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  • 1
    Article
    Article
    In:  Film Comment 20,1 (1984) 49-55
    Language: English
    Year of publication: 1984
    Titel der Quelle: Film Comment
    Angaben zur Quelle: 20,1 (1984) 49-55
    Keywords: Jews in motion pictures
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  • 2
    ISBN: 9780567694768 , 9780567694775
    Language: English
    Pages: xviii, 181 Seiten , Illustrationen , 22 cm
    Year of publication: 2021
    Parallel Title: Erscheint auch als
    Keywords: Cohen, Leonard / 1934-2016 / Teachings ; Covenants / Religious aspects / Judaism ; Theology ; Theodicy ; Cohen, Leonard / 1934-2016 ; Covenants / Religious aspects / Judaism ; Teachings ; Theodicy ; Theology ; Cohen, Leonard 1934-2016 ; Gott ; Religion ; Theologie ; Judentum
    Abstract: "This book begins with a brief overview of traditional theodicy followed by a more detailed look at Cohen's covenantal theology. Covenant grounds Cohen's understanding of our relationships with God and other persons and is the basis for his theodicy: if we are by creation covenantal, bound to God and each other in covenant, why do we have such difficulty sustaining covenantal bonds? Cohen was rent by his own inability to maintain bond with God and other persons, often women he loved. While theodicy traditionally holds this is a human failing, Cohen proposes that it must also be God's. God is the source of humanity's covenantal breaches as he is source of humanity itself. Cohen's commitment to covenant and his anger at this God who made us so prone to failing it undergird the faith, frustration, and sardonic taunting of Cohen's work. Both his faith and ire are traced through (i) Cohen's unorthodox use of Jewish and Christian imagery, (ii) his writings about women, politics, and the Holocaust, and (iii) in his magisterial final theology, You Want It Darker, released three weeks before his death"--
    Note: Hier auch später erschienene, unveränderte Nachdrucke (2022) , Enthält Literaturverzeichnis auf Seite [161]-175
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  • 3
    ISBN: 9780567694782
    Language: English
    Pages: 1 Online-Ressource (xviii, 182 Seiten)
    Year of publication: 2021
    Parallel Title: Erscheint auch als
    DDC: 780/.0202
    Keywords: Electronic books
    Abstract: Leonard Cohen's troubled relationship with God is here mapped onto his troubled relationships with sex and politics. Analysing Covenantal theology and its place in Cohen's work, this book is the first to trace a consistent theology across sixty years of Cohen's writing, drawing on his Jewish heritage and its expression in his lyrics and poems.Cohen's commitment to covenant, and his anger at this God who made us so prone to failing it, undergird the faith, frustration, and sardonic taunting of Cohen's work. Both his faith and ire are traced through: · Cohen's unorthodox use of Jewish and Christian imagery · His writings about women, politics, and the Holocaust · His final theology, You Want It Darker, released three weeks before his death.
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  • 4
    ISBN: 9783940432308 , 9783940432315
    Language: German
    Pages: 143 S.
    Edition: 1. Aufl.
    Year of publication: 2008
    Series Statement: Berliner Reden zur Religionspolitik
    DDC: 230
    RVK:
    RVK:
    RVK:
    Keywords: Evangelicalism ; Christianity and politics ; Cultural pluralism ; Politik ; Religion ; USA/United States of America/Vereinigte Staaten von Amerika ; Fundamentalismus ; Protestantismus ; Außenpolitik ; politics ; religion ; USA/United States of America ; fundamentalism ; Protestanism ; foreign policy ; Religionskritik ; Religion ; Gewalt ; Religionspolitik ; USA ; Staat ; Evangelikale Bewegung ; Geschichte ; Gewissensfreiheit ; Pluralismus
    Note: Literaturverz. S. 117 - 124
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  • 5
    Article
    Article
    In:  Die Gewalt des einen Gottes : die Monotheismusdebatte zwischen Jan Assmann, Micha Brumlik, Rolf Schieder, Peter Sloterdijk und anderen (2014), Seite 218 - 248
    Language: German
    Year of publication: 2014
    Titel der Quelle: Die Gewalt des einen Gottes : die Monotheismusdebatte zwischen Jan Assmann, Micha Brumlik, Rolf Schieder, Peter Sloterdijk und anderen
    Publ. der Quelle: Berlin, 2014
    Angaben zur Quelle: (2014), Seite 218 - 248
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