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  • 1
    Language: English
    Year of publication: 2021
    Titel der Quelle: "Into Life"
    Angaben zur Quelle: (2021) 57-87
    Keywords: Rosenzweig, Franz, ; Jewish philosophy 20th century ; Rationalism Philosophy
    Abstract: The article explores the meaning and role of rationalism within Rosenzweig’s definition of The Star of Redemption as a “new theological Rationalism.” A form-content dualism is presupposed in the Star as the basis for the non-identity of thinking and Being. Significantly, the scientific character of philosophy is for Rosenzweig nothing but its formality, its heterogeneity to its content. Against this background, I argue that Rosenzweig appropriates Hermann Cohen’s transcendental method, which takes rational thinking to be an analysis and a reconstruction of a problematized object — a “fact.” My content is that this method is used in the Star to reenable the thinking of Being (content) from within the metalogical world. It does so by taking Being to be a problematic object, in the notion of God as the objective ground of the world. The philosophically presupposed fact of the Star is thus not Revelation, but the notion of a redeemed world, which emerges as the content of faith. This faith in Redemption represents for Rosenzweig a precondition for Revelation. I finally claim that this is met in prayer, which is the “form where Redemption can become the content of Revelation.”
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  • 2
    Language: English
    Year of publication: 2021
    Titel der Quelle: "Into Life"
    Angaben zur Quelle: (2021) 111-138
    Keywords: Rosenzweig, Franz, ; Jewish philosophy 20th century ; Creation Philosophy ; Revelation Philosophy ; Art Philosophy
    Abstract: The paper delineates Rosenzweig’s theory of autonomous art against the background of his understanding of metaphysics and systematicity, which evolved around his conception of love. The first part discusses Rosenzweig’s critical understanding of traditional metaphysics and the resulting task of reconfiguring systematic philosophy. The second part reconstructs Rosenzweig’s account of creation as the threshold toward revelation and, thus, as the negative argument for ascribing love such a pivotal role within the overall project of the Star. Part three delineates Rosenzweig’s theory of love as divine calling against the background of both his non-necessitarian yet systematic philosophy and his theory of redemption. The fourth and final part further illuminates Rosenzweig’s theory of love through the juxtaposition between the divine and the artistic calling and/or between revelatory and artistic communication, simultaneously elucidating Rosenzweig’s claim that autonomous art is a necessary yet episodic stage toward religious and religion-inspired social practices.
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  • 3
    Language: English
    Year of publication: 2021
    Titel der Quelle: "Into Life"
    Angaben zur Quelle: (2021) 139-193
    Keywords: Rosenzweig, Franz, Criticism and interpretation ; Bible Translating ; Philosophy ; Jewish philosophy 20th century ; Art Philosophy 20th century ; History ; Art and religion
    Abstract: According to Siegfried Kracauer the Buber-Rosenzweig Bible translation was an expression of a religious renewal that in an anachronistic and artificial way tried to revive a form of truth that he saw as overcome by the profane reality in modernity. What was for Kracauer merely religious sensationalism was for Rosenzweig an answer to what he saw as the pressing problem of a crisis of orientation in modernity, but also a need to reformulate the relationship between Germanness and Judaism for his own time. Against the background of Kracauer’s critique and the debate that revolves around it, the following essay explores how Rosenzweig formulated an answer in his approach to language and translation and in his theory of art, and thereby shows how he developed his position against what he characterizes as the premises of the idealist tradition. Rosenzweig’s critique was a struggle through what he saw as the contradictions of modernity and the false promise of freedom and autonomy. The essay asks to what extent Rosenzweig entangles himself in the contradictions that he wanted to overcome. Can these contradictions be found in the project of the Bible translation and in Rosenzweig’s work more generally? Can his endeavor be characterized as what Theodor W. Adorno described as a Dialectic of Enlightenment that has been “broken off too early” as a longing for a new form of heteronomy?
