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  • 1
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 17-30
    Keywords: Adam ; Eve ; Bible Influence ; Women in popular culture ; Eden
    Abstract: This chapter looks at two areas of popular culture that frequently refer to Adam and Eve: society’s ongoing rethinking of the role of women and the dispute between evolutionary biologists and creationists. Movies like Fig Leaves (1926) and Adam’s Rib (1949) illustrate how contentious the “battle of the sexes” can be. These movies use Adam and Eve as shorthand for “man” and “woman” and avoid coming to any definitive conclusions about proper gender roles. Regarding the debate between evolution and creationism, the chapter explores the Creation Museum in Kentucky and the 2014 debate between Bill Nye and Ken Ham. Both Nye and Ham attempted to integrate faith with knowledge, mirroring the story of Eden itself.
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  • 2
    Article
    Article
    In:  The Oxford Handbook of the Bible and American Popular Culture (2021) 219-239
    Language: English
    Year of publication: 2021
    Titel der Quelle: The Oxford Handbook of the Bible and American Popular Culture
    Angaben zur Quelle: (2021) 219-239
    Keywords: Bible Influence ; Popular culture ; Heaven
    Abstract: The chapter analyzes American pop-cultural constructions of heaven as attempts to deal with the symbolic loss of the traditional (biblical, Jewish, and Christian) conceptions of heaven. Accordingly, American pop-cultural heavens take the following forms: (1) heaven as the place for protagonists to “relearn the world” and so reestablish identity and achieve self-fulfillment following loss; (2) heaven as apotheosis of dominant ideologies such as the American Dream or neoconservative militarism, and so paradoxically both retaining and transforming our symbolic bonds with the ethereal realm; (3) heaven as intrinsically relational, a place of reunion with family and pets; (4) heaven made immanent on earth via near-death experiences, mind uploading, and virtual reality; (5) satirical and blasphemous heavens, combining resentment and anger at heaven’s irrevocable loss with an impossible desire for its renewal.
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