Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Last 7 Days Catalog Additions

Export
Filter
  • English  (7)
  • 2020-2024  (7)
  • Stanford, California : Stanford University Press  (7)
  • Oxford : Berghahn
Material
Language
  • English  (7)
Years
Year
  • 1
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503613805
    Language: English
    Pages: xix, 316 Seiten , Illustration, Karte
    Year of publication: 2021
    Series Statement: Stanford studies in Jewish history and culture
    Parallel Title: Erscheint auch als Heckman, Alma Rachel The Sultan's communists
    Parallel Title: Erscheint auch als Heckman, Alma Rachel The Sultan's communists
    DDC: 324.264/0750904
    Keywords: Parti communiste marocain History 20th century ; Jewish communists History 20th century ; Jews Politics and government 20th century ; Nationalism and communism History 20th century ; Morocco Politics and government 20th century ; Marokko ; Juden
    Abstract: Introduction : the Sultan's communists -- Choices : fascism and anti-fascism in interwar Morocco -- Possibilities : World War II and Moroccan Jewish belonging -- Tactics : Jews and Moroccan independence -- Splinters : disillusion and Jewish political life in the new Morocco -- Cooptation : the Moroccan Cold War, Israel and human rights -- Scarification : a conclusion
    Abstract: "A history of Jews in Morocco from the 1930s through the 1970s, this book traces how Jewish communists went from being outsiders (even pariahs) vis-à-vis the Makhzan to being embraced as the "Sultan's communists." Her narrative offers welcome nuance to our understanding of how Jews in Morocco were and are viewed--by their non-Jewish neighbors, by the Moroccan government, by American Jewish organizations, and even by tourists and scholars"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    ISBN: 9781503634428 , 9781503634435
    Language: English
    Pages: xiv, 189 Seiten , Illustrationen, 2 Karten
    Year of publication: 2023
    Series Statement: Stanford studies in Jewish history and culture
    Uniform Title: Sipur Daṿid ha-Reʼuveni
    Parallel Title: Erscheint auch als Reubeni, David, active 16th century Diary of a black Jewish messiah
    Parallel Title: Erscheint auch als Verskin, Alan, 1981 - Diary of a Black Jewish Messiah
    DDC: 296.8/2092
    Keywords: Reuveni, David ; Pseudo-Messiahs Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Adventurers & Explorers ; Biografien: allgemein ; Biography: general ; Geographical discovery & exploration ; Geographische Entdeckungen und Erforschungen ; HISTORY / Jewish ; Social & cultural history ; Sozial- und Kulturgeschichte ; ha-Reʼuveni, Daṿid ; Afrika ; Mittlerer Osten ; Europa ; Reise ; Geschichte 1500-1599
    Abstract: Introduction -- Africa -- Egypt and the Holy Land -- Italy -- Portugal -- Spain -- Appendix : Solomon Cohen's addendum.
    Abstract: "In 1523, a man named David Reubeni appeared in Venice, claiming to be the ambassador of a powerful Jewish kingdom deep in the heart of Arabia. With his army of hardy desert warriors from lost Israelite tribes, he pledged to deliver the Jews to the Holy Land by force and restore their pride and autonomy. Traveling from Arabia to Africa and then Europe, he spent a decade shuttling between Christian rulers in Italy, Portugal, Spain, and France, pitching himself as an ally against an ascendent Ottoman empire and offering support in exchange for weaponry. Reubeni was hailed as a messiah by both wealthy Jews and Iberia's oppressed conversos, but his grand ambitions came to a halt in Regensburg when the Holy Roman Emperor, Charles V, turned him over to the Inquisition and, in 1538, he was likely burned at the stake. Diary of a Black Messiah is the first English translation of Reubeni's Hebrew-language diary, detailing his travels across Europe, Africa, and the Mediterranean and personal travails. Written in a Hebrew drawn from everyday speech, entirely unlike other literary works of the period, the diary reveals in very concrete terms what it would take to raise a Jewish movement to conquer the Holy Land"--
    Abstract: In 1524, a man named David Reubeni appeared in Venice, claiming to be the ambassador of a powerful Jewish kingdom deep in the heart of Arabia. In this era of fierce rivalry between great powers, voyages of fantastic discovery, and brutal conquest of new lands, people throughout the Mediterranean saw the signs of an impending apocalypse and envisioned a coming war that would end with a decisive Christian or Islamic victory. With his army of hardy desert warriors from lost Israelite tribes, Reubeni pledged to deliver the Jews to the Holy Land by force and restore their pride and autonomy. He would spend a decade shuttling between European rulers in Italy, Portugal, Spain, and France, seeking weaponry in exchange for the support of his hitherto unknown but mighty Jewish kingdom. Many, however, believed him to favor the relatively tolerant Ottomans over the persecutorial Christian regimes. Reubeni was hailed as a messiah by many wealthy Jews and Iberia's oppressed conversos, but his grand ambitions were halted in Regensburg when the Holy Roman Emperor, Charles V, turned him over to the Inquisition and, in 1538, he was likely burned at the stake.Diary of a Black Jewish Messiah is the first English translation of Reubeni's Hebrew-language diary, detailing his travels and personal travails. Written in a Hebrew drawn from everyday speech, entirely unlike other literary works of the period, Reubeni's diary reveals both the dramatic desperation of Renaissance Jewish communities and the struggles of the diplomat, trickster, and dreamer who wanted to save them
