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  • 1
    ISBN: 9781433192982 , 9781433192999
    Language: English
    Pages: 1 Online-Ressource (viii, 222 Seiten)
    Year of publication: 2023
    Series Statement: Studies in composition and rhetoric vol. 20
    Series Statement: Studies in composition and rhetoric
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 808.042071173
    RVK:
    RVK:
    Keywords: Sprachgebrauch ; Amerikanisches Englisch ; Antisemitismus ; Rhetorik ; Hochschulunterricht ; USA ; Academia ; Antiracism (or anti-racism) ; Antisemitism ; Composition ; Higher education ; Identity ; Jewish ; Judaism ; Race ; Racism ; Rhetoric ; Writing studies ; Antisemitism and the White Supremacist Imaginary ; Conflations and Contradictions in Composition and Rhetoric ; Mara Lee Grayson ; Amerikanisches Englisch ; Rhetorik ; Sprachgebrauch ; Antisemitismus ; USA ; Hochschulunterricht
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812298536
    Language: English
    Pages: 1 Online-Ressource (296 p.) , 3 bw halftones
    Year of publication: 2022
    Series Statement: The Middle Ages Series
    Parallel Title: Erscheint auch als Blurton, Heather Inventing William of Norwich
    RVK:
    Keywords: LITERARY CRITICISM / Medieval ; De vita et passione Sancti Willelmi Martyris Norwicensis ; Antisemitismus
    Abstract: William of Norwich is the name of a young boy purported to have been killed by Jews in or about 1144, thus becoming the victim of the first recorded case of such a ritual murder in Western Europe and a seminal figure in the long history of antisemitism. His story is first told in Thomas of Monmouth's The Life and Miracles of William of Norwich, a work that elaborates the bizarre allegation, invented in twelfth-century England, that Jews kidnapped Christian children and murdered them in memory and mockery of the crucifixion of Christ.In Inventing William of Norwich Heather Blurton resituates Thomas's account by offering the first full analysis of it as a specifically literary work. The second half of the twelfth century was a time of great literary innovation encompassing an efflorescence of saints' lives and historiography, as well as the emergence of vernacular romance, Blurton observes. She examines The Life and Miracles within the framework of these new textual developments and alongside innovations in liturgical and devotional practices to argue that the origin of the ritual murder accusation is imbricated as much in literary culture as it is in the realities of Christian-Jewish relations or the emergence of racially based discourses of antisemitism. Resisting the urge to interpret this first narrative of the blood libel with the hindsight knowledge of later developments, she considers only the period from about 1150-1200. In so doing, Blurton redirects critical attention away from the social and economic history of the ritual murder accusation to the textual genres and tastes that shaped its forms and themes and provided its immediate context of reception. Thomas of Monmouth's narrative in particular, and the ritual murder accusation more generally, were strongly shaped by literary convention
    Note: In English
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Manchester : Manchester University Press
    ISBN: 9781526146854 , 9781526146878
    Language: English
    Pages: 1 Online-Ressource (xi, 234 Seiten) , Illustrationen
    Edition: 1. published
    Year of publication: 2020
    Series Statement: Manchester medieval literature and culture 36
    Parallel Title: Erscheint auch als Black, Daisy Play time
    DDC: 822.051609
    RVK:
    Keywords: Christian drama, English (Middle) History and criticism ; Antisemitism in literature ; Sex in literature ; Bible plays History and criticism ; Bible plays ; Antisemitism in literature ; Christian drama, English (Middle) ; Sex in literature ; Criticism, interpretation, etc ; Mittelenglisch ; Biblisches Drama ; Zeit ; Geschlecht ; Antisemitismus
    Abstract: This book presents an important re-theorisation of gender and anti-Semitism in medieval biblical drama. It charts conflicts staged between dramatic personae in plays that represent theological transitions, including the Incarnation, Flood, Nativity and Bethlehem slaughter. Interrogating the Christian preoccupation with what it asserted was a superseded Jewish past, it asks how models of supersession and typology are subverted when placed in dramatic dialogue with characters who experience time differently. The book employs theories of gender, performance, anti-Semitism, queer theory and periodisation to complicate readings of early theatre’s biblical matriarchs and patriarchs. Dealing with frequently taught plays as well as less familiar material, the book is essential reading for specialist, undergraduate and postgraduate researchers working on medieval performance, gender and queer studies, Jewish-Christian studies and time
    Note: Includes bibliography (pages 207-228) and index
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