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  • 1
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    In:  Petach 2 (1975) 49-72
    Language: English
    Year of publication: 1975
    Titel der Quelle: Petach
    Angaben zur Quelle: 2 (1975) 49-72
    Keywords: Bible Philosophy ; Bible Theology ; Rabbinical literature ; Revelation ; Jewish philosophy
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  • 2
    ISBN: 9789652295972 , 9652295973
    Language: English
    Pages: viii, 105 pages , illustrations, maps , 30 cm
    Year of publication: 2020
    DDC: 305.892/409438
    Keywords: Gidal, Tim Photograph collections ; Gidal, Tim - 1909-1996 ; Gidal, Tim - 1909-1996 - Photograph collections ; 1900-1999 ; Jews Photographs ; Jews Pictorial works ; Jewish portraits ; Photojournalism 20th century ; Juifs - Pologne - Photographies ; Juifs - Pologne - Ouvrages illustrés ; Photographie de presse - Pologne - 20e siècle ; Photojournalism ; Jewish portraits ; Jews ; Photograph collections ; Jews - Poland - Pictorial works ; Jewish portraits - Poland ; Photojournalism - Poland ; photographs ; Photographs ; Pictorial works ; Photographs ; Photographies ; Poland ; Photograph
    Abstract: In 1932, the budding twenty-three-year-old photographer Nachum Gidalewitsch (who would later become the celebrated Israeli photographer Tim Gidal) set out from his hometown of Munich, Germany, to visit relatives and photograph what were to him the exotic locals in Jewish Poland. The extraordinary photographic record of that visit is here presented for the first time in book form, in a poignant testimony and remembrance of a community that had no way to know it was in its last years. Gidal, who emigrated to British Mandate Palestine in 1936, was one of a select group of photographers who took advantage of new technology, specifically the lightweight and portable nature of the Leica camera, to found the pioneering field of photojournalism. He would go on to document World War II as a photo reporter and later to become a noted objective photographer. In these photographs taken early in his remarkable career, Gidal captures the poignant ordinariness of a thriving community just before its annihilation. These straightforward, honest, and intimate portraits embody the mission the photographer himself once described as capturing variations on the everlasting tragicomedy of human life
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  • 3
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    In:  LightsOROT : exhibition at the Yeshiva University Museum, January 31, 1988 - December 31, 1988 (1988), Seite 62 - 76
    Language: German
    Year of publication: 1988
    Titel der Quelle: LightsOROT : exhibition at the Yeshiva University Museum, January 31, 1988 - December 31, 1988
    Publ. der Quelle: New York, 1988
    Angaben zur Quelle: (1988), Seite 62 - 76
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