feed icon rss

Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • Staatsbibliothek zu Berlin  (2)
  • Hamburg  (2)
  • Ethik  (1)
  • Holocaust, Jewish (1939-1945) Historiography
  • 1
    ISBN: 0674707656 , 0674707664
    Language: English
    Pages: 407 Seiten , 24 cm
    Year of publication: 1992
    DDC: 940.53/18
    RVK:
    Keywords: Holocaust, Jewish (1939-1945) Historiography ; Holocaust, Jewish (1939-1945) Influence ; Holocaust, Jewish (1939-1945), in literature ; Konferenzschrift 1990 ; Judenvernichtung ; Geschichte ; Judenvernichtung ; Nationalsozialismus ; Geschichte
    Abstract: Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror. Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust? Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman’s evocative meditation on memory. These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.
    Note: Enthält Literaturangaben und ein Register
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    ISBN: 3943425746 , 9783943425741
    Language: German
    Pages: 94 Seiten , 21 cm x 11.8 cm, 190 g
    Year of publication: 2018
    DDC: 943.086072
    RVK:
    Keywords: Edition ; Aufsatzsammlung ; Aufsatzsammlung ; Hitler, Adolf 1889-1945 Mein Kampf ; Institut für Zeitgeschichte München-Berlin ; Kritische Ausgabe ; Geschichte 2016 ; Ethik ; Hitler, Adolf 1889-1945 Mein Kampf ; Edition
    Abstract: Die im Auftrag des Instituts für Zeitgeschichte (IfZ) 2016 herausgebrachte Mein Kampf-Ausgabe beansprucht, einen wichtigen Beitrag gegen den Antisemitismus zu leisten. Dem haben renommierte Historiker wie Götz Aly, Patrick Bahners, Wolfgang Benz, Ulrich Herbert, Martin Kitchen, Otto Dov Kulka, Wolfgang Schieder und Hayden White widersprochen. Weltweites Aufsehen erregte vor allem der Londoner Gelehrte Jeremy Adler mit seiner Kritik und These, „das absolut Böse“ lasse sich nicht „edieren“. In zwei Essays der Süddeutschen Zeitung und in vielen Radio-Interviews begründete er, warum die IfZ-Edition den Anforderungen einer seriösen Ausgabe nicht genügt. Adler wirft ihr vor, die antisemitischen Aussagen des Originals ungenügend zu kommentieren und somit die Judenfeindlichkeit von Mein Kampf zu bekräftigen.
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...