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  • 4
    Language: English
    Year of publication: 2021
    Titel der Quelle: "Into Life"
    Angaben zur Quelle: (2021) 281-341
    Keywords: Heidegger, Martin, Criticism and interpretation ; Rosenzweig, Franz, Criticism and interpretation ; Jewish philosophy 20th century ; Jews Identity 20th century ; History ; Jews Public opinion 20th century ; History ; Homeland (Theology) ; Antisemitism Philosophy
    Abstract: This essay identifies a surprising, but non the less striking affinity between Heidegger’s later distancing from the National-Socialist geocentrism and Rosenzweig’s affirmation of essentially diasporic character of Jewish existence. The author shows first how Heidegger’s earlier confluence of the ethnolinguistic and the geopolitical results in his distorted critique of the Jewish people, as the ones with no home, language, world, or historical destiny. Though, without exonerating at any rate Heidegger’s distorted and flawed views, the essay proceeds in depicting how Heidegger’s later theological-poetic shift, inspired from and exemplified in Hölderlin’s poetry, shows itself to be highly akin to Rosenzweig’s understanding of Holiness. Asides from his insistence of the special character of the German and the Greek language, Heidegger’s later thinking is characterized by the far-reaching insight regarding the centrality of a poetics that celebrates the sense of the unhomely (das Unheimische) as essential for the possibility for human beings to feel at home (einheimisch) in the world and, hence, by the affirmation of the nomadic nature of poiesis. Heidegger’s turn is analogous to Rosenzweig’s affirmation of the essentiality of the diasporic character of Jewish existence. According to Rosenzweig and to his reading of the tradition, the Holiness of the land and of the language “prevents the eternal people from ever living entirely at one with the times.” A feeling that also applies, according to Rosenzweig, to the way that the Jewish poet perceives his poetic activity and his place in the world. Thus, so the upshot of the essay, despite Heidegger’s denial or ignorance, a deeper convergence between Jewish and the German poiesis can be identified, namely, that the “serenity of being-at-home necessarily belongs together with the turbulence of not-being-at-home.”
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  • 5
    Language: English
    Year of publication: 2021
    Titel der Quelle: "Into Life"
    Angaben zur Quelle: (2021) 194-215
    Keywords: Cavell, Stanley, Criticism and interpretation ; Rosenzweig, Franz, ; Jewish philosophy 20th century ; Ontology Philosophy ; Aesthetics Philosophy
    Abstract: The essay explores Rosenzweig’s realist ontology in the Metalogic section of the Star of Redemption and brings it into conversation with Stanley Cavell’s realist ontology of film. In each thinker’s realist ontology, the world is thought of as replete with possibilities of being viewed from infinitely many separated but interlocking perspectives. Each thinker places this realist ontology in service of profoundly different aesthetic theories. For Rosenzweig, classical tragedy stages a world where the human is thrown back upon herself and unable to share the world with others. He claims that there is no way for the tragic self to return to the world except through a divine revelation of love that breaks into the closed self and awakens a loving response. Cavell, however, argues that film is the unique modern art form in which classical tragedy and the experience of revelation are combined, where the spectator is separated from the world and also made aware of the possibility of renewing her connection to the world through a loving response that Cavell describes as the “acknowledgment” of the radical otherness of each person.
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  • 6
    Language: English
    Year of publication: 2021
    Titel der Quelle: "Into Life"
    Angaben zur Quelle: (2021) 219-239
    Keywords: Cohen, Hermann, Criticism and interpretation ; Rosenzweig, Franz, Criticism and interpretation ; Jewish philosophy 20th century ; Individuality Philosophy ; Ethics Philosophy
    Abstract: The essay compares the respective concepts of Hermann Cohen and Franz Rosenzweig on the theme of individuality and moral agency. It starts from the assumption that Rosenzweig’s project of a “New Thinking,” prominently expressed in the Star of Redemption, is indebted to and inspired by the works of Rosenzweig’s former teacher Hermann Cohen. The essay examines the concepts of individuality and moral agency in Cohen’s ethics and philosophy of religion focusing on his reflections concerning the fellow man, the I and the notions of sin and redemption. Those conceptions are compared with Rosenzweig’s use of the same terminology. The essay shows how Rosenzweig appears to have adopted Cohen’s concepts of moral personality, integrating the Cohenian terminology into his project. At the same time, Rosenzweig proves not only to abandon its Kantian specifications, but also to invert Cohen’s notion of moral prerequisites for the discovery of the I, developing the Cohenian fundaments of his project into an account of its own right.
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