Jews and theatre in an intercultural context / edited by Edna Nahshon
Preface -- Religion and origins. Angel, she-ass, prophet: the play and its set-design / Simon Levy -- From Alexandria to Berlin: the Hellenistic play...
Ausführliche Beschreibung
| PPN (Katalog-ID): |
680256695 |
|---|
| Personen: |
Nahshon, Edna [HerausgeberIn] |
|---|---|
| Kongresse: |
International Conference on "Jews and Theatre in an Intercultural World", 2008.02., New York |
| Medienart: |
Buch |
|---|---|
| Formangabe: |
Konferenzschrift ; 2008 ; New York, NY |
| Umfang: |
xviii, 388 Seiten ; Illustrationen |
| Sprache: |
Englisch |
| Erschienen: |
Leiden Boston: Brill ; 2012 |
|---|
| RVK: |
AP 64967 / Jüdische Welt [Allgemeines, Medien- und Kommunikationswissenschaften, Medienkulturwissenschaft, Kommunikationsdesign, Theater, Biografie, Geschichte, Theater in einzelnen Ländern, Asien, Orient, Östliche Welt, Vorderer Orient, Vorderasien, Jüdische Welt] AP 67000 / Theater und Gesellschaft [Allgemeines, Medien- und Kommunikationswissenschaften, Medienkulturwissenschaft, Kommunikationsdesign, Theater, Beziehungen, Ausstrahlungen, Einwirkungen, Theater und Gesellschaft] EC 7501 / Vermischtes [Allgemeine und vergleichende Sprach- und Literaturwissenschaft. Indogermanistik. Außereuropäische Sprachen und Literaturen, Allgemeine und vergleichende Literaturwissenschaft., Literaturgeschichte, Geschichte der Literaturgattungen (literarischen Gattungen), Drama, Allgemeines, Vermischtes] GE 5784 / Einzelne Aspekte [Germanistik. Niederlandistik. Skandinavistik, Deutsche Literatur, Literaturgeschichte, Geschichte der literarischen Gattungen, Theatergeschichte, Einzelne Aspekte] |
|---|---|
| Schlagwörter: |
Juden / Theater / Geschichte / Drama / Judenbild |
| weitere Schlagwörter: |
| Reihe: |
Brill's series in Jewish studies - volume 46 |
|---|---|
| Enthält: |
Preface ; Religion and origins. Angel, she-ass, prophet: the play and its set-design ; Simon Levy From Alexandria to Berlin: the Hellenistic play Exagoge joins the Jewish canon ; Sarit Cofman-Simhon La Pasion de Jesus en Tafi: the representation of Jews in a contemporary Argentine passion play ; Tamara Kohn Going against the grain: Jews and passion plays on the American mainstream stage, 1879-1929 ; Edna Nahshon Plays and playwrights. Conceptions, connotations, and/or actions: the figuration of Jewish characters in Heinar Kipphardt's plays ; Matthias Naumann Between "I and thou": Buber, expressionism and Ernst Toller's search for community ; David Garfinkle Holocaust memory in the French-Jewish theater of Jean-Claude Grumberg ; Seth L. Wolitz Holocaust. Voices from the edge of the abyss: theatrical texts from the Terezin/Theresienstadt Ghetto, 1941-45 ; Lisa Peschel Apart from the document: Jews and Jewishness in theatre. Of the real ; Carol Martin Fritz Kortner on the postwar stage: the Jewish actor as a site of memory ; Michael Bachman Interpretations and reinterpretations. Jews in fashion at the Moscow Art Theater ; Laurence Senelick Restaging La Juive in a Post-Holocaust context ; Hans-Peter Bayerdoerfer Contemporary audiences and the infamous 'pound of flesh' in Shakespeare's The merchant of Venice ; Melia Bensussan The contemporary scene. The joy of breaking taboos: Jews and postwar German theatre ; Anat Feinberg The relativization of victim and perpetrator in the Hungarian productions of Merchant of Venice and Mein Kampf ; Aniko Szucs From Purimspiel to Polish masquerade: performing Jewish memory in Tykocin ; Brigitte Sion Diaspora Disneys: 'Jewface' minstrelsy and 'Jewfacade' display in East-Central Europe and Eurasias ; S.I. Salamensky From Halakha to Hadassah: queer Jewish performance art ; Carol Zemel. |
| Links: | |
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| ISBN: |
| EAN/UPC: |
9789004227170 |
|---|
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| 505 | 8 | 0 | |t Preface ; Religion and origins. Angel, she-ass, prophet: the play and its set-design |r Simon Levy |
| 505 | 8 | 0 | |t From Alexandria to Berlin: the Hellenistic play Exagoge joins the Jewish canon |r Sarit Cofman-Simhon |
| 505 | 8 | 0 | |t La Pasion de Jesus en Tafi: the representation of Jews in a contemporary Argentine passion play |r Tamara Kohn |
| 505 | 8 | 0 | |t Going against the grain: Jews and passion plays on the American mainstream stage, 1879-1929 |r Edna Nahshon |
| 505 | 8 | 0 | |t Plays and playwrights. Conceptions, connotations, and/or actions: the figuration of Jewish characters in Heinar Kipphardt's plays |r Matthias Naumann |
| 505 | 8 | 0 | |t Between "I and thou": Buber, expressionism and Ernst Toller's search for community |r David Garfinkle |
| 505 | 8 | 0 | |t Holocaust memory in the French-Jewish theater of Jean-Claude Grumberg |r Seth L. Wolitz |
| 505 | 8 | 0 | |t Holocaust. Voices from the edge of the abyss: theatrical texts from the Terezin/Theresienstadt Ghetto, 1941-45 |r Lisa Peschel |
| 505 | 8 | 0 | |t Apart from the document: Jews and Jewishness in theatre. Of the real |r Carol Martin |
| 505 | 8 | 0 | |t Fritz Kortner on the postwar stage: the Jewish actor as a site of memory |r Michael Bachman |
| 505 | 8 | 0 | |t Interpretations and reinterpretations. Jews in fashion at the Moscow Art Theater |r Laurence Senelick |
| 505 | 8 | 0 | |t Restaging La Juive in a Post-Holocaust context |r Hans-Peter Bayerdoerfer |
| 505 | 8 | 0 | |t Contemporary audiences and the infamous 'pound of flesh' in Shakespeare's The merchant of Venice |r Melia Bensussan |
| 505 | 8 | 0 | |t The contemporary scene. The joy of breaking taboos: Jews and postwar German theatre |r Anat Feinberg |
| 505 | 8 | 0 | |t The relativization of victim and perpetrator in the Hungarian productions of Merchant of Venice and Mein Kampf |r Aniko Szucs |
| 505 | 8 | 0 | |t From Purimspiel to Polish masquerade: performing Jewish memory in Tykocin |r Brigitte Sion |
| 505 | 8 | 0 | |t Diaspora Disneys: 'Jewface' minstrelsy and 'Jewfacade' display in East-Central Europe and Eurasias |r S.I. Salamensky |
| 505 | 8 | 0 | |t From Halakha to Hadassah: queer Jewish performance art |r Carol Zemel. |
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