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Last 7 Days Catalog Additions

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  • 2020-2024  (58)
  • 1990-1994  (84)
  • 1985-1989  (87)
  • Exil  (116)
  • Gottesdienst / Judentum
  • Kunst
Language
Years
Year
Keywords
  • 1
    ISBN: 9783110730807 , 3110730804
    Language: German
    Pages: VII, 408 Seiten , Illustrationen , 23 cm x 15.5 cm
    Year of publication: 2021
    Series Statement: Exilforschung Band 39 (2021)
    Series Statement: Exilforschung
    Parallel Title: Erscheint auch als Gesellschaft für Exilforschung (2020 : Online) Mensch und Tier in Reflexionen des Exils
    DDC: 809.933552
    RVK:
    Keywords: Human-animal relationships ; Exiles ; Refugees ; Human-animal relationships in literature ; Human-animal relationships in motion pictures ; Human-animal relationships in art ; Konferenzschrift 2020 ; Tiere ; Mensch ; Exilliteratur ; Geschichte 1933-1945 ; Tiere ; Mensch ; Exil ; Film ; Geschichte 1933-1945 ; Mensch ; Tiere ; Exil
    Note: "Ein Großteil der hier versammelten Beiträge basiert auf Vorträgen, die auf der Jahrestagung der Gesellschaft für Exilforschung 2020: "Fährten. Mensch-Tier-Verhältnisse in Reflexionen des Exils" vom 20. bis 22. Oktober - wegen der Corona-Pandemie im virtuellen Raum - gehalten wurden" (Vorwort) , Literaturangaben
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  • 2
    ISBN: 9783835356566 , 3835356569
    Language: German
    Pages: 596 Seiten , 260 Illustrationen (z.T. farbig) , 25 cm x 18 cm
    Year of publication: 2024
    Series Statement: Visual history Band 11
    Series Statement: Visual history
    DDC: 900
    Keywords: Erste Hälfte 20. Jahrhundert (ca. 1900 bis ca. 1950) ; Fotografie ; Gesellschaftliche Gruppen, Gemeinschaften und Identitäten ; Gewalt, Intoleranz und Verfolgung in der Geschichte ; Kultur- und Medienwissenschaften ; Deutschland ; Vereinigtes Königreich, Großbritannien ; Adressbuch ; Architektur ; Ausstellung ; ErnÅ Goldfinger ; Finchley Road ; Flucht ; Fotografie ; Galerie ; Geschlecht ; Golders Green ; Hyde Park ; Krematorium ; Kunst
    Abstract: London als Fluchtort für Künstler:innen, Fotograf:innen und Architekt:innen in den 1930er und 1940er JahrenLondon war in den 1930er und 1940er Jahren eine Metropole des künstlerischen Exils und ein Ort der Zuflucht vor nationalsozialistischer Verfolgung. Exilierte gründeten Galerien, Verlage und Zeitschriften, sie kooperierten mit lokalen Künstler:innen, organisierten Ausstellungen, verbanden sich in Netzwerken. Das Buch Exil London widmet sich dem vielfältigen Wirken von Emigrant:innen aus Kunst, Fotografie und Architektur in Auseinandersetzung mit ihrer Exilstadt. Wie veränderte sich die Kunstszene durch die Ankunft der Exilierten? Welche kulturellen Infrastrukturen wurden aufgebaut? Wie prägten die Exilerfahrung und die Stadt selbst das Werk der Emigrant:innen? Exil London behandelt neben bekannten urbanen Räumen wie dem Hyde Park auch ungewöhnliche Orte wie den Londoner Zoo, das Krematorium Golders Green, die Finchley Road, das Haus des Architekten Ernö Goldfinger als Ausstellungsort, das Wohnhaus des Psychoanalytikers Sigmund Freud oder die Straßenmärkte der Stadt. Kunstwissenschaft, Stadt- und Exilforschung sind im Buch dynamisch aufeinander bezogen und leisten gemeinsam einen Beitrag zu einem neuen Verständnis der Kunstgeschichte der Moderne
    Note: Literaturverzeichnis: Seite 519-581
    URL: Cover
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  • 3
    ISBN: 9789004530072
    Language: English
    Pages: x, 308 Seiten , Illustrationen
    Year of publication: 2023
    Series Statement: Jewish identities in a changing world volume 35
    Series Statement: Jewish identities in a changing world
    Parallel Title: Erscheint auch als Imagined Israel(s): representations of the Jewish state in the arts
    Parallel Title: Erscheint auch als Imagined Israel(s)
    DDC: 704.9/4995694
    Keywords: Arts, Israeli ; Popular culture ; Kunst ; Israel ; Israel Civilization ; Israel In art ; Israel ; Aufsatzsammlung
