of Moses occurs in a plethora of popular culture mediums (fiction, songs, films, television, video games, comics, digital internet sources, etc.). This essay examines three themes in which Moses as a cultural artifact plays a crucial role in contemporary popular culture: visualizing Moses (Moses in film), learning from Moses (Moses as metaphor or analogy), and laughing at or with Moses (Moses in humor). Such a survey shows graphically the elasticity of Moses as a multivalent cultural artifact that has both influenced and continues to influence American culture. Indeed, while some extract religious meaning from the Moses story, others see parallels between Moses’ struggles and their own.
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  • 8
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 162-182
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 162-182
    Keywords: Bible Influence ; Captain America (Comic strip) ; Popular culture ; Comic books and children ; Covenant theology
    Abstract: American civil religion incorporates a nostalgic version of biblical Israel’s covenant with their patron deity, Yahweh, imagining the United States as a new Israel. This new myth reflects early Puritan hope for a new foray into a new wilderness of promise, while also promoting a romantic notion of the providential founding of the United States, national innocence, and national purpose, upholding an ideal of pure democracy and divine favor for establishing it universally. This form of Christian nationalism has a tendency toward a new form of imperialism in the modern era that is heavily supported (at least subconsciously) by a vast array of popular culture products. Yet some pop culture media (including comic books) occasionally call into question the concept of human beings living in a covenant relationship with a divine creator, as well as the validity of America’s status as a divinely chosen and divinely guided nation.
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  • 9
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 344-361
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 344-361
    Keywords: Popular culture ; Bible in music
    Abstract: The chapter explores the resonances of jazz music, artistry and artists with biblical allusion and interpretation. It outlines the role that jazz played in American popular culture with reference to African American culture and the development of jazz from the American spirituals tradition. It examines representations of the Bible in jazz works by Louis Armstrong, Duke Ellington and Mahalia Jackson, and Ed Summerlin, including exploring the genre of “sacred jazz.” It moves from an exegetical analysis of jazz works in relation to the biblical text to a broader theological interpretation of biblical themes in improvisation. Drawing on Philip Bohlman’s analysis of music cultures, it articulates how improvisation shapes the cultural and religious identity of jazz music. Using the examples of John Coltrane and Sun Ra it argues that contemporary discussions of human freedom, liberation, and constraint are resourceful methodological tools for current biblical interpretations of jazz music.
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  • 10
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 362-380
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 362-380
    Keywords: Bible Influence ; Popular culture ; Comic books, strips, etc.
    Abstract: This chapter offers a sketch of the general relationship between comics understood as “nonbiblical” (or not directly portraying biblical material) and the Bible. Although comics are still recovering from a Cold War–era reputation for being “lowbrow” in the United States, they are an important window into the reception of biblical material. Comics that treat near-biblical material in particular are an intriguing area for study. They offer a set of visual languages whose translation and evaluation give insight into the text of the Bible and its interpretation. Attention to the visual can yield suggestive insights in a traditionally textual field of study. This chapter introduces the concept of the Bible as an icon and gives a brief demonstration of the use of a particular set of closely related but nonetheless nonbiblical comics to reflect on biblical characters, and concludes by offering questions that might benefit from further study of these texts.
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