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  • 2005-2009  (2)
  • 2008  (2)
  • Jesus  (2)
  • Antisemitism in art  (2)
  • 1
    Language: English
    Year of publication: 2008
    Titel der Quelle: Beyond the Yellow Badge
    Angaben zur Quelle: (2008) 87-117
    Keywords: Jesus Art Childhood ; Bible. Versions ; Bible. Illustrations ; Christian art and symbolism Medieval, 500-1500 ; Antisemitism in art
    Abstract: The gap in the Gospel narrative between Jesus’s infancy and his appearance during a disputation in the Temple at the age of twelve called for the writing of apocryphal narratives about Jesus’ childhood. The apocryphal gospel stories were revived and retold in Latin versions and vernacular translations from the 12th century on. The two Psalters examined here retain the basic plot of the unchildlike altercation between Jesus and his would-be teachers that resulted in Jesus’ expulsion. Descriptions of this altercation, which hinged on the opposition between the Old Law and the New Law, and on the supersession of the former by the latter, harbored the potential for anti-Jewish invective. Discusses the artistic depictions of the young Jesus and his Jewish teachers (recognizable by their special hats).
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  • 2
    Language: English
    Year of publication: 2008
    Titel der Quelle: Beyond the Yellow Badge
    Angaben zur Quelle: (2008) 145-177
    Keywords: Jesus Art Passion ; Naumburger Dom ; Sculpture ; Christian art and symbolism ; Crucifixion in art ; Antisemitism in art ; Jews in art ; Naumburg (Saxony-Anhalt, Germany)
    Abstract: Concentrates on the portrayal of Jewish men in the Passion narrative depicted in the 13th-century choir screen of the Naumburg Cathedral, fashioned in stone by sculptors ca.1250. States that, for all its quantitative emphasis on Jewish involvement in Christ’s Passion, the Naumburg program is unusual among contemporaneous monumental depictions of the subject in its refusal to cast the Jews as malevolent “others”. Not only do most of the Jewish characters (recognizable by their hats) appear physically interchangeable with the Apostles or Romans, but also, far from heaping violent abuses on Christ, they conduct themselves according to the legal conventions and behavioral codes of 13th-century Saxon laypeople. Presents political and economic reasons for this positive depiction in Naumburg at that time,. Pp. 150-157 describe blatantly antisemitic portrayals of Jews in other Cathedrals in Germany.
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