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  • Brandenburg  (4)
  • Thuringia
  • Online Resource  (4)
  • Stanford, CA : Stanford University Press  (4)
  • History  (3)
  • Juden  (2)
  • Italy
  • Klavierquartett
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  • Brandenburg  (4)
  • Thuringia
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  • Online Resource  (4)
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  • 1
    Online Resource
    Online Resource
    Stanford, CA : Stanford University Press
    ISBN: 9781503628717
    Language: English
    Pages: 1 Online-Ressource (368 p.)
    Year of publication: 2021
    Series Statement: Stanford Studies in Jewish History and C
    Parallel Title: Erscheint auch als
    Keywords: Agricultural colonies History ; Collective memory History ; Collective memory History ; Jews Colonization ; History ; Zionism Historiography ; HISTORY / Middle East / Israel & Palestine ; 20th century ; British Mandate ; First Aliyah ; Israel/Israelis ; Jewish Agricultural Colonies / Moshavot ; Memory / Collective Memory / Local Memory / Commemoration / anniversaries ; Palestine/Palestinians ; Private Enterprise / Private Capital / Capitalism / Bourgeoisie ; Settler colonialism ; Zionism / Zionist / Zionist movement
    Abstract: The Oldest Guard tells the story of Zionist settler memory in and around the private Jewish agricultural colonies (moshavot) established in late nineteenth-century Ottoman Palestine. Though they grew into the backbone of lucrative citrus and wine industries of mandate Palestine and Israel, absorbed tens of thousands of Jewish immigrants, and became known as the "first wave" (First Aliyah) of Zionist settlement, these communities have been regarded—and disregarded—in the history of Zionism as sites of conservatism, lack of ideology, and resistance to Labor Zionist politics. Treating the "First Aliyah" as a symbol created and deployed only in retrospect, Liora R. Halperin offers a richly textured portrait of commemorative practices between the 1920s and the 1960s. Drawing connections to memory practices in other settler societies, The Oldest Guard demonstrates how private agriculturalists and their advocates in the Zionist center and on the right celebrated and forged the "First Aliyah" past, revealing the centrality of settlement to Zionist collective memory and the politics of Zionist settler "firstness."
    Note: Frontmatter , CONTENTS , ACKNOWLEDGMENTS , NOTE ON TRANSLITERATION AND TRANSLATION , Map of “First Aliyah” Colonies , INTRODUCTION Mother of the Colonies , 1 Private Farmers and the Origins of “First Aliyah” Claims-Making , 2 Arab Labor and the Rhetoric of Hierarchical Coexistence in Mandate Palestine , 3 The Old Guard on Display , 4 The Colony and the Village: Constructions of Coexistence after the Nakba , 5 Jewish Immigrants and the Politics of Settler “First Ones” , CONCLUSION Thinking about the First Aliyah after 1967 , Notes , BIBLIOGRAPHY , INDEX , In English
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    Stanford, CA : Stanford University Press
    ISBN: 9781503627802
    Language: English
    Pages: 1 Online-Ressource (296 p)
    Edition: [Online-Ausgabe]
    Year of publication: 2021
    Series Statement: Stanford Studies in Jewish History and C
    Parallel Title: Erscheint auch als
    Keywords: Dance in literature ; German fiction History and criticism ; Jewish dance in literature ; Jews in literature ; Jews Cultural assimilation ; History ; Jews Social life and customs ; Sex role in literature ; Yiddish fiction History and criticism ; LITERARY CRITICISM / Jewish ; Courtship ; German ; Jewish gender roles ; Literature ; Mixed-sex dancing ; Nineteenth century ; Romance ; Twentieth century ; Yiddish ; acculturation
    Abstract: Frontmatter -- TABLE OF CONTENTS -- ACKNOWLEDGMENTS -- INTRODUCTION. THE SPACE OF THE DANCE FLOOR -- CHAPTER 1. THE CHOREOGRAPHY OF ACCULTURATION -- CHAPTER 2. HOW JEWS LEARNED TO DANCE -- CHAPTER 3. THE TAVERN -- CHAPTER 4. THE BALLROOM -- CHAPTER 5. THE WEDDING -- CHAPTER 6. THE DANCE HALL -- EPILOGUE. "WHAT COMES FROM MEN AND WOMEN DANCING" -- APPENDIX: LIST OF SOCIAL AND FOLK DANCES -- NOTES -- BIBLIOGRAPHY -- INDEX
    Abstract: Dances and balls appear throughout world literature as venues for young people to meet, flirt, and form relationships, as any reader of Pride and Prejudice, War and Peace, or Romeo and Juliet can attest. The popularity of social dance transcends class, gender, ethnic, and national boundaries. In the context of nineteenth- and twentieth-century Jewish culture, dance offers crucial insights into debates about emancipation and acculturation. While traditional Jewish law prohibits men and women from dancing together, Jewish mixed-sex dancing was understood as the very sign of modernity--and the ultimate boundary transgression. Writers of modern Jewish literature deployed dance scenes as a charged and complex arena for understanding the limits of acculturation, the dangers of ethnic mixing, and the implications of shifting gender norms and marriage patterns, while simultaneously entertaining their readers. In this pioneering study, Sonia Gollance examines the specific literary qualities of dance scenes, while also paying close attention to the broader social implications of Jewish engagement with dance. Combining cultural history with literary analysis and drawing connections to contemporary representations of Jewish social dance, Gollance illustrates how mixed-sex dancing functions as a flexible metaphor for the concerns of Jewish communities in the face of cultural transitions
