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  • 1
    Book
    Book
    New Brunswick, New Jersey ; London : Rutgers University Press
    ISBN: 9781978802568 , 9781978802551
    Language: English
    Pages: vii, 241 Seiten , Illustrationen
    Year of publication: 2020
    DDC: 741.5/358405318
    Keywords: Comic ; Judenvernichtung ; Holocaust, Jewish (1939-1945) ; Holocaust, Jewish (1939-1945), in literature ; Graphic novels / History and criticism ; Autobiography ; Holocaust, Jewish (1939-1945) / Influence ; Literature, Modern / 20th century / History and criticism ; Literature, Modern / 21st century / History and criticism ; Autobiography ; Graphic novels ; Holocaust, Jewish (1939-1945) in literature ; Influence (Literary, artistic, etc.) ; Literature, Modern ; 1900-2099 ; Criticism, interpretation, etc ; Comic ; Judenvernichtung
    Abstract: "Holocaust Graphic Narratives examines Holocaust graphic novels and memoirs, analyzing the genre as one that enables intergenerational transmission of trauma and memory. Here, the graphic novel becomes a medium uniquely positioned to create a sense of felt immediacy, urgency, and authenticity at the intersection of history and the imagination"--
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  • 2
    Online Resource
    Online Resource
    Evanston, Illinois : Northwestern University Press | Berlin : Knowledge Unlatched
    ISBN: 0810134098 , 081013411X , 0810134101 , 9780810134096 , 9780810134119 , 9780810134102
    Language: English
    Pages: 1 Online-Ressource (IX, 263 Seiten) , illustrations, figures, tables
    Year of publication: 2017
    Series Statement: Cultural expressions of world war II
    Parallel Title: Print version Third-Generation Holocaust Representation, Trauma, History, and Memory
    RVK:
    Keywords: Psychic trauma in literature ; Memory in literature ; Holocaust, Jewish (1939-1945) Influence ; Literature, Modern History and criticism 20th century ; Judenvernichtung ; Kollektives Gedächtnis ; Angehöriger ; Enkel
    Abstract: Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish—gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of these writers, this bold new work examines those structures, ironies, disjunctions, and tensions that produce a literature lamenting loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of “postmemory”; the intergenerational transmission of trauma; inherited memory; the psychological tensions of post-Holocaust Jewish identity; tropes of memory and the personalized narrative voice; generational dislocation and anxiety; the recurrent antagonisms of assimilation and alienation; the imaginative reconstruction of the past; and the future of Holocaust memory and representation
    Abstract: On the periphery : the "tangled roots" of Holocaust remembrance for the third generation -- The intergenerational transmission of memory and trauma : from survivor writing to post-Holocaust representation -- Third-generation memoirs : metonymy and representation in Daniel Mendelsohn's The Lost -- Trauma and tradition : changing classical paradigms in third-generation novelists -- Nicole Krauss : inheriting the burden of Holocaust trauma -- Refugee writers and Holocaust trauma -- "There were times when it was possible to weigh suffering" : Julie Orringer's The Invisible Bridge and the extended trauma of the Holocaust
    Note: eng
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  • 3
    ISBN: 9780814349144 , 9780814349151
    Language: English
    Pages: x, 239 Seiten , Illustrationen , 23 cm
    Year of publication: 2023
    DDC: 741.53
    Keywords: Comic books, strips, etc History and criticism ; Graphic novels History and criticism ; Jewish women authors 21st century ; Jews Identity ; Comics criticism
    Abstract: "In the graphic novels and memoirs that form the basis of this study, the construction of individual identities and the mutating, mercurial shape of the self are situated in Jewishness, in a past, both remote and proximate, within which these comics artists locate, define, and defend the self, even if in contestation with some of the strictures and limitations embedded in such structures. The voices that we hear in these narratives are Jewish voices, which is to say, self-referential, ironic, combative, at the intersection of understatement and exaggerated self-parody, mixing modes of celebration and lamentation. The works of these Jewish women graphic novelists are preoccupied with the past, with personal histories and mythologies as well as with the larger narratives of Jewish history and tradition-extended and recursive moments of catastrophic loss and survival. As Samantha Baskind and Ranen Omer-Sherman point out, the Jewish graphic novel is a genre "uniquely suited to the quintessential narrative themes of the Jewish imagination: mobility, flight, adaptation, transformation, disguise, metamorphosis . . . and retells the Jewish story in new and exciting ways" (Baskind and Omer-Sherman xvii). The graphic narratives I examine here tell the Jewish story from a gendered perspective, one that problematizes notions of identity and self-representation against the itinerant punctuations of time and memory. In the works of the Jewish women graphic novelists that I discuss, the "themes of the Jewish imagination" are in conversation with individual and collective histories. These histories inform and contextualize the experiences these graphic novelists and their characters and alter-egos have of living in the world, engaging circumstances of their own making and events shaped by both the traumatic and fortuitous intrusions of chance and history. In these works, the graphic storytellers invoke voices of authority-the influence of the literary "fathers," biblical narratives and injunctions, Holocaust testimony-in conversation with their own contemporary, immediate, and proximate realities. Thus, read in sequence, these graphic novelists talk through their Jewish lives, visualizing and problematizing the worlds they inhabit and the futures they imagine"--
    Note: Includes bibliographical references (pages 217-229) and index
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