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  • Kunst  (696)
  • Zionism
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  • 1
    Book
    Book
    Post-Holocaust Post-Zionism : three essays on denial, forgetting, and the delegitimation of Israel (2010)
    Cambridge [u.a.] : Cambridge Univ. Press
    Details
    ISBN: 9780521111102 , 9780521127868
    Language: English
    Pages: XIV, 342 S.
    Year of publication: 2010
    Uniform Title: Posṭ-Tsiyonut, posṭ-Shoʾah
    Parallel Title: Erscheint auch als
    DDC: 320.54095694
    RVK:
    BD 6860
    RVK:
    BD 7100
    Keywords: Arendt, Hannah ; Arendt, Hannah ; Post-Zionism ; Holocaust denial ; Holocaust, Jewish (1939-1945) ; Zionism ; Postzionismus ; Auschwitz-Lüge ; Antizionismus ; Kollektives Gedächtnis ; Rezeption ; Judenvernichtung ; Frankreich ; Frankreich ; Israel ; Frankreich ; Auschwitz-Lüge ; Israel ; Postzionismus ; Judenvernichtung ; Kollektives Gedächtnis ; Israel ; Judenvernichtung ; Arendt, Hannah 1906-1975 Eichmann in Jerusalem ; Rezeption ; Antizionismus ; Postzionismus
    Note: Includes bibliographical references and index
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    Center for Research on Antisemitism get availability status
  • 2
    Book
    Book
    Exil London : Metropole, Moderne und künstlerische Emigration (2024)
    Göttingen : Wallstein Verlag
    Details
    ISBN: 9783835356566 , 3835356569
    Language: German
    Pages: 596 Seiten , 260 Illustrationen (z.T. farbig) , 25 cm x 18 cm
    Year of publication: 2024
    Series Statement: Visual history Band 11
    Series Statement: Visual history
    DDC: 900
    Keywords: Erste Hälfte 20. Jahrhundert (ca. 1900 bis ca. 1950) ; Fotografie ; Gesellschaftliche Gruppen, Gemeinschaften und Identitäten ; Gewalt, Intoleranz und Verfolgung in der Geschichte ; Kultur- und Medienwissenschaften ; Deutschland ; Vereinigtes Königreich, Großbritannien ; Adressbuch ; Architektur ; Ausstellung ; ErnÅ Goldfinger ; Finchley Road ; Flucht ; Fotografie ; Galerie ; Geschlecht ; Golders Green ; Hyde Park ; Krematorium ; Kunst
    Abstract: London als Fluchtort für Künstler:innen, Fotograf:innen und Architekt:innen in den 1930er und 1940er JahrenLondon war in den 1930er und 1940er Jahren eine Metropole des künstlerischen Exils und ein Ort der Zuflucht vor nationalsozialistischer Verfolgung. Exilierte gründeten Galerien, Verlage und Zeitschriften, sie kooperierten mit lokalen Künstler:innen, organisierten Ausstellungen, verbanden sich in Netzwerken. Das Buch Exil London widmet sich dem vielfältigen Wirken von Emigrant:innen aus Kunst, Fotografie und Architektur in Auseinandersetzung mit ihrer Exilstadt. Wie veränderte sich die Kunstszene durch die Ankunft der Exilierten? Welche kulturellen Infrastrukturen wurden aufgebaut? Wie prägten die Exilerfahrung und die Stadt selbst das Werk der Emigrant:innen? Exil London behandelt neben bekannten urbanen Räumen wie dem Hyde Park auch ungewöhnliche Orte wie den Londoner Zoo, das Krematorium Golders Green, die Finchley Road, das Haus des Architekten Ernö Goldfinger als Ausstellungsort, das Wohnhaus des Psychoanalytikers Sigmund Freud oder die Straßenmärkte der Stadt. Kunstwissenschaft, Stadt- und Exilforschung sind im Buch dynamisch aufeinander bezogen und leisten gemeinsam einen Beitrag zu einem neuen Verständnis der Kunstgeschichte der Moderne
    Note: Literaturverzeichnis: Seite 519-581
    DOI: 10.46500/83535656
    URL: Cover
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    Book
    IGdJ Hamburg
  • 3
    Book
    Book
    Israel's Jewish identity crisis : state and politics in the Middle East (2020)
    Cambridge, United Kingdom : Cambridge University Press
    Details
    ISBN: 9781108488945 , 9781108715706
    Language: English
    Pages: xvi, 212 Seiten
    Year of publication: 2020
    Series Statement: The global Middle East 11
    Series Statement: The global Middle East
    Parallel Title: Erscheint auch als Yadgar, Yaacov, 1971 - Israel's Jewish identity crisis
    DDC: 956.9405/5
    RVK:
    LB 49345
    RVK:
    NY 1800
    Keywords: Jews Identity ; Zionism ; Nationalism ; Religion and politics ; Judaism and politics ; Judaism and secularism ; Judaism and state ; Staat ; Nationalstaat ; Nationalbewusstsein ; Religionsgemeinschaft ; Judentum ; Juden ; Nationalismus ; Staatsreligion ; Zionismus ; Laizismus ; Israeli ; Identitätskrise ; Krise ; Israel ; Israel ; Nationenbildung ; Judentum