    Abstract: "The return of Jews to their ancestral land can be seen as an act of imagination. A new country, citizenship, language, and institutions needed to be imagined in order to be created. The arts, too, have contributed to this act of envisioning and shaping the Jewish state. By examining artistic representations of Israel, Imagined Israel(s): Representations of the Jewish State in the Arts explores the ways in which the Israel imagined abroad and the one conjured within the country intersect, offering a space for the co-existence of sociopolitical, cultural, and ideological differences and tensions"--
    Description / Table of Contents: The Visual Type as an Image of a People: Hebrew Typography throughout History and Its Representation of Jewish and Israeli Identity / Guy Eldar -- Fictional Canon: Reconsidering Karl Schwarz's Modern Jewish Art in Eretz Yisrael / Noa Avron Barak -- Taming the Levant: Reflections on Zionism, Orientalism, and Depictions of Tel-Aviv-Jaffa in Israeli and International Comics / Ofer Berenstein -- Fractured Communities, Anxious Identities: Reconsidering Israel on the American Stage/ Ellen W. Kaplan -- The Sabra within the Schlemiel: Diverging Modes of American Jewish and Israeli Masculinity in Jewish American Literature / Samantha Pickette -- Messianic Affinities: Tali Keren's The Great Seal and Un-Charting / Chelsea Haines -- The Short Life of the Israeli Superspy: Imagining Israel in Twentieth-Century American Crime Fiction / Reeva Spector Simon -- Israel through the Viewfinder: Claude Lanzmann and Susan Sontag Film the Jewish State / Rocco Giansante -- Tarnishing History through Matter: Gal Weinstein's Sun Stand Still at the Israeli Pavilion in Venice / Luna Goldberg -- Contemporizing Yemenite Ethnicity: Hybrid Folklore in Mor Shani's “Three Suggestions for Dealing with Time” Dance Trilogy for InbalDance Theater / Idit Suslik -- A Rough, Country Face : An Iranian Intellectual Retells the Holocaust / Samuel Thrope -- Imagined Israel? Israel in Contemporary British Theater / Glenda Abramson -- Resemblance, Difference, and Simulacrum in Israeli and Palestinian Art / Keren Goldberg -- Playing Soldiers: Reimagining the Israeli Defense Forces on the Fringe Stage / Jacob Hellman -- Disrupting Holy Binaries : The Work of Gil and Rona Yefman / Yarden Stern.
    Note: Includes index
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  • 4
    Book
    Book
    Cham, Switzerland : Palgrave Macmillan
    ISBN: 9783030540692 , 9783030540722
    Language: English
    Pages: v, 171 Seiten , 21 cm
    Year of publication: 2020
    Parallel Title: Erscheint auch als Zakai, Avihu Jewish Exiles’ Psychological Interpretations of Nazism
    Parallel Title: Erscheint auch als Zakhai, Avihu, 1945 - Jewish Exiles' Psychological Interpretations of Nazism
    DDC: 943.086
    RVK:
    Keywords: Reich, Wilhelm ; Fromm, Erich ; Kracauer, Siegfried ; Neumann, Erich ; Nazis Psychology ; National socialism Psychological aspects ; Reich, Wilhelm 1897-1957 ; Fromm, Erich 1900-1980 ; Kracauer, Siegfried 1889-1966 ; Neumann, Erich 1905-1960 ; Exil ; Einfluss ; Geschichte 1933-1945 ; Deutschland ; Juden ; Intellektueller ; Exil ; Geschichte 1933-1945
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  • 5
    ISBN: 9783967078879 , 3967078876
    Language: German
    Pages: 502 Seiten , Illustrationen, Diagramme, Notenbeispiele , 23 cm x 15 cm
    Year of publication: 2023
    Parallel Title: Erscheint auch als Amann-Rauter, Milena, 1988 - »Avec mon arme, la musique«
    DDC: 780.032
    RVK:
    Keywords: Hochschulschrift ; Front Populaire ; Musiker ; Deutsche ; Exil ; Politisches Engagement ; Arma, Paul 1905-1987 ; Dessau, Paul 1894-1979 ; Eisler, Hanns 1898-1962 ; Kosma, Joseph 1905-1969 ; Landé, Franz 1893-1942 ; Oswald, Marianne 1901-1985 ; Saguer, Louis 1907-1991 ; Schmidt, Eberhard 1907-1996
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  • 6
    ISBN: 9780199341764
    Language: English
    Pages: xiv, 664 Seiten , Illustrationen , 26 cm
    Year of publication: 2020
    Parallel Title: Erscheint auch als The Oxford handbook of history and material culture
    DDC: 907.2
    RVK:
    RVK:
    Keywords: Aufsatzsammlung ; Kunst ; Sachkultur ; Geschichte
    Abstract: Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk.
