Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
  • 1
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472132010
    Language: English
    Pages: ix, 302 Seiten , Illustrationen
    Year of publication: 2020
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als Ashkenazi, ʿOfer, 1974 - Anti-Heimat cinema
    DDC: 791.436552
    RVK:
    Keywords: Heimatfilme History and criticism ; Jews in motion pictures ; Jews in the motion picture industry ; Motion pictures History 20th century ; Deutschland ; Juden ; Heimatfilm ; Identität ; Geschichte 1918-1968 ; Deutschland ; Heimatfilm ; Identität ; Geschichte 1918-1968 ; Deutschland ; Heimatfilm ; Judenbild ; Geschichte 1918-1968
    Abstract: Klappentext: "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-a provincial German landscape associated with belonging and authenticity-it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers' contribution to this endeavor. It shows how they devised the landscapes of the German "Homeland" as Jews, namely, as acculturated, "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    Bloomington, Indiana : Indiana University Press
    ISBN: 9780253031686 , 9780253031693
    Language: English
    Pages: XXIX, 157 Seiten , Illustrationen , 23 cm
    Year of publication: 2018
    Series Statement: Film & media, Judaica
    Parallel Title: Erscheint auch als Hammerman, Shaina, author Silver screen, Hasidic Jews
    DDC: 791.43/652924
    Keywords: Jews in motion pictures ; Hasidism ; Jews in popular culture
    Abstract: "Motivated by Woody Allen's brief comedic transformation into a Hasidic Jew in Annie Hall, cultural historian Shaina Hammerman examines the effects of real and imagined representations of Hasidic Jews in film, television, theater, and photography. Although these depictions could easily be dismissed as slapstick comedies and sexy dramas about forbidden relationships, Hammerman uses this ethnic imagery to ask meaningful questions about how Jewish identity, multiculturalism, belonging, and relevance are constructed on the stage and silver screen"--
    Abstract: Acknowledgments -- Introduction: when Jews are like Jews -- The yarmulke beneath the cowboy hat: signifying Jewishness in the Hasidic Western -- The Jewish type and "Le Juif Typique": typologies of Jewishness in Les Aventures De Rabbi Jacob -- Hard-core Jews: Woody Allen's religious women and men -- Cinema judeite: projecting Jewish-Muslim romance -- What lies beneath the wig: Hester Street and adaptation -- Epilogue: hijab, habit, and hasid -- Filmography and bibliography -- Index
    Note: Includes bibliographical references (pages 139-147) and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9780230341364
    Language: English
    Pages: XVI, 234 S. , Ill.
    Edition: 1. ed.
    Year of publication: 2012
    Series Statement: Studies in European culture and history
    DDC: 791.43/652924
    RVK:
    RVK:
    Keywords: Jews in motion pictures ; Identity (Psychology) in motion pictures ; Motion pictures History 20th century ; Weimarer Republik ; Judentum ; Kulturelle Identität ; Film
    Abstract: "This book argues that Weimar genre film was a site where the complexities and challenges of Jewish identity were envisioned and negotiated. In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous "German-Jewish symbiosis" before the rise of Nazism, as well as a new framework for the understanding of the German "national" film in the years leading to Hitler's regime"--
    Abstract: "This book argues that Weimar genre film was a site where the complexities and challenges of Jewish identity were envisioned and negotiated. In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous "German-Jewish symbiosis" before the rise of Nazism, as well as a new framework for the understanding of the German "national" film in the years leading to Hitler's regime"--
    Description / Table of Contents: Weimar Film and Jewish Acculturation -- The Jews Have no Shame: The "Jewish Tragedy" in Weimar Urban Comedy -- A Man in the Street, a Jew at Home: Identity and Performance in Weimar Domestic Melodramas -- Assimilating the Shrew: Alraune and the Discussion of Biological Difference in Weimar Horror Film -- Wandering Jews: A "Jewish" Solution for Weimar Crisis in Exotic Adventure and War Films -- Epilogue.
    Note: Includes bibliography (p. [203] - 225) and index
    URL: Cover
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292747241
    Language: English
    Pages: XVII, 226 Seiten , Illustrationen
    Edition: 1. ed.
    Year of publication: 2001
    Parallel Title: Erscheint auch als Loshitzky, Yosefa Identity politics on the Israeli screen
    DDC: 791.43/095694
    RVK:
    Keywords: Arabes au cinéma ; Cinéma - Israël - Histoire ; Filmkunst ; Holocauste, 1939-1945, au cinéma ; Juifs au cinéma ; Nationale identiteit ; Relations judéo-arabes au cinéma ; Film ; Geschichte ; Nationalbewusstsein ; Arabs in motion pictures ; Holocaust, Jewish (1939-1945), in motion pictures ; Identity politics in motion pictures ; Jewish-Arab relations in motion pictures ; Jews in motion pictures ; Motion pictures History ; Araber ; Juden ; Film ; Judenvernichtung ; Israel ; Israel ; Film ; Juden ; Film ; Film ; Judenvernichtung ; Juden ; Film ; Araber
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...