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  • Film University Babelsberg  (3)
  • English  (3)
  • Juden  (3)
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Subjects(RVK)
  • 1
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472132010
    Language: English
    Pages: ix, 302 Seiten , Illustrationen
    Year of publication: 2020
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als Ashkenazi, ʿOfer, 1974 - Anti-Heimat cinema
    DDC: 791.436552
    RVK:
    Keywords: Heimatfilme History and criticism ; Jews in motion pictures ; Jews in the motion picture industry ; Motion pictures History 20th century ; Deutschland ; Juden ; Heimatfilm ; Identität ; Geschichte 1918-1968 ; Deutschland ; Heimatfilm ; Identität ; Geschichte 1918-1968 ; Deutschland ; Heimatfilm ; Judenbild ; Geschichte 1918-1968
    Abstract: Klappentext: "Anti-Heimat Cinema: The Jewish Invention of the German Landscape" studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"-a provincial German landscape associated with belonging and authenticity-it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers' contribution to this endeavor. It shows how they devised the landscapes of the German "Homeland" as Jews, namely, as acculturated, "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema.--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292747241
    Language: English
    Pages: XVII, 226 Seiten , Illustrationen
    Edition: 1. ed.
    Year of publication: 2001
    Parallel Title: Erscheint auch als Loshitzky, Yosefa Identity politics on the Israeli screen
    DDC: 791.43/095694
    RVK:
    Keywords: Arabes au cinéma ; Cinéma - Israël - Histoire ; Filmkunst ; Holocauste, 1939-1945, au cinéma ; Juifs au cinéma ; Nationale identiteit ; Relations judéo-arabes au cinéma ; Film ; Geschichte ; Nationalbewusstsein ; Arabs in motion pictures ; Holocaust, Jewish (1939-1945), in motion pictures ; Identity politics in motion pictures ; Jewish-Arab relations in motion pictures ; Jews in motion pictures ; Motion pictures History ; Araber ; Juden ; Film ; Judenvernichtung ; Israel ; Israel ; Film ; Juden ; Film ; Film ; Judenvernichtung ; Juden ; Film ; Araber
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  • 3
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 0520204077
    Language: English
    Pages: XVI, 339 S. , Ill.
    Year of publication: 1996
    Series Statement: A centennial book
    DDC: 791.43/6520396073
    RVK:
    Keywords: Artistes juifs - États-Unis ; Artistes noirs - États-Unis ; Films ; Joden ; Juifs - Acculturation - Etats-Unis ; Juifs dans l'industrie cinématographique ; Negers ; Noirs américains - Au cinéma ; Film ; Juden ; Schwarze ; African Americans in motion pictures ; Blackface entertainers ; Jewish entertainers ; Jews in the motion picture industry ; Jews Cultural assimilation ; Film ; Schwarze ; Juden ; USA ; USA ; USA ; Film ; Schwarze ; USA ; Film ; Juden
    Abstract: The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics
    Abstract: Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it
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