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Last 7 Days Catalog Additions

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  • Online Resource  (16)
  • English  (16)
  • Juden  (12)
  • Ausstellung
  • Jews History 1945-
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  • 1
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    ISBN: 9781399503235
    Language: English
    Pages: 1 Online-Ressource (xv, 443 pages)
    Year of publication: 2023
    Parallel Title: Erscheint auch als Śnir, Reʾuven, 1953 - Palestinian and Arab-Jewish Cultures
    Keywords: Arabic literature History and criticism 20th century ; Jews in literature ; Jews Identity ; History ; Judaism in literature ; LITERARY CRITICISM / Middle Eastern ; Arabisch ; Literatur ; Judentum ; Juden ; Identität
    Abstract: Studies Arabic literary production from the point of view of commitment and hybridization and the interactions between themDiscusses the role of the 1948 Nakba in shaping Palestinian culture and literaturePresents the contribution of Maḥmūd Darwīsh in the process of Palestinian nation-buildingSheds light on the emergence of Palestinian theatrical movementProvocatively rereads the history of Jewish involvement in Arabic literatureLaments the demise of Arab-Jewish culture following the clash between Zionism and Arab national movementPart of a two-volume set, this volume examines the issues of commitment and hybridization in Arabic literature concentrating on Palestinian literature and Arab-Jewish culture and the interactions between them. Reuvin Snir studies the contribution of Palestinian literature and theatre to Palestinian nation-building, especially since the 1948 Nakba. Becoming an essential part of the vocabulary of Arab intellectuals and writers, since the 1950s commitment (iltizām) has been employed to indicate the necessity for a writer to convey a message rather than merely create an imaginative work for its own sake. As for hybridization, the author focuses on the role Jews have played in Arabic literature against the backdrop of their contribution to this literature since the pre-Islamic period, and in light of the gradual demise of Arab-Jewish culture in recent years. The blending of elements from different cultures is one of the major phenomena in Arabic literature, certainly in light of its relationship with Islam and its cultural heritage, which has been extending during the last one-and-half millennia
    Note: Frontmatter , Contents , Preface , Acknowledgments , Technical Notes , Notes on Transliteration , Introduction , Part I Occupation, Domination, and Commitment , Introduction , Chapter 1 Performance: In the Service of the Nation , Chapter 2 Commitment: Verse Drama and Resistance , Chapter 3 Chronicle: The Ongoing Nakba , Chapter 4 Bilingualism: Palestinians in Hebrew , Part II Hybridization, Exclusion, and Demise , Introduction , Chapter 5 Pluralism: Arabs of Mosaic Faith , Chapter 6 Spring: “We Were Like Those Who Dream” Spring: “We Were Like Those Who Dream” , Chapter 7 Demise: The Last of the Mohicans , Chapter 8 Identity: Inessential Solidarities , Epilog “Trailed Travellers”: Between Fiction, Meta-Fiction, and History , References , Index , In English
    URL: Cover  (lizenzpflichtig)
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  • 2
    Language: English
    Pages: 21 S.
    Year of publication: 2017
    Keywords: Ausstellung
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  • 3
    Language: English
    Pages: 538 Seiten , 83 farbige Abbildungen
    Year of publication: 2015
    Keywords: Rothschild, Henry ; Großbritannien ; Sammlung ; Ausstellung ; Jüdisches Kunsthandwerk
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  • 4
    Language: English
    Year of publication: 2019
    Keywords: Ausstellung ; Bibliographie ; Jüdische Kunst ; Judaica
    Abstract: "Catalog of Catalogs provides a comprehensive index of nearly 2,300 publications documenting the exhibition of Judaica over the past 140 years. This vast corpus of material, ranging from simple leaflets to scholarly catalogs, contains textual and visual material as yet unmined for the study of Jewish art, religion, culture and history. Through highly-detailed, fully-indexed catalog entries, William Gross, Orly Tzion and Falk Wiesemann elucidate some 2,000 subjects, geographical locations and Judaica objects (ceremonial objects, illuminated manuscripts, printed books, synagogues, cemeteries et al.) addressed in these catalogs. Descriptions of the catalog's bibliographic components, contributors, exhibition history, and contents, all accessible through the volume's five indices, render this volume an unparalleled new resource for the study of Jewish Art, culture and history." -- Provided by publisher
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  • 5
    Language: English
    Pages: 52 Seiten
    Year of publication: 2019
    Keywords: Heymann-Marks, Grete ; Ahlfeld-Heymann, Marianne ; Ausstellung