    Abstract: "The book argues that the state of Israel's political and intellectual elites have failed to formulate a coherent concept of what it means for the state to be "Jewish." As a result, Israel is conceived primarily in demographic terms - as a state the majority of whose population is Jewish. The definition of who is Jewish, however, is left entirely up to Orthodox authorities. Although most observers of Israel attribute the disproportionate power of these authorities to coalition politics, Yadgar claims that the state needs to outsource the determination of Jewishness to them because the state has developed no alternative definition. Yadgar illustrates this dilemma through in-depth examination of controversies over conversion, the recently-passed Nation State law, school programs for the strengthening of "Jewish identity," and claims to an "Israeli" as opposed to "Jewish" nationality. Yadgar's elegant presentation of the intertwining of halakhic and ethnic conceptions of Jewishness, and the inability to separate "being Israeli" from "being Jewish," nicely illustrates the fallacy of clear distinctions between the realms of the religious and the secular in modern societies"--
    Note: Literaturverzeichnis: Seiten 196-209
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    HfJS Heidelberg
  • 4
    Book
    Book
    Imagined Israel(s): representations of the Jewish state in the arts (2023)
    Leiden : Brill
    Details
    ISBN: 9789004530072
    Language: English
    Pages: x, 308 Seiten , Illustrationen
    Year of publication: 2023
    Series Statement: Jewish identities in a changing world volume 35
    Series Statement: Jewish identities in a changing world
    Parallel Title: Erscheint auch als Imagined Israel(s): representations of the Jewish state in the arts
    Parallel Title: Erscheint auch als Imagined Israel(s)
    DDC: 704.9/4995694
    Keywords: Arts, Israeli ; Popular culture ; Kunst ; Israel ; Israel Civilization ; Israel In art ; Israel ; Aufsatzsammlung
    Abstract: "The return of Jews to their ancestral land can be seen as an act of imagination. A new country, citizenship, language, and institutions needed to be imagined in order to be created. The arts, too, have contributed to this act of envisioning and shaping the Jewish state. By examining artistic representations of Israel, Imagined Israel(s): Representations of the Jewish State in the Arts explores the ways in which the Israel imagined abroad and the one conjured within the country intersect, offering a space for the co-existence of sociopolitical, cultural, and ideological differences and tensions"--
    Description / Table of Contents: The Visual Type as an Image of a People: Hebrew Typography throughout History and Its Representation of Jewish and Israeli Identity / Guy Eldar -- Fictional Canon: Reconsidering Karl Schwarz's Modern Jewish Art in Eretz Yisrael / Noa Avron Barak -- Taming the Levant: Reflections on Zionism, Orientalism, and Depictions of Tel-Aviv-Jaffa in Israeli and International Comics / Ofer Berenstein -- Fractured Communities, Anxious Identities: Reconsidering Israel on the American Stage/ Ellen W. Kaplan -- The Sabra within the Schlemiel: Diverging Modes of American Jewish and Israeli Masculinity in Jewish American Literature / Samantha Pickette -- Messianic Affinities: Tali Keren's The Great Seal and Un-Charting / Chelsea Haines -- The Short Life of the Israeli Superspy: Imagining Israel in Twentieth-Century American Crime Fiction / Reeva Spector Simon -- Israel through the Viewfinder: Claude Lanzmann and Susan Sontag Film the Jewish State / Rocco Giansante -- Tarnishing History through Matter: Gal Weinstein's Sun Stand Still at the Israeli Pavilion in Venice / Luna Goldberg -- Contemporizing Yemenite Ethnicity: Hybrid Folklore in Mor Shani's “Three Suggestions for Dealing with Time” Dance Trilogy for InbalDance Theater / Idit Suslik -- A Rough, Country Face : An Iranian Intellectual Retells the Holocaust / Samuel Thrope -- Imagined Israel? Israel in Contemporary British Theater / Glenda Abramson -- Resemblance, Difference, and Simulacrum in Israeli and Palestinian Art / Keren Goldberg -- Playing Soldiers: Reimagining the Israeli Defense Forces on the Fringe Stage / Jacob Hellman -- Disrupting Holy Binaries : The Work of Gil and Rona Yefman / Yarden Stern.