    Note: Literaturangaben
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  • 7
    ISBN: 9781108483636
    Language: English
    Pages: xvi, 313 Seiten , Illustrationen
    Year of publication: 2020
    Series Statement: Cambridge studies in European law and policy
    Parallel Title: Erscheint auch als Tuori, Kaius, 1974 - Empire of law
    DDC: 342.4308/73
    RVK:
    Keywords: Jurisprudence History 20th century ; National socialism ; Europa ; Recht ; Geschichte ; Europa ; Rechtsgeschichtsschreibung ; Geschichte 1930-1950 ; Deutschland ; Jurist ; Exil ; Geschichte 1930-1945
    Abstract: "Introduction In a letter to Max Radin on April 2, 1933, Hermann Kantorowicz writes how the situation in Germany took a turn for the worse after the Nazis took power: What is happening there is even more terrible than American newspapers report and if our Nazis proclaim these reports a justification for their "reprisals", this is a mere pretext. Everything now going on is according to the Nazi party programme of February 25, 1920, especially to article 4, only no one believed such barbarism possible, myself excepted as you probably remember. The letters now written by thousands of German Jews denying every atrocity are, of course, written under the threat of still worse treatment. My own family has been severely stricken. Dozens of my cousins, in great part well-known lawyers and doctors, have lost their jobs and every means of subsistence, my brother, Professor in Bonn, is hiding I don't know where; his daughter, a girl of 21 years, has been imprisoned as a hostage; the Nazi-police tried to compel my mother, 74 years old, to give away the address of my brother; my late wife's cousin, the director of a theatre in Silesia, has been kidnapped by a Nazi auto during a rehearsal, conducted out of town, stripped naked, beaten and then forced to walk home in this state. One of my best friends in Kiel,the lawyer Spiegel, has been murdered and of course I myself cannot venture to show myself again in the present Germany (...)1 As this example shows, the Nazi revolution upended many of the things considered self-evident in Europe at the time: it appeared that the ideals of humanity, equality, rights and security were abandoned. Compounding the sense of crisis was the notion that truth and falsehood had lost their meanings, becoming dependent on the vagaries of the powers that be. A mere decade and a half after the carnage of the First World War had ended, a new barbarism had risen in Germany, the land that had previously been considered the centre of European civilization. The Nazi repression was a direct attack on the European tradition of justice and the rule of law. A jurist like Kantorowicz felt this acutely because among the main targets of Nazi repression after the takeover of power were the forces of law and order, meaning the police, the judiciary and lawyers, in order to bring down the German Rechtstaat"--
    Note: Literaturverzeichnis: Seite 273-306
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  • 8
    Book
    Book
    Stuttgart : Kunsthandlung Joniskeit 〈Stuttgart〉
    Language: German
    Pages: [3] Blatt , zahlr. Ill.
    Year of publication: 1990
    Keywords: Künstler ; Malerei ; Exil ; Ausstellung
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  • 9
    Pages: 90 Min.
    Year of publication: 1990
    Keywords: Schanghai ; Exil
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  • 10
    Language: German
    Pages: 11 Min. , VHS
    Year of publication: 1987
    Keywords: Schanghai ; Exil
    Note: Kopie
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