ISBN:
9789004227170
Sprache:
Englisch
Seiten:
xviii, 388 Seiten
,
Illustrationen
Erscheinungsjahr:
2012
Serie:
Brill's series in Jewish studies volume 46
Serie:
Brill's series in Jewish studies
DDC:
792.0892/4
Schlagwort(e):
Drama History and criticism
;
Jews in literature
;
Holocaust, Jewish (1939-1945), in literature
;
Theater History 19th century
;
Theater History 20th century
;
Jews in the performing arts
;
Konferenzschrift 2008
;
Juden
;
Theater
;
Geschichte
;
Drama
;
Judenbild
;
Geschichte
Kurzfassung:
Preface -- Religion and origins. Angel, she-ass, prophet: the play and its set-design / Simon Levy -- From Alexandria to Berlin: the Hellenistic play Exagoge joins the Jewish canon / Sarit Cofman-Simhon -- La Pasion de Jesus en Tafi: the representation of Jews in a contemporary Argentine passion play / Tamara Kohn -- Going against the grain: Jews and passion plays on the American mainstream stage, 1879-1929 / Edna Nahshon -- Plays and playwrights. Conceptions, connotations, and/or actions: the figuration of Jewish characters in Heinar Kipphardt's plays / Matthias Naumann -- Between "I and thou": Buber, expressionism and Ernst Toller's search for community / David Garfinkle -- Holocaust memory in the French-Jewish theater of Jean-Claude Grumberg / Seth L. Wolitz -- Holocaust. Voices from the edge of the abyss: theatrical texts from the Terezin/Theresienstadt Ghetto, 1941-45 / Lisa Peschel -- Apart from the document: Jews and Jewishness in theatre. Of the real / Carol Martin -- Fritz Kortner on the postwar stage: the Jewish actor as a site of memory / Michael Bachman -- Interpretations and reinterpretations. Jews in fashion at the Moscow Art Theater / Laurence Senelick -- Restaging La Juive in a Post-Holocaust context / Hans-Peter Bayerdoerfer -- Contemporary audiences and the infamous 'pound of flesh' in Shakespeare's The merchant of Venice / Melia Bensussan -- The contemporary scene. The joy of breaking taboos: Jews and postwar German theatre / Anat Feinberg -- The relativization of victim and perpetrator in the Hungarian productions of Merchant of Venice and Mein Kampf / Aniko Szucs -- From Purimspiel to Polish masquerade: performing Jewish memory in Tykocin / Brigitte Sion -- Diaspora Disneys: 'Jewface' minstrelsy and 'Jewfacade' display in East-Central Europe and Eurasias / S.I. Salamensky -- From Halakha to Hadassah: queer Jewish performance art / Carol Zemel
Anmerkung:
Preface ; Religion and origins. Angel, she-ass, prophet: the play and its set-design
,
From Alexandria to Berlin: the Hellenistic play Exagoge joins the Jewish canon
,
La Pasion de Jesus en Tafi: the representation of Jews in a contemporary Argentine passion play
,
Going against the grain: Jews and passion plays on the American mainstream stage, 1879-1929
,
Plays and playwrights. Conceptions, connotations, and/or actions: the figuration of Jewish characters in Heinar Kipphardt's plays
,
Between "I and thou": Buber, expressionism and Ernst Toller's search for community
,
Holocaust memory in the French-Jewish theater of Jean-Claude Grumberg
,
Holocaust. Voices from the edge of the abyss: theatrical texts from the Terezin/Theresienstadt Ghetto, 1941-45
,
Apart from the document: Jews and Jewishness in theatre. Of the real
,
Fritz Kortner on the postwar stage: the Jewish actor as a site of memory
,
Interpretations and reinterpretations. Jews in fashion at the Moscow Art Theater
,
Restaging La Juive in a Post-Holocaust context
,
Contemporary audiences and the infamous 'pound of flesh' in Shakespeare's The merchant of Venice
,
The contemporary scene. The joy of breaking taboos: Jews and postwar German theatre
,
The relativization of victim and perpetrator in the Hungarian productions of Merchant of Venice and Mein Kampf
,
From Purimspiel to Polish masquerade: performing Jewish memory in Tykocin
,
Diaspora Disneys: 'Jewface' minstrelsy and 'Jewfacade' display in East-Central Europe and Eurasias
,
From Halakha to Hadassah: queer Jewish performance art
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