    Note: Includes index
    URL: Inhaltsverzeichnis
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    Potsdam University get availability status
  • 5
    Book
    Book
    The door in the sky : Coomaraswamy on myth and meaning (1997)
    Princeton, NJ : Princeton Univ. Press
    Details
    ISBN: 0691017476
    Language: English
    Pages: XXXVIII, 253 S. , Ill.
    Edition: 1. Princeton paperback print.
    Year of publication: 1997
    Series Statement: Mythos
    Parallel Title: Elektronische Reproduktion Coomaraswamy, Ananda K., 1877 - 1947 The door in the sky
    DDC: 700
    Keywords: Aufsatzsammlung ; Mythos ; Kunst ; Symbolismus
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    Book
    HfJS Heidelberg
  • 6
    Book
    Book
    Applied arts in British exile from 1933 : changing visual and material culture (2019)
    Leiden : Brill Rodopi
    Details
    ISBN: 9789004395091
    Language: English
    Pages: XV, 253 Seiten , Illustrationen
    Year of publication: 2019
    Series Statement: The yearbook of the Research Centre for German and Austrian Exile Studies vol. 19 (2018)
    Parallel Title: Erscheint auch als Applied arts in British exile from 1933
    DDC: 709.41/0904
    RVK:
    LO 50095
    Keywords: Arts History 20th century ; Expatriate artists ; Aufsatzsammlung ; Großbritannien ; Exil ; Kunst ; Architektur ; Geschichte 1933 - 1945
    Abstract: "Yearbook Volume 19 continues an investigation which began with Arts in Exile in Britain 1933-45 (Volume 6, 2004). Twelve chapters, ten in English and two in German, address and analyse the significant contribution of émigrés across the applied arts, embracing mainstream practices such as photography, architecture, advertising, graphics, printing, textiles and illustration, alongside less well known fields of animation, typography and puppetry. New research adds to narratives surrounding familiar émigré names such as Oskar Kokoschka and Wolf Suschitzky, while revealing previously hidden contributions from lesser known practitioners. Overall, the volume provides a valuable addition to the understanding of the applied arts in Britain from the 1930s onwards, particularly highlighting difficulties faced by refugees attempting to continue fractured careers in a new homeland. Contributors are: Rachel Dickson, Burcu Dogramaci, Deirdre Fernand, Fran Lloyd, David Low, John March, Sarah MacDougall, Anna Nyburg, Pauline Paucker, Ines Schlenker, Wilfried Weinke, and Julia Winckler"--
    Note: Includes bibliographical references and index , Text in Englisch, ein Beitrag in Deutsch
    URL: Inhaltsverzeichnis
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    Staatsbibliothek zu Berlin get availability status
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    IGdJ Hamburg
  • 7
    Book
    Book
    The Oxford handbook of history and material culture (2020)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780199341764
    Language: English
    Pages: xiv, 664 Seiten , Illustrationen , 26 cm
    Year of publication: 2020
    Parallel Title: Erscheint auch als The Oxford handbook of history and material culture
    DDC: 907.2
    RVK:
    MQ 2400
    RVK:
    LC 10000
    Keywords: Aufsatzsammlung ; Kunst ; Sachkultur ; Geschichte
    Abstract: Most historians rely principally on written sources. Yet there are other traces of the past available to historians: the material things that people have chosen, made, and used. This book examines how material culture can enhance historians' understanding of the past, both worldwide and across time. The successful use of material culture in history depends on treating material things of many kinds not as illustrations, but as primary evidence. Each kind of material thing-and there are many-requires the application of interpretive skills appropriate to it. These skills overlap with those acquired by scholars in disciplines that may abut history but are often relatively unfamiliar to historians, including anthropology, archaeology, and art history. Creative historians can adapt and apply the same skills they honed while studying more traditional text-based documents even as they borrow methods from these fields. They can think through familiar historical problems in new ways. They can also deploy material culture to discover the pasts of constituencies who have left few or no traces in written records. The authors of this volume contribute case studies arranged thematically in six sections that respectively address the relationship of history and material culture to cognition, technology, the symbolic, social distinction, and memory. They range across time and space, from Paleolithic to Punk.