    Description / Table of Contents: 0. Introduction 1. Africa 2. Egypt and the Holy Land 3. Italy 4. Portugal 5. Spain Appendix: Solomon Cohen's Addendum
    Note: Translation of: Sipur Daṿid ha-Reʼuveni , Includes bibliographical references and index , Zielgruppe: 5PGJ, Bezug zu Juden und jüdischen Gruppen
    URL: Cover  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503613676
    Language: English
    Pages: XI, 273 Seiten
    Year of publication: 2020
    Series Statement: Stanford studies in Jewish history and culture
    Parallel Title: Erscheint auch als Elsky, Julia Writing occupation
    Parallel Title: Erscheint auch als Elsky, Julia Writing occupation
    DDC: 840.9/21296
    Keywords: French literature Jewish authors ; History and criticism ; French literature History and criticism 20th century ; Jewish authors Language 20th century ; History ; French language Political aspects 20th century ; History ; World War, 1939-1945 Literature and the war ; France History German occupation, 1940-1945 ; Französisch ; Literatur ; Juden ; Autor ; Auswanderer ; Geschichte 1940-1945
    Abstract: Jewish émigré writers and the French language -- A Jewish poetics of exile : Benjamin Fondane's exodus -- Accents in Jean Malaquais' carrefour Marseille -- European language and the Resistance : Romain Gary's heteroglossia -- Buried language : Elsa Triolet's bilingualism -- Displacing stereotypes : Irène Némirovsky in the Occupied Zone -- Epilogue : memory, language, and Jewish Francophonie.
    Abstract: "Among the Jewish writers who immigrated from Eastern Europe to France in the 1910s and 1920s, a number chose to switch from writing in their languages of origin to writing primarily in French, a language that represented both a literary center and the promises of French universalism. But under the Nazi occupation of France from 1940 to 1944, these Jewish émigré writers-among them Irene Némirovsky, Benjamin Fondane, Romain Gary, Jean Malaquais, and Elsa Triolet-continued to write in their adopted language, even as the Vichy regime and Nazi occupiers denied their French identity through xenophobic and antisemitic laws. In this book, Julia Elsky argues that these writers reexamined both their Jewishness and their place as authors in France through the language in which they wrote. The group of authors Elsky considers depicted key moments in the war from their perspective as Jewish émigrés, including the June 1940 civilian flight from Paris, life in the Occupied and Southern Zones, the roundups and internment camps, and the Resistance in France and in London. Writing in French, they expressed multiple cultural, religious, and linguistic identities, challenging the boundaries between center and periphery, between French and foreign, even when their sense of belonging was being violently denied"--
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    ISBN: 9781503628427
    Language: English
    Pages: xiii, [3], 456 Seiten , 24 cm
    Year of publication: 2021
    Series Statement: Stanford studies in Jewish mysticism
    Uniform Title: Mevaḳshe ha-panim
    Parallel Title: Erscheint auch als Hellner-Eshed, Melila Seekers of the face
    Parallel Title: Erscheint auch als Helner-Eshed, Melilah, 1958 - Seekers of the face
    Parallel Title: Erscheint auch als Helner-Eshed, Melilah, 1958 - Seekers of the face
    DDC: 296.1/62
    Keywords: Idra rabba ; Zohar ; Cabala ; Zohar
    Abstract: Introduction to the Idra rabba -- The language of divine faces -- The gaze -- Reflections on Ze'eir Anpin -- Literature, mysticism, praxis -- Overarching themes in the Idra rabba -- What is the Idra rabba trying to communicate? -- Entering the Idra rabba -- The Kings of Edom : The first appearance -- Arikh Anpin : origins -- Arikh Anpin : features of the face -- Arraying Arikh Anpin's beard -- The Kings of Edom : the second appearance -- Ze'eir Anpin comes into being -- Ze'eir Anpin's head and its features -- The tiqqunim of Ze'eir Anpin : the language of flowing bounty -- The Ancient of Ancients and Ze'eir Anpin : all is one -- Forming the male and female body -- The Kings of Edom : the third appearance -- Separation and coupling -- Sweetening judgment -- Emerging from the Idra rabba