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
    URL: Cover
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  • 3
    ISBN: 9781503613065
    Language: English
    Pages: 1 Online-Ressource (360 p)
    Edition: [Online-Ausgabe]
    Year of publication: 2020
    Series Statement: Stanford Studies in Jewish History and C
    Parallel Title: Erscheint auch als Meir, Natan M. Stepchildren of the shtetl
    RVK:
    RVK:
    Keywords: Jews Social conditions 19th century ; Jews Social conditions 20th century ; Marginality, Social History ; Mentally ill History ; People with disabilities History ; Poor History ; HISTORY / Jewish ; Osteuropa ; Juden ; Armut ; Behinderung ; Psychische Störung ; Geschichte 1800-1939
    Abstract: Frontmatter -- CONTENTS -- FIGURES -- ACKNOWLEDGMENTS -- NOTE ON TRANSLITERATION AND DATES -- INTRODUCTION -- CHAPTER 1. JEWISH MARGINAL PEOPLE IN PREMODERN EUROPE -- CHAPTER 2. BLIND BEGGARS AND ORPHAN RECRUITS -- CHAPTER 3. "A PILE OF DUST AND RUBBLE" -- CHAPTER 4. THE CHOLERA WEDDING -- CHAPTER 5. A "REPUBLIC OF BEGGARS"? Charity, Jewish Backwardness, and the Specter of the Jewish Idler -- CHAPTER 6. MADNESS AND THE MAD -- CHAPTER 7. "WE SINGING JEWS, WE JEWS POSSESSED" -- EPILOGUE -- CONCLUSION: Jewish Intersectionality at the European Fin-de-Siècle -- NOTES -- SELECTED BIBLIOGRAPHY -- INDEX
    Abstract: Memoirs of Jewish life in the east European shtetl often recall the hekdesh (town poorhouse) and its residents: beggars, madmen and madwomen, disabled people, and poor orphans. Stepchildren of the Shtetl tells the story of these marginalized figures from the dawn of modernity to the eve of the Holocaust. Combining archival research with analysis of literary, cultural, and religious texts, Natan M. Meir recovers the lived experience of Jewish society's outcasts and reveals the central role that they came to play in the drama of modernization. Those on the margins were often made to bear the burden of the nation as a whole, whether as scapegoats in moments of crisis or as symbols of degeneration, ripe for transformation by reformers, philanthropists, and nationalists. Shining a light into the darkest corners of Jewish society in eastern Europe-from the often squalid poorhouse of the shtetl to the slums and insane asylums of Warsaw and Odessa, from the conscription of poor orphans during the reign of Nicholas I to the cholera wedding, a magical ritual in which an epidemic was halted by marrying outcasts to each other in the town cemetery-Stepchildren of the Shtetl reconsiders the place of the lowliest members of an already stigmatized minority
    Note: Mode of access: Internet via World Wide Web. , In English
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Stanford, CA : Stanford University Press
    ISBN: 9781503614369
    Language: English
    Pages: 1 Online-Ressource (XI, 273 Seiten)
    Year of publication: 2020
    Series Statement: Stanford studies in Jewish history and culture
    Series Statement: Stanford Studies in Jewish History and C
    Parallel Title: Erscheint auch als Elsky, Julia Writing occupation
    Keywords: French language Political aspects 20th century ; History ; French literature Jewish authors ; History and criticism ; French literature History and criticism 20th century ; Jewish authors Language 20th century ; History ; World War, 1939-1945 Literature and the war ; French language ; Political aspects ; French literature ; French literature ; Jewish authors ; War and literature ; Criticism, interpretation, etc ; History ; LITERARY CRITICISM / Jewish ; France ; Französisch ; Exilschriftsteller ; Juden ; Besetzung
    Abstract: Frontmatter --CONTENTS --Acknowledgments --Introduction Jewish Émigré Writers and the French Language --1 A Jewish Poetics of Exile: Benjamin Fondane's Exodus --2 Accents in Jean Malaquais's Carrefour Marseille --3 European Language and the Resistance: Romain Gary's Heteroglossia --4 Buried Language: Elsa Triolet's Bilingualism --5 Displacing Stereotypes: Irène Némirovsky in the Occupied Zone --Epilogue Memory, Language, and Jewish Francophonie --Notes --Index
    Abstract: Among the Jewish writers who emigrated from Eastern Europe to France in the 1910s and 1920s, a number chose to switch from writing in their languages of origin to writing primarily in French, a language that represented both a literary center and the promises of French universalism. But under the Nazi occupation of France from 1940 to 1944, these Jewish émigré writers--among them Irène Némirovsky, Benjamin Fondane, Romain Gary, Jean Malaquais, and Elsa Triolet--continued to write in their adopted language, even as the Vichy regime and Nazi occupiers denied their French identity through xenophobic and antisemitic laws. In this book, Julia Elsky argues that these writers reexamined both their Jewishness and their place as authors in France through the language in which they wrote. The group of authors Elsky considers depicted key moments in the war from their perspective as Jewish émigrés, including the June 1940 civilian flight from Paris, life in the occupied and southern zones, the roundups and internment camps, and the Resistance in France and in London. Writing in French, they expressed multiple cultural, religious, and linguistic identities, challenging the boundaries between center and periphery, between French and foreign, even when their sense of belonging was being violently denied
    URL: Cover
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