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  • Film University Babelsberg  (10)
  • English  (10)
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  • Film  (10)
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  • 1
    ISBN: 9781476684161
    Language: English
    Pages: viii, 480 Seiten , Illustrationen, Diagramme , 26 cm
    Year of publication: 2021
    Parallel Title: Erscheint auch als
    Keywords: Holocaust, Jewish (1939-1945), in motion pictures ; Judenvernichtung ; Film ; Rezeption
    Abstract: Narrative Holocaust film basics -- Stats and eras -- Surprising Holocaust film traits -- The unavoidables : Elie Wiesel, Anne Frank, Oskar Schindler and Oscar Bait -- A practical history of Holocaust filmmaking in Hollywood -- The greatest narrative Holocaust film ever made -- Roman Polanski and The pianist (2002) -- Holocaust film curriculum planning : the "SOFTA" system -- Recommended Holocaust films -- Epilogue : Eva.Stories and Holocaust film trend
    Abstract: "For generations, Holocaust movies have become an important segment of world cinema and the de-facto holocaust education for many. They are so critically venerated that one-third of all American-produced Holocaust films have been nominated for at least one Oscar. Nonetheless, most Holocaust films have fallen through the cracks. In fact, few have even been commercially successful. This book explains these trends-and many others-in a complete guide to 300 Holocaust films and made-for-television movies. Here, Holocaust films from Anne Frank to Schindler's List to Jojo Rabbit are put into historical and artistic perspective and are discussed through many lenses: historically, chronologically, thematically, sociologically, geographically and individually. The filmmakers behind these films are also contextualized, including Charlie Chaplin, Sidney Lumet, Woody Allen, Steven Spielberg and Roman Polanski. This book also includes recommendations and reviews of the 50 best Holocaust films, an educational guide, and a detailed listing of each Holocaust film"--
    Note: Enthält Literaturverzeichnis auf Seite 445-446
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  • 2
    Book
    Book
    Detroit : Wayne State University Press
    ISBN: 9780814339671
    Language: English
    Pages: xi, 324 Seiten , Illustrationen
    Year of publication: 2017
    Series Statement: Contemporary approaches to film and media series
    Parallel Title: Erscheint auch als
    DDC: 791.43095694
    Keywords: Motion pictures ; Women in motion pictures ; Feminism and motion pictures ; Film ; Frau ; Israel ; Israel ; Kino ; Frau
    Abstract: A woman's war: the Gulf War and the Israeli chick flick -- Women in conflict: the impact of militarism and male hegemony on women's lives -- Women waving guns: does feminism meet the IDF on the Israeli screen? -- "A woman of worth": who sees the religious woman? -- Witches and wailers: Mizrahi women's power -- Hot and fertile: sex, sexuality, and prostitution -- A question of rape: feminism, postfeminism, and issues of representation -- A move to the center: foreign workers, Arab women, and the shift from the margins
    Abstract: Warriors, Witches, Whores: Women in Israeli Cinema' is a feminist study of Israel?s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women?s marginalization within Israeli society
    Note: Enthält Literaturverzeichnis auf Seite [283]-291
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  • 3
    Book
    Book
    New York, NY [u.a.] : Palgrave Macmillan
    ISBN: 9780230341364
    Language: English
    Pages: XVI, 234 S. , Ill.
    Edition: 1. ed.
    Year of publication: 2012
    Series Statement: Studies in European culture and history
    DDC: 791.43/652924
    RVK:
    RVK:
    Keywords: Jews in motion pictures ; Identity (Psychology) in motion pictures ; Motion pictures History 20th century ; Weimarer Republik ; Judentum ; Kulturelle Identität ; Film
    Abstract: "This book argues that Weimar genre film was a site where the complexities and challenges of Jewish identity were envisioned and negotiated. In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous "German-Jewish symbiosis" before the rise of Nazism, as well as a new framework for the understanding of the German "national" film in the years leading to Hitler's regime"--
    Abstract: "This book argues that Weimar genre film was a site where the complexities and challenges of Jewish identity were envisioned and negotiated. In reading popular films of the Weimar Republic as candid commentaries on Jewish acculturation, Ofer Ashkenzi provides an alternative context for a re-evaluation of the infamous "German-Jewish symbiosis" before the rise of Nazism, as well as a new framework for the understanding of the German "national" film in the years leading to Hitler's regime"--
    Description / Table of Contents: Weimar Film and Jewish Acculturation -- The Jews Have no Shame: The "Jewish Tragedy" in Weimar Urban Comedy -- A Man in the Street, a Jew at Home: Identity and Performance in Weimar Domestic Melodramas -- Assimilating the Shrew: Alraune and the Discussion of Biological Difference in Weimar Horror Film -- Wandering Jews: A "Jewish" Solution for Weimar Crisis in Exotic Adventure and War Films -- Epilogue.