    Abstract: To mark the Bauhaus centenary, the MAKK will be presenting the work of avant-garde ceramic artist Margarete Heymann-Loebenstein and of sculptress and stage designer Marianne Ahlfeld-Heymann. Their work will be shown in a dialogue with colour studies, paintings, drawings and sculptures by Johannes Itten, Oskar Schlemmer, Wassily Kandinsky and László Moholy-Nagy from the museum’s own collection. With this exhibition, the MAKK retraces the work of two female artists born in Cologne to Jewish families: the cousins Margarete (1899-1990) and Marianne (1905-2003) Heymann. The exhibition title relates to the fact that 14 Cologne-born people spent some time at the Bauhaus. Up until now, with a few exceptions, their artistic legacies have not been generally known to the public. In 1920, Margarete Heymann was admitted to Johannes Itten’s preliminary course at the Bauhaus. In 1921, she went to train at the ceramic workshop Dornburg under master of craft Max Krehan and master of form Gerhard Marcks. She continued to attend courses in Weimar taught by Georg Muche, Paul Klee and Gertrud Grunow. Although Heymann left the Bauhaus in the autumn of 1921, her time there would have a lasting effect on her work. This is particularly evident in both the avant-garde and reduced forms of her consumer ceramics and in her famous disc-handle services, most notably in the tea service, which is designed completely using basic geometric shapes. Its ornamentation also lends itself to comparison with compositions by Kandinsky or Moholy-Nagy. In 1923, together with her husband Gustav Loebenstein, Margarete Heymann-Loebenstein founded the Haël Workshops for artistic ceramics in Marwitz, near Berlin. The workshops’ creative programme would soon be met with great international demand. The business was closed at the end of 1933 and aryanised in 1934. Margarete first fled to Denmark, then emigrated to the UK in 1936. Marianne Heymann first attended the School of Arts and Crafts in Cologne and, from 1923 onwards, the sculpture workshop at the Bauhaus, but she left in 1925 because the class was dropped after the Bauhaus‘s move from Weimar to Dessau. She attended Walter Gropius’s sculpture and stage design classes, but she was particularly impressed by Paul Klee’s artistic teachings. After her time at the Bauhaus, she created hand puppets and marionettes for independent productions, before working as a stage designer, both for the Mannheim National Theatre and the Cologne Opera. She created many designs for imaginative sets, costumes and masks, for example for Jacques Offenbach’s operetta La Périchole. The influence of Schlemmer’s stage art is particularly evident in her costume designs: towering headpieces, featuring concentric rings, trapezoid robes, quilted and padded borders and clear colour palettes. Marianne Heymann was also denounced to the Nazis. She fled to Paris via Ascona and emigrated to Israel in 1949.
    Note: Auf dem Museumsserver gespeichert.
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  • 6
    Language: English
    Year of publication: 2014
    Keywords: Flüchtling ; Weltkrieg ; Ausstellung ; Juden ; Böhmen
    Abstract: From 28. 08. 2014 to 01. 02. 2015 A new exhibition by the Jewish Museum in Prague focuses on the fate of refugees during the First World War and reflects on the centenary of the outbreak of this conflict. During the First World War, hundreds of thousands of people fled from destroyed and occupied towns to the inner regions of the Habsburg monarchy out of fear of violence in the Front areas. “Although they were the first large group of refugees in the modern history of the Bohemian lands, their fate has been overlooked. By holding this exhibition, the Jewish Museum in Prague seeks not only to commemorate the centenary of the outbreak of the First World War, but also to emphasize the importance of refugees and refugee policy in Czech and Czechoslovak history of the 20th century. For the Jewish population in particular, the flight of these refugees and their loss of rights was part of their journey through what was to be a century of refugees,” says Michal Frankl, the author of the exhibition. This exhibition follows the fate of Jewish refugees in Bohemia and Moravia in the broader context of refugees and refugee policy throughout the Habsburg Monarchy. In addition to highlighting the immediate fate of the refugees, however, it also explores the response of society. It examines the extent to which the then widespread division of people along ethnic lines influenced the attitude towards refugees, the extent to which the response to Jewish refugees was affected by prejudices, and the reason why Jewish refugees were targeted in unscrupulous anti-Semitic campaigns in the post-war period after the founding of an independent Czechoslovakia. On display are photographs that have never before been shown in the Czech Republic. These images not only document the life of the refugees and refugee camps, but also point to a fascination with the difference of “Eastern Jews” whose clothing, piety and unusual language attracted great attention at the time. Narrated excerpts from period chronicles and newspapers illustrate how the local population dealt with this difference and reveal the prejudices against Jewish refugees. The exhibition also features items from the Jewish Museum's visual arts collection, which further document the response to the Jewish refugees living in Bohemia. The voices, experiences and attitudes of the refugees appear to have vanished among the heaps of documents and dozens of photographs that have been preserved in archives in the Czech Republic and other countries. This is why the exhibition features the unique audiovisual testimonies of Jewish refugees and draws attention to their opinions and everyday life as reconstructed from newspapers and from fragmentary materials relating to aid organizations. Visitors will also have an opportunity to study the response of the Jewish press in dealing with the “Eastern” Jews and their difference from the more integrated Jews in the Bohemian lands. For the most part, the only physical traces of the refugees' stay in Bohemia during the First World War are their graves in Jewish cemeteries. One of these, a unique wooden tombstone on loan from Horažďovice, will be on view at the exhibition from October. The exhibition has been put together by Michal Frankl, Jan Wittenberg and Wolfgang Schellenbacher. The partner of the exhibition is the Jewish Museum in Berlin. The project was implemented with the kind support of the German-Czech Future Fund and the Foundation of the Jewish Museum in Prague.
