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  • Leiden : Brill  (2)
  • 12-Millau : Impr. Maury  (1)
  • Tübingen : Mohr
  • Music History and criticism 20th century  (3)
  • Musicology  (3)
Material
Language
Years
Subjects(RVK)
  • Musicology  (3)
  • 1
    ISBN: 9789004544109
    Language: English
    Pages: 1 Online-Ressource (XIII, 310 Seiten) , Karten, Illustrationen
    Year of publication: 2023
    Series Statement: Yearbook of the Research Centre for German and Austrian exile studies volume 22
    Parallel Title: Erscheint auch als Music and exile
    RVK:
    Keywords: National socialism and music History 20th century ; Jewish composers Social conditions 20th century ; Jewish refugees Social conditions 20th century ; Expatriate musicians Social conditions 20th century ; Music History and criticism 20th century ; Jews Music ; History and criticism ; Music Social aspects 20th century ; History ; Jews Migrations ; Europe Emigration and immigration 20th century ; History ; United States Emigration and immigration 20th century ; History ; Australia Emigration and immigration 20th century ; History ; China Emigration and immigration 20th century ; History ; Neue Musik ; Auswanderung ; Musiksoziologie ; Nationalsozialismus ; Deutschland ; Judenverfolgung ; Exil ; Komponist ; Juden ; Musik ; Spoliansky, Mischa 1898-1985 ; Goldschmidt, Berthold 1903-1996 ; Granichstaedten, Bruno 1879-1944
    Abstract: "How did exiled musicians from Germany and Austria, who reached safety at Kitchener Camp in Britain, find themselves in an Australian internment camp in New South Wales in 1940? What were the institutions that helped Jewish refugee musicians survive in wartime Shanghai? What happened to Austrian musicians who were trapped in the Netherlands after the German occupation? These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his 'exile opera' Beatrice Cenci. Studies of Mischa Spoliansky's music for the movie Mr. Emmanuel (1944) and Franz Reizenstein's radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars"--
    Description / Table of Contents: Music and Exile : From 1933 to the Present Day / Malcolm Miller and Jutta Raab Hansen -- The Musical Identity of the Austrian Exile / Michael Haas -- An Ambiguous Story - Austrian Music Exile in the Netherlands / Primavera Driessen Gruber -- Vom Kitchener Camp in australische Wüstenlager : Der Weg jüdischer Exil-Musiker über Grossbritannien nach Down Under / Albrecht Dümling -- Creation of Jobs, Union Work and Cooperation : The Institutionalisation of Musical Life by the European Jewish Artist Society, the Shanghai Musicians Association, and the Association of Jewish Precentors in the Shanghai Exile, 1938-49 / Sophie Fetthauer -- 'A State of Crass Ideological Confusion' : Avant-Garde Music and Antisemitism in the Free German League of Culture / Florian Scheding -- 'Almost as Impressive as Its Legacy in the Visual Arts' : Ben Uri Art Society and Music in Exile, 1931-60 / Rachel Dickson -- Goldschmidt and Hamburg / Peter Petersen -- Preisgekrönt und doch kein Glück? Anmerkungen zu Berthold Goldschmidts Belcanto-Oper Beatrice Cenci / Barbara Busch -- 'A Place of Refuge in Your Arms' : Reizenstein's Anna Kraus as Holocaust Opera / Malcolm Miller -- Von grossen Erfolgen in der Zwischenkriegszeit zu relativer Vergessenheit : Die Komponisten Bruno Granichstaedten und Robert Katscher im Exil / Hanja Dämon -- Encounters with the Émigré Experience : Discovering the Chamber Music and Songs of Peter Gellhorn / Norbert Meyn -- Visits in Four Cities : Stations in the Musical and Familial Life of the Song Composer Max Kowalski (1882-1956) / Nils Neubert -- Der österreichische Musiker Ferdinand Rauter als Musiktherapeut in Camphill bei Aberdeen in Schottland (1945 bis 1947) / Jutta Raab Hansen -- Mischa Spoliansky's Music for the Movie Mr. Emmanuel (1944) / Jörg Thunecke.