    Abstract: "A magisterial, modern reading of the deepest mysteries in the Kabbalistic tradition. Seekers of the Face opens the profound treasure-house at the heart of Judaism's most important mystical work: the Idra Rabba (Great Gathering) of the Zohar. This is the story of the Great Assembly of mystics called to order by the master teacher and hero of the Zohar, Rabbi Shim'on bar Yochai, to align the divine faces and to heal Jewish religion. The Idra Rabba demands a radical expansion of the religious worldview, as it reveals God's faces and bodies in daring, anthropomorphic language. For the first time, Melila Hellner-Eshed makes this challenging, esoteric masterpiece meaningful for everyday readers. Hellner-Eshed expertly unpacks the Idra Rabba's rich grounding in tradition, its probing of hidden layers of consciousness and the psyche, and its striking, sacred images of the divine face. Leading readers of the Zohar on a transformative adventure in mystical experience, Seekers of the Face allows us to hear anew the Idra Rabba's bold call to heal and align the living faces of God"--
    Note: Originally published in Hebrew in 2017 under the title Mevaḳshe ha-panim , Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    Book
    Book
    Stanford, California : Stanford University Press
    ISBN: 9781503628274
    Language: English
    Pages: xiii, 251 Seiten
    Year of publication: 2021
    Series Statement: Stanford studies in Jewish history and culture
    Parallel Title: Erscheint auch als Spinner, Samuel J. Jewish Primitivism
    DDC: 700/.4145
    Keywords: Jewish arts 20th century ; Jewish aesthetics 20th century ; Jewish literature Themes, motives 20th century ; Jewish art Themes, motives 20th century ; Primitivism in literature History 20th century ; Primitivism in art History 20th century ; Europa ; Juden ; Künste ; Ästhetik ; Primitivismus ; Vorurteil ; Geschichte 1900-1935
    Abstract: "Around the beginning of the twentieth century, Jewish writers and artists across Europe began depicting fellow Jews as savages or "primitive" tribesmen. Primitivism--the European appreciation of and fascination with so-called "primitive," non-Western peoples who were also subjugated and denigrated--was a powerful artistic critique of the modern world and was adopted by Jewish writers and artists to explore the urgent questions surrounding their own identity and status in Europe as insiders and outsiders. Jewish primitivism found expression in a variety of forms in Yiddish, Hebrew, and German literature, photography, and graphic art, including in the work of figures such as Franz Kafka, Y.L. Peretz, S. An-sky, Uri Zvi Greenberg, Else Lasker-Schüler, and Moï Ver. In Jewish Primitivism , Samuel J. Spinner argues that these and other Jewish modernists developed a distinct primitivist aesthetic that, by locating the savage present within Europe, challenged the idea of the threatening savage other from outside Europe on which much primitivism relied: in Jewish primitivism, the savage is already there. This book offers a new assessment of modern Jewish art and literature and shows how Jewish primitivism troubles the boundary between observer and observed, cultured and "primitive," colonizer and colonized".
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    Book
    Book
    Stanford, California : Stanford University Press
    Language: English
    Pages: X, 328 Seiten , Fotografien, Illustrationen, Karte
    Year of publication: 2020
    Keywords: Inschrift ; Jerusalem
    Abstract: In the mid-nineteenth century, Jerusalem was rich with urban texts inscribed in marble, gold, and cloth, investing holy sites with divine meaning. Ottoman modernization and British colonial rule transformed the city; new texts became a key means to organize society and subjectivity. Stone inscriptions, pilgrims' graffiti, and sacred banners gave way to street markers, shop signs, identity papers, and visiting cards that each sought to define and categorize urban space and people. "A City in Fragments" tells the modern history of a city overwhelmed by its religious and symbolic significance. Yair Wallach walked the streets of Jerusalem to consider the graffiti, logos, inscriptions, official signs, and ephemera that transformed the city over the late nineteenth and early twentieth centuries. As these urban texts became a tool in the service of capitalism, nationalism, and colonialism, the affinities of Arabic and Hebrew were forgotten and these sister-languages found themselves locked in a bitter war. Looking at the writing of—and literally on—Jerusalem, Wallach offers a creative and expansive history of the city, a fresh take on modern urban texts, and a new reading of the Israel/Palestine conflict through its material culture.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 7
    ISBN: 9781503629530 , 9781503637474
    Language: English
    Pages: ix, 258 Seiten
    Year of publication: 2024
    Parallel Title: Erscheint auch als
    Note: Enthält Literaturverzeichnis auf Seite 241-258
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...