    Note: Kein Katalog erschienen.
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  • 7
    Language: English
    Pages: 360 Seiten
    Year of publication: 2007
    Keywords: Russland ; Presse ; Pogrom ; Juden ; Deutschland
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  • 8
    Language: English
    Pages: VI, 318 Seiten
    Year of publication: 2004
    Keywords: Großbritannien ; Österreich ; Militär ; Flüchtling ; Juden ; Deutschland
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  • 9
    ISBN: 9789004544109
    Language: English
    Pages: 1 Online-Ressource (XIII, 310 Seiten) , Karten, Illustrationen
    Year of publication: 2023
    Series Statement: Yearbook of the Research Centre for German and Austrian exile studies volume 22
    Parallel Title: Erscheint auch als Music and exile
    RVK:
    Keywords: National socialism and music History 20th century ; Jewish composers Social conditions 20th century ; Jewish refugees Social conditions 20th century ; Expatriate musicians Social conditions 20th century ; Music Social aspects 20th century ; History ; Jews Migrations ; Music History and criticism 20th century ; Jews Music ; History and criticism ; Europe Emigration and immigration 20th century ; History ; United States Emigration and immigration 20th century ; History ; Australia Emigration and immigration 20th century ; History ; China Emigration and immigration 20th century ; History ; Neue Musik ; Auswanderung ; Musiksoziologie ; Nationalsozialismus ; Deutschland ; Judenverfolgung ; Exil ; Komponist ; Juden ; Musik ; Spoliansky, Mischa 1898-1985 ; Goldschmidt, Berthold 1903-1996 ; Granichstaedten, Bruno 1879-1944
    Abstract: "How did exiled musicians from Germany and Austria, who reached safety at Kitchener Camp in Britain, find themselves in an Australian internment camp in New South Wales in 1940? What were the institutions that helped Jewish refugee musicians survive in wartime Shanghai? What happened to Austrian musicians who were trapped in the Netherlands after the German occupation? These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his 'exile opera' Beatrice Cenci. Studies of Mischa Spoliansky's music for the movie Mr. Emmanuel (1944) and Franz Reizenstein's radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars"--
    Description / Table of Contents: Music and Exile : From 1933 to the Present Day / Malcolm Miller and Jutta Raab Hansen -- The Musical Identity of the Austrian Exile / Michael Haas -- An Ambiguous Story - Austrian Music Exile in the Netherlands / Primavera Driessen Gruber -- Vom Kitchener Camp in australische Wüstenlager : Der Weg jüdischer Exil-Musiker über Grossbritannien nach Down Under / Albrecht Dümling -- Creation of Jobs, Union Work and Cooperation : The Institutionalisation of Musical Life by the European Jewish Artist Society, the Shanghai Musicians Association, and the Association of Jewish Precentors in the Shanghai Exile, 1938-49 / Sophie Fetthauer -- 'A State of Crass Ideological Confusion' : Avant-Garde Music and Antisemitism in the Free German League of Culture / Florian Scheding -- 'Almost as Impressive as Its Legacy in the Visual Arts' : Ben Uri Art Society and Music in Exile, 1931-60 / Rachel Dickson -- Goldschmidt and Hamburg / Peter Petersen -- Preisgekrönt und doch kein Glück? Anmerkungen zu Berthold Goldschmidts Belcanto-Oper Beatrice Cenci / Barbara Busch -- 'A Place of Refuge in Your Arms' : Reizenstein's Anna Kraus as Holocaust Opera / Malcolm Miller -- Von grossen Erfolgen in der Zwischenkriegszeit zu relativer Vergessenheit : Die Komponisten Bruno Granichstaedten und Robert Katscher im Exil / Hanja Dämon -- Encounters with the Émigré Experience : Discovering the Chamber Music and Songs of Peter Gellhorn / Norbert Meyn -- Visits in Four Cities : Stations in the Musical and Familial Life of the Song Composer Max Kowalski (1882-1956) / Nils Neubert -- Der österreichische Musiker Ferdinand Rauter als Musiktherapeut in Camphill bei Aberdeen in Schottland (1945 bis 1947) / Jutta Raab Hansen -- Mischa Spoliansky's Music for the Movie Mr. Emmanuel (1944) / Jörg Thunecke.