    Note: Literaturangaben
    URL: Inhaltsverzeichnis
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    Staatsbibliothek zu Berlin get availability status
    Dubnow Institute
  • 8
    Image
    Image
    Kritische Szenografie : die Kunstausstellung im 21. Jahrhundert (2015)
    Bielefeld : Transcript
    Details
    ISBN: 9783837625691 , 3837625699
    Language: German
    Pages: 464 S. , Ill., graph. Darst. , 23 cm, 468 g
    Year of publication: 2015
    Series Statement: Image Band 64
    Series Statement: Image
    Parallel Title: Online-Ausg. Kritische Szenografie
    Parallel Title: Erscheint auch als Hemken, Kai-Uwe, 1962 - Kritische Szenografie
    DDC: 700
    RVK:
    LH 39930
    Keywords: Aufsatzsammlung ; Ausstellungskatalog ; Kunstausstellung ; Geschichte 2000-2012 ; Kunst ; Ausstellung
    Note: Beiträge überwiegend deutsch, ein Beitrag englisch. - Literaturangaben
    URL: Inhaltsverzeichnis
    URL: Inhaltstext
    URL: Auszug
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    Image
    HfJS Heidelberg
  • 9
    Article
    Article
    "Das für ihre Nazion wiedergefundene Land" : Erziehung zur Toleranz: Erfolg der Aufklärung "Judenemanzipation" von Anhalt-Dessau aus (2009)
    In:  Jüdische Bildung und Kultur in Sachsen-Anhalt von der Aufklärung bis zum Nationalsozialismus (2009), Seite 67-112 | year:2009 | pages:67-112
    Details
    ISBN: 394093805X
    Language: German
    Year of publication: 2009
    Titel der Quelle: Jüdische Bildung und Kultur in Sachsen-Anhalt von der Aufklärung bis zum Nationalsozialismus
    Publ. der Quelle: Berlin : Metropol-Verl., 2009
    Angaben zur Quelle: (2009), Seite 67-112
    Angaben zur Quelle: year:2009
    Angaben zur Quelle: pages:67-112
    Keywords: Philanthropin Dessau ; Juden ; Judentum ; Toleranz ; Judenemanzipation ; Beschäftigungssystem ; Geselligkeit ; Kunst ; Philanthropismus ; Bildungseinrichtung ; Jüdische Schule ; Gründung ; Rabbiner ; Ausbildung ; Anhalt-Dessau ; Religiöse Toleranz ; Juden
    Note: Literaturangaben
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  • 10
    Book
    Book
    Everyone carries a room inside : [Museum on the Seam, Jerusalem] ; November 2013 (2013)
    Jerusalem
    Details
    Language: English
    Pages: 119 Seiten, [3] Blatt , Illustrationen
    Year of publication: 2013
    Keywords: Kunst ; Videokunst ; Fotografie ; Installation ; Kunstausstellung ; Ausstellung
    Abstract: ״If you are lonely when you are alone, you are in bad company״ Jean Paul Sartre Loneliness is a major contemporary phenomenon, gaining more and more impact on people’s lives. The exacting urban environment, in the face of social and technological changes, never leaves the individual in peace – it forever urges him, stimulates his nerves and attacks his senses in an endless sequence of fleeting perceptions and random impressions. Many amongst us seek simulations of life that seem more exciting than life itself. We fear a reality which is not mediated by computers. Thousands of text messages sent daily by people all over the world, who spend endless hours in social networks, have created a new reality of social alienation, unparalleled in its dimensions compared to past generations. Thus we become victims of the illusion of virtual friendships on the web, where we collect thousands of friends whom we imagine to be human relationships that only lead us to further loneliness. The more technology advances, the more our mental lives retreat. Loneliness and solitude are seemingly similar but are in fact very different scenarios, in which the individual is alone. Loneliness is a state of segregation of the individual, while solitude is a voluntary state in which the individual is independent and can appreciate the space surrounding him, and where perhaps, he might find the best possible company. In his book "Between Man and Man" Martin Buber writes: “We have seen how in the history of the human spirit man again and again becomes solitary… that is, he seeks a divine form of being with which, solitary as he is, he can communicate ;he stretches his hands out beyond the world to meet this form. But we have also seen that there is a way leading from one edge of solitude to the next, that is, that each solitude is colder and stricter than the preceding, and salvation from it more difficult. But finally man reached a condition where he can no longer stretch his hands out from his solitude to meet a divine form. That is at the basis of Nietzsche’s saying, ‘God is dead’. Apparently, nothing more remains now to the solitary man but to seek an intimate communication with himself.” Raphie Etgar, Curator
    URL: https://www.mots.org.il/everyone-carries-a-room-inside
    URL: https://www.mots.org.il/everyone-carries-a-room-inside-hb
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