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  • 1
    Language: English
    Year of publication: 2020
    Titel der Quelle: In Geveb; a Journal of Yiddish Studies
    Angaben zur Quelle: (2020) 8 pp.
    Keywords: Sholem Aleichem, ; Yiddish fiction History and criticism ; Jewish women in literature ; Love in literature ; Sex role in literature
    Abstract: This arti­cle exam­ines the rep­re­sen­ta­tion of gen­dered approach­es to emo­tive expres­sion and love in Sholem Aleichem’s 1888 nov­el Stem­penyu. In the nov­el, Sholem Ale­ichem demon­strates a sen­si­tiv­i­ty to the dif­fer­ent ways in which men and women could express them­selves. The nov­el also shows Sholem Ale­ichem’s artis­tic and ide­o­log­i­cal con­ser­vatism. Despite offer­ing for­ays into the pos­si­bil­i­ties of roman­tic love, the nov­el ulti­mate­ly ques­tions the pos­si­bil­i­ty of a Jew­ish woman escap­ing the arranged mar­riage. The male pro­tag­o­nist seem­ing­ly has access to a broad­er range of expres­sion and expe­ri­ence, but he is still restrict­ed with­in the con­fines of Yid­dish. Even so, he can tran­scend these lim­i­ta­tions through pre-lin­guis­tic or extra-lin­guis­tic forms of expres­sion, such as music. In tra­di­tion­al Jew­ish soci­ety, both men and women had to strug­gle to express their inner world to its full extent, but the com­mu­nica­tive pos­si­bil­i­ties open to a man were infi­nite­ly more var­ie­gat­ed than those avail­able to a woman.
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