    Note: Includes index , Beiträge englisch und deutsch
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  • 10
    ISBN: 9789004538269
    Language: English
    Pages: 1 Online-Ressource (X, 553 Seiten)
    Year of publication: 2023
    Series Statement: Compendia Rerum Iudaicarum ad Novum Testamentum volume 17
    Series Statement: Biblical Studies, Ancient Near East and Early Christianity E-Books Online, Collection 2023
    Parallel Title: Erscheint auch als Jewish Martyrdom in Antiquity : From the Books of Maccabees to the Babylonian Talmud
    Keywords: Martyrdom Judaism ; Suicide Religious aspects ; Judaism ; Juden ; Martyrium ; Antike
    Abstract: This volume offers a comprehensive discussion of all relevant sources concerning Jewish martyrdom in Antiquity. By viewing these narratives together, tracing their development and comparing them to other traditions, the authors seek to explore how Jewish is Jewish martyrdom? To this end, they analyse the impact of the changing social and religious-cultural circumstances and the interactions with Graeco-Roman and Christian traditions. This results in the identification of important continuities and discontinuities. Consequently, while political ideals that are prominent in 2 and 4 Maccabees are remarkably absent from rabbinic sources, the latter reveal a growing awareness of Christian motifs and discourse
    Note: Includes bibliographical references and index , Preface -- Part 1: Setting the Stage -- 1 Introduction -- 1 The Problem of Jewish Martyrdom -- 2 ‘Martyrdom’ and ‘Noble Death’: Definitions, Motifs and Technical Vocabulary -- 3 History and Memory -- 4 Book Plan -- 2 Between History and Memory -- 1 Introduction -- 2 Martyrdom and Persecution in the Maccabean Books -- 3 ‘The Time of Persecution’ in Rabbinic Memory -- 4 Conclusion -- 3 The Sanctification of God’s Name in Rabbinic Traditions -- 1 ‘Sanctification of the Name’ in Early Martyrological Texts -- 2 Early Non-Martyrological Material -- 3 Shifts of Emphasis in the Amoraic Period -- Part 2: Narratives -- 4 Martyrdom in Second and Fourth Maccabees -- 1 Introduction -- 2 2 Maccabees -- 3 4 Maccabees -- 4 Conclusion -- 5 Jewish Noble Death in Second Temple Literature -- 1 Introduction -- 2 The Book of Daniel -- 3 1 Maccabees -- 4 Philo -- 5 Assumption of Moses -- 6 New Testament -- 7 Josephus -- 8 Lives of the Prophets -- 9 Conclusion -- 6 The Development of Rabbinic Martyr Traditions -- 1 R. Akiva -- 2 R. Hanina ben Teradion -- 3 R. Yishmael and R. Shimon -- 4 R. Yehuda ben Bava -- 5 Other Rabbis Whose Death Is Not Reported in Talmudic Sources -- 6 Conclusion -- 7 Non-Rabbinic Martyrs in Rabbinic Literature -- 1 Pappus and Lulianus -- 2 The Mother and the Seven Sons -- 3 Anonymous Victims of the ‘Time of Persecution’ -- 4 Apostate and Gentile Martyrs: Those Who Acquire Their World in One Hour -- Part 3: Themes -- 8 Religion and Politics: The Martyrs as Heroes of the Jewish People -- 1 Introduction -- 2 The Martyrs’ Motivations: Religion and Politics -- 3 The Martyrs and Razis as Model Citizens of the Jewish State -- 4 The Martyrs as Exemplary Figures Characterizing the Jewish People -- 5 Defeating the King: The Triumph of the Jewish Way of Life -- 6 Conclusion -- 9 Beneficial Death and Posthumous Reward in Second Temple Literature -- 1 Beneficial Death -- 2 Vindication -- 3 Conclusion -- 10 The Justification of Violent Death in Rabbinic Literature: From Theodicy to Salvific Death -- 1 The Problem of Theodicy -- 2 Death as Atonement for One’s Own Sins -- 3 Soteriological Perspectives in Early Martyr Legends -- 4 The Atoning Effect of the Death of the Righteous -- 5 Conclusion: Salvific Death in a Comparative Perspective -- 11 Rabbinic and Early Christian Perspectives on Martyrdom: Differences and Similarities -- 1 Narratives -- 2 Martyrdom as Testimony -- 3 Theodicy and Eternal Reward -- 4 Motivations -- 5 An End to Itself? -- 6 Social Ties -- 7 Conclusion -- Conclusion: The Transformation of Jewish Martyrdom within Changing Contexts -- Bibliography -- Index. , English
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