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  • 1
    Article
    Article
    In:  תיאוריה וביקורת; במה ישראלית 38-39 (2011) 302-315
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 302-315
    Keywords: Zionism Philosophy ; National characteristics, Israeli ; State, The Philosophy ; Israel History ; Philosophy
    Note: על ארבעה מחקרים בנושא.
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  • 2
    Article
    Article
    In:  תיאוריה וביקורת; במה ישראלית 38-39 (2011) 287-301
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 287-301
    Keywords: Land settlement ; Arab-Israeli conflict
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  • 3
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 211-234
    Keywords: Gender identity in motion pictures ; Jews in motion pictures ; Intifada, 1987-1993 ; Al-Aqsa Intifada, 2000-2005 ; Motion pictures ; Jewish-Arab relations
    Abstract: An analysis of films depicting interracial sex between men in Israeli and in Palestinian cinema, which were produced during and after the second Intifada (2000-2008), reveals a complex picture. Both corpora deal with the post-traumatic intersection of race and nationality with gender and sexuality. The paper examines two examples: Eytan Fox’s Israeli film, The Bubble, and Tawfik Abu Wael’s short Palestinian film, Diary of a Male Whore. While the Israeli film focuses on interracial sex infiltrated by terror within the urban Western gay scene, the Palestinian film focuses on interracial sex within the post-traumatic memory of expulsion and loss of home.These constructs – together with socio-religious differences between the two cultures and their film industries – have ramifications on how (homo)sexualities are represented. Homosexual Palestinian and Israeli cinema during and after the second Intifada (as presented in Bubble and Diary) suggests a complex network of interracial sexual relations. This paper, therefore offers a rethinking of cultural concepts (e.g., gay-ization, the permeable body, masturbation, gay shame-pride-humiliation, gaze and scopic economics), as well as of memory, trauma, and post-trauma.
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  • 4
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 185-209
    Keywords: צימרמן, משה, ; Holocaust, Jewish (1939-1945), in motion pictures ; Holocaust survivors ; Holocaust, Jewish (1939-1945) Influence
    Abstract: Nostalgia serves the need to view the past positively; a need that stems from our situation in the present and is detached from the real nature of the past. According to this outlook, nostalgia recreates the past out of yearning for it. Consequently, it would seem easier to positively color a pleasant past than a grim past. Nostalgia is not a total delusion. It evokes a creative connection to the past and does not overlook actual memories.The creative action of nostalgia is almost impossible when confronting a traumatic past that does not permit good memories. Such a past might be addressed with grief or sarcasm. Sarcasm seems to oppose nostalgia because it creates a distant gaze that is liable to dissolve the innocent, positive yearning of nostalgia. One might therefore conclude that (1) nostalgia cannot be applied to a traumatic past; (2) sarcasm cannot coexist with nostalgia.However, the nostalgia in the film “Pizza in Auschwitz” (Israel, 2008) seems to contradict both conclusions. It is applied to a traumatic past and is mixed with sarcasm and black humor. This paper sheds new light on the concept of nostalgia to try and elucidate the meaning of “Holocaust Nostalgia” (a term used in the film itself).
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  • 5
    Article
    Article
    In:  תיאוריה וביקורת; במה ישראלית 38-39 (2011) 161-184
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 161-184
    Keywords: Israeli literature History and criticism ; Ethnic groups ; Immigrants Social conditions ; Immigrant absorption
    Abstract: Mizrahi fiction in Israel displays a sharp awareness of the family. Immigration to Israel, like life pre and post-immigration is generally portrayed through the lens of family relationships and the awareness of the parents’ difficulty in adjusting to their new country. In this context, Mizrahi fiction rejects the Oedipal narrative that has been a central presence in Israeli fiction from the 1960s onward. As an alternative, it offers a narrative of intergenerational partnership and identification, principally between sons and fathers, that may be referred to as a “Negative-Oedipus” narrative (Freud).In the works of Albert Suissa, Sami Berdugo, Yosi Avni, Dudu Busi and others, criticism is leveled at the fathers – not because of their difficulty in integrating into Israeli society – but because of their willingness to collaborate with the Israeli “melting pot” and shed their Arab traits. Identification with the fathers is channeled in Mizrahi fiction into a demand for remembrance of the Arab cultural and linguistic markers expunged during the process of absorption into Israel, even if these markers cannot be reinstated.
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  • 6
    Article
    Article
    In:  תיאוריה וביקורת; במה ישראלית 38-39 (2011) 137-160
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 137-160
    Keywords: Women Social conditions ; Gender identity ; Sex role ; Jews History 1500- ; Tel Aviv-Yafo (Israel) History 1917-1948, British Mandate period
    Abstract: The nature of the connections between Jewish and Arab society in Palestine, during the late Ottoman period and under British Mandate rule, continues to be disputed among scholars. This paper examines the theoretical and methodological implications of utilizing the categories of Arab-Jews and of gender, to this historiographical polemic. Through analysis of the case study of the connections between Mizrahi Jewish girls and Arab men in Mandate Tel Aviv, this paper argues that interrelations between Mizrahi Jews, and Arabs in Palestine prove the need to employ ethnic and cultural frameworks, as well as gendered perspectives, to the historiographical debate regarding the nature of the connections between Jewish and Arab society prior to 1948.