    Note: Includes index , Beiträge englisch und deutsch
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9789004540651
    Language: English
    Pages: XIII, 310 Seiten , Illustrationen, Notenbeispiele, Karten
    Year of publication: 2023
    Series Statement: Yearbook of the Research Centre for German and Austrian exile studies volume 22 (2023)
    Parallel Title: Erscheint auch als Music and exile
    DDC: 780.89/924094
    RVK:
    Keywords: Music Social aspects 20th century ; History ; National socialism and music History 20th century ; Music History and criticism 20th century ; Jews Migrations ; Jews Music ; History and criticism ; Jewish composers Social conditions 20th century ; Jewish refugees Social conditions 20th century ; Expatriate musicians Social conditions 20th century ; Europe Emigration and immigration 20th century ; History ; United States Emigration and immigration 20th century ; History ; Australia Emigration and immigration 20th century ; History ; China Emigration and immigration 20th century ; History ; Neue Musik ; Auswanderung ; Musiksoziologie ; Nationalsozialismus ; Deutschland ; Judenverfolgung ; Geschichte 1933-1945 ; Exil ; Komponist ; Juden ; Musik ; Spoliansky, Mischa 1898-1985 ; Goldschmidt, Berthold 1903-1996 ; Granichstaedten, Bruno 1879-1944
    Abstract: "How did exiled musicians from Germany and Austria, who reached safety at Kitchener Camp in Britain, find themselves in an Australian internment camp in New South Wales in 1940? What were the institutions that helped Jewish refugee musicians survive in wartime Shanghai? What happened to Austrian musicians who were trapped in the Netherlands after the German occupation? These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his 'exile opera' Beatrice Cenci. Studies of Mischa Spoliansky's music for the movie Mr. Emmanuel (1944) and Franz Reizenstein's radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars"--
    Description / Table of Contents: Music and Exile : From 1933 to the Present Day / Malcolm Miller and Jutta Raab Hansen -- The Musical Identity of the Austrian Exile / Michael Haas -- An Ambiguous Story - Austrian Music Exile in the Netherlands / Primavera Driessen Gruber -- Vom Kitchener Camp in australische Wüstenlager : Der Weg jüdischer Exil-Musiker über Grossbritannien nach Down Under / Albrecht Dümling -- Creation of Jobs, Union Work and Cooperation : The Institutionalisation of Musical Life by the European Jewish Artist Society, the Shanghai Musicians Association, and the Association of Jewish Precentors in the Shanghai Exile, 1938-49 / Sophie Fetthauer -- 'A State of Crass Ideological Confusion' : Avant-Garde Music and Antisemitism in the Free German League of Culture / Florian Scheding -- 'Almost as Impressive as Its Legacy in the Visual Arts' : Ben Uri Art Society and Music in Exile, 1931-60 / Rachel Dickson -- Goldschmidt and Hamburg / Peter Petersen -- Preisgekrönt und doch kein Glück? Anmerkungen zu Berthold Goldschmidts Belcanto-Oper Beatrice Cenci / Barbara Busch -- 'A Place of Refuge in Your Arms' : Reizenstein's Anna Kraus as Holocaust Opera / Malcolm Miller -- Von grossen Erfolgen in der Zwischenkriegszeit zu relativer Vergessenheit : Die Komponisten Bruno Granichstaedten und Robert Katscher im Exil / Hanja Dämon -- Encounters with the Émigré Experience : Discovering the Chamber Music and Songs of Peter Gellhorn / Norbert Meyn -- Visits in Four Cities : Stations in the Musical and Familial Life of the Song Composer Max Kowalski (1882-1956) / Nils Neubert -- Der österreichische Musiker Ferdinand Rauter als Musiktherapeut in Camphill bei Aberdeen in Schottland (1945 bis 1947) / Jutta Raab Hansen -- Mischa Spoliansky's Music for the Movie Mr. Emmanuel (1944) / Jörg Thunecke.
    Note: Includes index , Articles in English and German
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    [Paris] : Cité de la Musique, Fayard | [Paris] : Fayard | 12-Millau : Impr. Maury
    ISBN: 9782213677217
    Language: French
    Pages: 254, [32] S. , Ill. , 24 cm
    Year of publication: 2013
    DDC: 780.944 3610904
    RVK:
    Keywords: Music History and criticism 20th century ; Music Social aspects 20th century ; History ; Concerts 20th century ; World War, 1939-1945 Music and the war ; Vie musicale France Paris (France) 1900-1945 ; Guerre mondiale (1939-1945) Musique et guerre ; Musique et politique France Paris (France) 1900-1945 ; France History German occupation, 1940-1945 ; France 1940-1945 (Occupation allemande) ; Aufsatzsammlung ; Paris ; Musikpflege ; Geschichte 1940-1944 ; Frankreich ; Besetzung ; Musikleben ; Geschichte 1940-1944 ; Paris ; Besetzung ; Musikleben ; Geschichte 1940-1944
    Abstract: Sous l’Occupation, Paris ne reste pas silencieux. Peu après l’installation des Allemands, les musiciens reprennent leurs activités comme l’ensemble des artistes. Les salles de concerts et les studios radiophoniques et d’enregistrement se remettent à fonctionner. Dans ce contexte, nombre d’interprètes et de compositeurs français bénéficient de conditions de travail inédites, profitant de l’absence de concurrence étrangère conjuguée à la mise à l’écart des œuvres des compositeurs, morts ou vivants, exclus par les lois scélérates. Centré sur la musique savante, cet ouvrage collectif traite de la diffusion de la musique, grâce à des études sur quelques sociétés de concerts spécifiques à cette période, sur des œuvres du répertoire, sur la création contemporaine et sur le rôle de certains interprètes. Il met en évidence les personnalités de Francis Poulenc, Olivier Messiaen et Arthur Honegger ainsi que d’Alfred Cortot, Germaine Lubin, Charles Munch et Wilhelm Kempff, en insistant sur les ambiguïtés entretenues rétroactivement par certains acteurs de la vie musicale sur leur carrière pendant les années noires. Il analyse également la manière dont quelques grandes figures du passé (Mozart, Berlioz, Wagner) sont susceptibles de s’inscrire dans un discours de propagande, largement véhiculé par les critiques et les musicologues. Cette réflexion sur la trace mémorielle d’une époque se clôt par l’évocation de deux débats récents, qui montrent que ce passé passe difficilement.
    Note: Bibliogr. p. 25. Index
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