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  • 1
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 344-361
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 344-361
    Keywords: Popular culture ; Bible in music
    Abstract: The chapter explores the resonances of jazz music, artistry and artists with biblical allusion and interpretation. It outlines the role that jazz played in American popular culture with reference to African American culture and the development of jazz from the American spirituals tradition. It examines representations of the Bible in jazz works by Louis Armstrong, Duke Ellington and Mahalia Jackson, and Ed Summerlin, including exploring the genre of “sacred jazz.” It moves from an exegetical analysis of jazz works in relation to the biblical text to a broader theological interpretation of biblical themes in improvisation. Drawing on Philip Bohlman’s analysis of music cultures, it articulates how improvisation shapes the cultural and religious identity of jazz music. Using the examples of John Coltrane and Sun Ra it argues that contemporary discussions of human freedom, liberation, and constraint are resourceful methodological tools for current biblical interpretations of jazz music.
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