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  • 7
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 65-100
    Keywords: Western Wall (Jerusalem, Israel) ; City planning
    Abstract: Before the Six Day War (1967) was over, Israeli officials had already bulldozed the Mughrabi Quarter adjunct to the Western Wall. Architects were then asked to heal the urban rupture caused by the destruction. This paper argerm ues that their proposals for spatial changes of the site did not only try to reconstruct the urban fabric between the Jewish Quarter and Temple Mount, but forcefully exposed the Wall itself to new and renewed interpretations. The paper examines how different parties negotiate the meaning of the Wall through the disciplinary domains of historic preservation, architecture and urban design. It asks, how did they articulate competing visions for Israel’s nation-building project (mamlachtiyut, or literally, kingdomism) in their negotiation of space and urban form?The discussion focuses on two periods — the 1970s, when architect Moshe Safdie’s controversial plan for the Western Wall Plaza was approved by the state but never built; and the late 1990s, when the Western Wall Tunnels and the Davidson Center were opened to the public, north and south of the praying plaza. An analysis of the related architectural plans, built sites, and the controversies they provoked reveals a dramatic shift between the two periods. In each period, different parties — representatives of Zionist orthodoxies, archeological institutions, state and municipal authorities — tried to imbue the Wall with different values. Since the spatial articulation of these values stands for political positions, the shift between the two periods also unravels the changing roles given to the Wall in the competition over the tenets of Israel's mamlachtiyut project.
    Note: כולל 19 תמונות.
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  • 8
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 35-64
    Keywords: Arab-Israeli conflict History ; Mount Hermon (Israel) History
    Abstract: This paper explores how Mt. Hermon was incorporated into Israel's imagined landscape and analyses the attempts to integrate Mt. Hermon within Israeli territorial identity subsequent to the Yom Kippur War (1973) by discussing the concept of the gaze. Israel's justification for holding Mt. Hermon developed within secular discourse based on geo-strategic (the mountain as a military outpost) or civilian (the mountain as a snowy "alpine" resort) considerations. After the Yom Kippur War, Mt. Hermon was commemorated and almost sanctified in the Israeli Zionist public discourse as the "eyes of the nation". A paradoxical ambiguity remained, as it was interconnected with the territories considered to be un-lawfully occupied by parts of Israeli society.The paper focuses on the cultural and political discourse of Mt. Hermon that developed after the Yom Kippur War; especially its organic image as "the eyes of the nation" which envisioned the mountain as a national observation post and transformed it into a major geopolitical landmark. I claim that Israel's physical and cultural appropriation of Mt. Hermon is an important milestone in the development of the national discourse. As such, the mountain's gaze is not only eastwards but can also be understood as a mirror that reflects important insights on the various patterns of Zionist geopolitical narratives.
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  • 9
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 11-34
    Keywords: האוניברסיטה העברית בירושלים ; Architecture ; Scopus, Mount (Jerusalem, Israel)
    Abstract: Located east of the Green Line in fortress-like premises, the Hebrew University campus on Mount Scopus hovers conspicuously over the Old City of Jerusalem, mirroring it in an uncanny resemblance. After having been an Israeli enclave at the heart of Jordanian rule during the nineteen years of the city's division, the Israeli return to this site was celebrated as an historical reclamation. Unlike the Old City, it marked a return to modern Zionist history and to the territorial map it delineated in cultural and civilian means. This paper examines the ramifications of this recent past on the 1967 campus design.The inquiry revolves around the fundamental difference between the monumental and pseudo-vernacular appearance of the campus as it is projected towards the city, and its hyper-capitalist interiors that share commonalities with the spatial ordering and control of shopping malls and airports. By occupying a liminal position in relation to the city, the campus both demarcates and transgresses the city's eastern boundary. Through the unfolding of the campus' megastructural design I examine how this politically contentious location is constructed in the Israeli imagination of national space as a threshold between destruction and rejuvenation, east and west, wilderness and civilization, and religious Jewish history and modern Zionist history.
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  • 10
    Article
    Article
    In:  תיאוריה וביקורת; במה ישראלית 38-39 (2011) 101-135
    Language: Hebrew
    Year of publication: 2011
    Titel der Quelle: תיאוריה וביקורת; במה ישראלית
    Angaben zur Quelle: 38-39 (2011) 101-135
    Keywords: Jews Identity ; Jews History 1500- ; Ethnic groups
    Abstract: This paper seeks to resituate the question of Arab Jewish identity within a comparative framework integrating theoretical and historical perspectives. Through its invocation in academic and public discourse, the contemporary idea of the “Arab Jew” emerged as a political project of intervention into Zionist discourse and the terms of Israeli identity. The pre-1948 history of Arabic-speaking Jewry (which doubles as the “pre-history” of Mizrahim in Israel) has been largely overlooked, leading to recent questions concerning the historicity of the term “Arab Jew.” In addressing this lacuna, rather than probing the “reality” or “authenticity” of the Arab Jew, I explore the “Arab Jew” as the history of an idea, of the very question, “Who is an Arab Jew?” Reading the changing valences of the “Arab Jew” as both a cultural option and a political position, I examine historically contextualized constructions of Arabness by Jewish intellectuals in three historic periods: the late nineteenth-century nahda, or modern Arab renaissance; the interwar period, which was the heyday of Jewish involvement in modern Arab thought, culture, and politics; and finally, expressions of “Arab Jewish” identity from the 1990s to 2010. I conclude by suggesting that what ascribes meaning (and as follows, “reality”) to Arab Jewish identity is not exclusively the historical experience of Jews in the region, but first and foremost, the publicly articulated desire of Jewish intellectuals in different times and places to identify themselves as “Arab Jews” — be the target of that identification the broader Arab collective, the idea of Arabness, or the Arab Jewish past.
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