    Note: Includes bibliography (p. [203] - 225) and index
    URL: Cover
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  • 4
    ISBN: 9781441124180
    Language: English
    Pages: vii, 344 Seiten , Illustrationen
    Year of publication: 2011
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 791.43/58405318
    RVK:
    Keywords: Geschichte ; Holocaust, Jewish (1939-1945), in motion pictures ; Judenvernichtung ; Dokumentarfilm ; Experimentalfilm ; Film ; Spielfilm ; Spielfilm ; Dokumentarfilm ; Experimentalfilm ; Judenvernichtung ; Geschichte ; Film ; Dokumentarfilm ; Experimentalfilm ; Judenvernichtung
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  • 5
    Book
    Book
    Bloomington [u.a.] : Indiana Univ. Pr.
    ISBN: 0253217458
    Language: English
    Pages: 374 S. , Ill.
    Year of publication: 2005
    DDC: 791.436529924
    RVK:
    Keywords: Film
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  • 6
    Book
    Book
    Philadelphia, Pa. : Temple Univ. Press
    ISBN: 1592132081 , 159213209X
    Language: English
    Pages: XVI, 213 S. , Ill.
    Year of publication: 2004
    Series Statement: Emerging media
    DDC: 791.43658
    RVK:
    Keywords: Holocaust, Jewish (1939-1945), in motion pictures ; War films ; History and criticism ; Judenverfolgung ; Film
    Note: Literaturverz. S. 193 - 203
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  • 7
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292747241
    Language: English
    Pages: XVII, 226 Seiten , Illustrationen
    Edition: 1. ed.
    Year of publication: 2001
    Parallel Title: Erscheint auch als Loshitzky, Yosefa Identity politics on the Israeli screen
    DDC: 791.43/095694
    RVK:
    Keywords: Arabes au cinéma ; Cinéma - Israël - Histoire ; Filmkunst ; Holocauste, 1939-1945, au cinéma ; Juifs au cinéma ; Nationale identiteit ; Relations judéo-arabes au cinéma ; Film ; Geschichte ; Nationalbewusstsein ; Arabs in motion pictures ; Holocaust, Jewish (1939-1945), in motion pictures ; Identity politics in motion pictures ; Jewish-Arab relations in motion pictures ; Jews in motion pictures ; Motion pictures History ; Araber ; Juden ; Film ; Judenvernichtung ; Israel ; Israel ; Film ; Juden ; Film ; Film ; Judenvernichtung ; Juden ; Film ; Araber
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  • 8
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 0520204077
    Language: English
    Pages: XVI, 339 S. , Ill.
    Year of publication: 1996
    Series Statement: A centennial book
    DDC: 791.43/6520396073
    RVK:
    Keywords: Artistes juifs - États-Unis ; Artistes noirs - États-Unis ; Films ; Joden ; Juifs - Acculturation - Etats-Unis ; Juifs dans l'industrie cinématographique ; Negers ; Noirs américains - Au cinéma ; Film ; Juden ; Schwarze ; African Americans in motion pictures ; Blackface entertainers ; Jewish entertainers ; Jews in the motion picture industry ; Jews Cultural assimilation ; Film ; Schwarze ; Juden ; USA ; USA ; USA ; Film ; Schwarze ; USA ; Film ; Juden
    Abstract: The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics
    Abstract: Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it
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  • 9
    ISBN: 0801847532 , 0801847540
    Language: English
    Pages: XII, 350, [18 Bl.] , Ill.
    Year of publication: 1994
    Series Statement: Parallax
    DDC: 791.43/01
    RVK:
    RVK:
    Keywords: Kracauer, Siegfried ; Kracauer, Siegfried ; Geschichte 1800-2000 ; Fotografie ; Geschiedwetenschap ; Representatie (algemeen) ; Film ; Geschichte ; Philosophie ; History Methodology ; History Philosophy ; Motion pictures and history ; Motion pictures Philosophy ; Visual communication ; Geschichte ; Film ; Visuelle Kommunikation ; Fotografie ; Kunst ; Kracauer, Siegfried 1889-1966 ; Visuelle Kommunikation ; Film ; Geschichte ; Film ; Geschichte 1800-2000 ; Kunst ; Fotografie ; Geschichte 1800-2000
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  • 10
    ISBN: 080579316X , 0805793224
    Language: English
    Pages: XXI, 256 S. , Ill.
    Year of publication: 1992
    Series Statement: Twayne's filmmakers series
    DDC: 791.43/658
    RVK:
    RVK:
    Keywords: Geschichte 1945-1991 ; Cinéma - Allemagne - Histoire ; Derde Rijk ; Films ; Guerre mondiale (1939-1945) - Cinéma et guerre ; Guerre mondiale, 1939-1945 - Cinéma et guerre ; Motieven (kunst) ; National-socialisme - Au cinéma ; National-socialisme et cinéma ; Nazisme au cinéma ; Film ; Geschichte ; Weltkrieg (1939-1945) ; Motion pictures History ; National socialism in motion pictures ; World War, 1939-1945 Motion pictures and the war ; Nationalsozialismus ; Nationalsozialismus ; Film ; Deutschland ; Deutschland ; Deutschland ; Film ; Nationalsozialismus ; Geschichte 1945-1991 ; Deutschland ; Film ; Nationalsozialismus ; Geschichte 1945-1991
    Note: Selected bibliogr. S. 225 - 231. - Selected filmogr. S. 232-249
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