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  • Wien  (3)
  • 2015-2019  (3)
  • Anglistik  (3)
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  • 1
    Buch
    Buch
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 1107010276 , 9781107010277
    Sprache: Englisch
    Seiten: xxiv, 431 Seiten , Illustrationen
    Erscheinungsjahr: 2017
    DDC: 822.3/3
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    Schlagwort(e): Shakespeare, William ; Shakespeare, William Characters ; Shylock ; Shakespeare, William Characters ; Jews ; Shylock ; Antisemitism in literature ; Jews in literature ; Aufsatzsammlung ; Shakespeare, William 1564-1616 The merchant of Venice ; Shylock
    Kurzfassung: "Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play"--
    Kurzfassung: Machine generated contents note: Preface Edna Nahshon; Part I. Introductions: 1. Literary sources and theatrical interpretations of Shylock Michael Shapiro; 2. The anti-Shylock campaign in America Edna Nahshon; Part II. Discourses: 3. Shylock in German-Jewish historiography Abigail Gillman; 4. Yiddish Shylocks in theater and literature Nina Warnke and Jeffrey Shandler; 5. Lawyers and judges address Shylock's case Richard H. Weisberg; Part III. The Stage: 6. David Belasco's 1922 production of The Merchant of Venice Marc Hodin; 7. New York City, 1947:a season for Shylocks Edna Nahshon; 8. The Merchant of Venice in mandatory Palestine and the state of Israel Shelley Zer-Zion; 9. Fritz Kortner and other German-Jewish Shylocks before and after the Holocaust Jeanette Malkin; 10. Evoking the Holocaust in George Tabori's productions of The Merchant of Venice Sabine Schulting; 11. The Merchant of Venice on the German stage and the 1995 'Buchenwald' production in Weimar Gad Kaynar-Kissinger; 12. Recasting Shakespeare's Jew in Wesker's Shylock Efraim Sicher; 13. Jewish directors and Jewish Shylocks in twentieth-century England Miriam Gilbert; Part IV. Literature, Art and Music: 14. Zionism in Ludwig Lewisohn's novel, The Last Days of Shylock Michael Shapiro; 15. Jessica's Jewish identity in contemporary feminist novels Michelle Ephraim; 16. Christian iconography and Jewish accommodation in Maurycy Gottlieb's painting, 'Shylock and Jessica' Susan Chevlowe; 17. Shylock in opera, 1871-2014 Judah M. Cohen; Part V. Postscript: 18. Shylock and the Arab-Israel conflict Edna Nahshon; Index
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  • 2
    Buch
    Buch
    Toronto : University of Toronto Press
    ISBN: 9781442646674
    Sprache: Englisch
    Seiten: xviii, 355 Seiten , Illustrationen
    Erscheinungsjahr: 2016
    Serie: Toronto Anglo-Saxon series 21
    RVK:
    Schlagwort(e): English literature / Old English, ca. 450-1100 / History and criticism ; Christian literature, English (Old) / History and criticism ; Jews in literature ; Antisemitism in literature ; Civilization, Anglo-Saxon, in literature ; Antisemitism / England / History / Medieval, 500-1500 ; England / Ethnic relations / History / Medieval, 500-1500 ; England / Church history / 449-1066 ; Great Britain / History / Anglo-Saxon period, 449-1066 ; Altenglisch ; Literatur ; Juden ; England ; Kultur ; Juden ; Geschichte 449-1066
    Kurzfassung: "Most studies of Jews in medieval England begin with the year 1066, when Jews first arrived on English soil. Yet the absence of Jews in England before the conquest did not prevent early English authors from writing obsessively about them. Using material from the writings of the Church Fathers, contemporary continental sources, widespread cultural stereotypes, and their own imaginations, their depictions of Jews reflected their own politico-theological experiences. The thirteen essays in Imagining the Jew in Anglo-Saxon Literature and Culture examine visual and textual representations of Jews, the translation and interpretation of Scripture, the use of Hebrew words and etymologies, and the treatment of Jewish spaces and landmarks. By studying the "imaginary Jews" of Anglo-Saxon England, they offer new perspectives on the treatment of race, religion, and ethnicity in pre- and post-conquest literature and culture."--
    Anmerkung: Literaturverzeichnis: Seite [309]-344
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  • 3
    Buch
    Buch
    New York : Oxford University Press
    ISBN: 9780195300079 , 9780199910472 , 9780190262662
    Sprache: Englisch
    Seiten: 116 Seiten
    Erscheinungsjahr: 2016
    Serie: Very short introductions 478
    RVK:
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    Schlagwort(e): Bible Introductions ; Bible Criticism, interpretation, etc ; Bible Canon ; Einführung ; Bibel Altes Testament ; Literaturgattung ; Textstruktur ; Bibel Altes Testament ; Intertextualität
    Kurzfassung: "The Hebrew Bible, or Christian Old Testament, contains some of the finest literature that we have. This biblical literature has a place not only in the synagogue or the church but also among the classics of world literature. The stories of Jacob and David, for instance, present the earliest surviving examples of literary characters whose development the reader follows over the length of a lifetime. Elsewhere, as in the books of Esther or Ruth, readers find a snapshot of a particular, fraught moment that will define the character. The Hebrew Bible also provides quite a few high points of lyric poetry, from the praise and lament of the Psalms to the double entendres in the love of poetry of the Song of Songs. In short, the Bible can be celebrated not only as religious literature but, quite simply, as literature. This book offers a thorough and lively introduction to the Bible's two primary literary modes, narrative and poetry, foregrounding the nuances of plot, character, metaphor, structure and design, and intertextual allusions. Tod Linafelt thus gives readers the tools to fully experience and appreciate the Old Testament's literary achievement"...
    Anmerkung: Literaturverzeichnis: Seite 105-107
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