"This book is a must-read for anyone studying Jewish-Christian relations, dance studies, Jewish studies in general, or even German bourgeois societies and restrictive (sexual) norms. The book is superbly written, profound, sophisticated, and at the same time intelligible. It is also an exciting read that one does not want to put down until one has finished every page."—Viktoria Pötzl, Feminist German Studies
"Gollance excels at interweaving a tremendous amount of research. It Could Lead to Dancing covers multiple centuries, geographic locations, venues, and languages. Indeed, each facet of this interdisciplinary topic is complex, and Gollance selected highly relevant case studies that reveal her material's nuance and scope. Gollance is in thorough command of her subject. It is an impressive feat.... Gollance illuminates complex material and a complex history in a clear, engaging, and compelling way."—Susan Funkenstein, Central European History
"Sonia Gollance's It could Lead to Dancing: Mixed-Sex Dancing and Jewish Modernity is a thoroughly researched and engaging study of the role of mixed-sex dancing in modern Jewish life. Gollance mines a wide range of literary resources—novels, memoirs, short stories, plays and poems, in Yiddish, German, Hebrew and English, in the modern period (1780-1940) and beyond."—National Jewish Book Awards Judges
"Gollance presents a thorough exploration of the dynamics of mixed-sex dancing and draws compelling parallels to broader social and cultural circumstances surrounding Jews.... Through her nuanced writing, Gollance describes how Jews at times found acceptance from non-Jews in dance contexts, but the acceptance was often temporary or partial."—Rabbanit Dalia Davis, Contemporary Jewry
"Like the dance floor, 'a liminal space that eludes all kinds of boundaries,' Gollance... uncovers a field of cultural production that crosses and exposes linguistic and social borders (12). It is a contested field that renders new perspectives on the animating tensions of Jewish modernity."—Matthew Johnson, German Studies Review
"Gollance... offers an extensive, fascinating exploration of Jewish mixed-sex dancing... A well-written and fun read. Essential."—K. J. Wetmore Jr., CHOICE
"The mixed-sex dance scene, as Gollance successfully argues, is not only a plot device but an aesthetic choice. As such, It Could Lead to Dancing guides readers through a history of dance as both a cultural-historical subject and literary practice that will enhance the work of scholars and Jewish dance activists alike."—Sunny S. Yudkoff, Monatshefte
"What is arguably the most important aspect of Gollance's book... is its tackling one of the most well-known, yet little examined, topics of Jewish culture—the place of mixed-sex dancing in Jewish life, where mixed-sex dancing relates to social or vernacular dancing between men and women. ... what she aims to prove, and does so very effectively, is that tracing the existence of mixed-sex dancing... is not only about witnessing changing ideas of sexuality but how Jews addressed the radical transformations arising from modernity during the period spanning from the Enlightenment to World War II... These shifts relate to gender roles, secularization, debates about Jewish emancipation, urbanization, migration, and war."—Naomi Jackson, In geveb: A Journal of Yiddish Studies
"Extensively researched and deftly written, Sonia Gollance's rich study guides us through a nuanced cultural history of Jewish mixed-sex dancing from the long nineteenth century into the present day. It Could Lead to Dancing confirms the importance of the Jewish perspective in literary dance studies, casting light on the dance floor as a site where social comportment reflected the political pursuits of acculturation, emancipation, and female empowerment."—Lucia Ruprecht, Emmanuel College, University of Cambridge
"It Could Lead to Dancing is a fascinating exploration of the role of dance in literary representations of Jewish modernization and secularization. With sources from memoirs to dance history, focusing primarily on German and Yiddish fiction, this wonderful, immensely learned, and original book will attract interest among literary scholars and beyond."—Naomi Seidman, University of Toronto
