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  • Online Resource  (5)
  • 2015-2019  (5)
  • English Studies  (5)
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  • Online Resource  (5)
  • Book  (19)
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  • 1
    ISBN: 9783110617924
    Language: English
    Pages: 1 Online-Ressource (VIII, 246 Seiten) , Illustrationen
    Year of publication: 2019
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Ackermann, Zeno, 1968 - Precarious figurations
    DDC: 822.3/3
    RVK:
    Keywords: LITERARY CRITICISM / European / German ; Shakespeare, William 1564-1616 The merchant of Venice ; Shylock ; Rezeption ; Deutschland ; Inszenierung ; Geschichte 1920-2010
    Abstract: Precarious Figurations focuses on the reception of Shakespeare’s The Merchant of Venice in twentieth- and twenty-first-century Germany. Looking at theatrical practices and critical or scholarly discourses from the Weimar Republic to the new millennium, the book explores why the play has served simultaneously as a vehicle for the actualization of anti-Semitic tropes and as a staging ground for the critical exposure of the very logic of anti-Semitism. In particular, the study investigates how the figure of Shylock has come to be both a device in and a stumbling block for attempts to bridge the fundamental rupture in civilization brought about by the Holocaust. The careful analysis of the German reception of Merchant, and in particular of the ways of doing and reading Shylock in the context of painful German, and German-Jewish, discourses of identity and remembrance, is designed to raise fundamental questions – questions concerning not only the staging of Jewishness, the tenacity of anti-Semitism and the difficulties of Holocaust remembrance, but also the general potentials and limitations of theatrical interventions into cultural conflicts
    Abstract: Frontmatter -- Preface -- Contents -- List of Illustrations -- Introduction -- 1. Figuring Identity: Ruptures and Continuities from the Reinhardt Era to the Early Federal Republic (1905–1957) -- 2. Staging Remembrance: Refigurations on the West German Stage (1960–1990) -- 3. Inheriting a Classic: Configurations of Merchant in the German Democratic Republic (1949–1990) -- 4. After Remembrance? – Shylock in the Reunified Germany (1990–2010) -- 5. “Forced Companionability”: Conclusion -- Works Cited -- Stage Productions of The Merchant of Venice in Germany and Austria (1933–2010) -- Index
    Note: Mode of access: Internet via World Wide Web.
    URL: Cover
    URL: Cover
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  • 2
    Online Resource
    Online Resource
    London : Bloomsbury Publishing | New York, NY : Bloomsbury Academic
    ISBN: 9781350098978 , 9781350098954
    Language: English
    Pages: 1 Online-Ressource (x, 249 pages) , illustrations
    Year of publication: 2019
    Parallel Title: Erscheint auch als Reizbaum, Marilyn, 1953 - Unfit
    DDC: 808.8/0112
    RVK:
    Keywords: Jews Identity ; Motion pictures and the arts ; Modernism (Aesthetics) ; Degeneration in literature ; Modernism (Literature) ; Jews Intellectual life ; Degeneration Social aspects ; History ; Electronic books ; Juden ; Geistesleben ; Gesellschaft ; Degeneration ; Degeneration ; Literatur ; Fotografie ; Degeneration ; Juden ; Identität ; Geschichte ; Joyce, James 1882-1941 Ulysses ; Barker, Pat 1943- Regeneration
    Abstract: "An obsession with 'degeneration' was a central preoccupation of modernist culture at the start of the 20th century. Less attention has been paid to the fact that many of the key thinkers in 'degeneration theory' - including Cesare Lombroso, Max Nordau, and Magnus Hirschfeld - were Jewish. Unfit: Jewish Degeneration and Modernism is the first in-depth study of the Jewish cultural roots of this strand of modernist thought and its legacies for modernist and contemporary culture. Marilyn Reizbaum explores how literary works from Bram Stoker's Dracula, through James Joyce's Ulysses to Pat Barker's Regeneration trilogy, the crime movies of Mervyn LeRoy, and the photography of Claude Cahun and Adi Nes manifest engagements with ideas of degeneration across the arts of the 20th century. This is a major new study that sheds new light on modernist thought, art and culture"--Bloomsbury Collections
    Abstract: Acknowledgements -- Introduction -- 1. Avatars -- 2. Bad seeds: Mervyn LeRoy's American crime -- 3. Fitness movements: literary degeneration and Jewish muscle in Joyce's -- 4. Ulysses and Pat Barker's Regeneration trilogy -- 5. Sexology's photoshop -- Coda: Otto Weininger and the Jewish joke -- Notes -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg
    Language: German
    Pages: 1 Online-Ressource (456 Seiten)
    Year of publication: 2016
    Uniform Title: Ghetto tragedies
    Parallel Title: Elektronische Reproduktion von Zangwill, Israel, 1864-1926 Tragödien des Ghetto
    RVK:
    Keywords: Getto ; Juden ; Novelle
    Note: Aus der Sammlung des Leo Baeck Institute, digitalisiert in Kooperation mit dem Center for Jewish History, NY
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  • 4
    Online Resource
    Online Resource
    Frankfurt am Main : Universitätsbibliothek Johann Christian Senckenberg | New York : Leo Baeck Institute
    Show associated volumes/articles
    Language: German
    Year of publication: 2016
    Uniform Title: Dreamers of the Ghetto
    Parallel Title: Elektronische Reproduktion von Zangwill, Israel, 1864-1926 Träumer des Ghetto
    RVK:
    Keywords: Novelle ; Getto ; Juden
    Note: Aus der Sammlung des Leo Baeck Institute, digitalisiert in Kooperation mit dem Center for Jewish History, NY
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  • 5
    Online Resource
    Online Resource
    London [u.a.] : Bloomsbury Acad.
    ISBN: 9781474257510
    Language: English
    Pages: Online-Ressource
    Year of publication: 2015
    Series Statement: New directions in religion and literature
    RVK:
    RVK:
    Keywords: Authors, English ; Jewish women authors ; Jüdische Literatur ; Englisch ; Roman ; Jüdin ; Denken ; Geschichte 1800-1900
    Abstract: "Jewish Feeling brings together affect theory and Jewish Studies to trace Jewish difference in literary works by nineteenth-century Anglo-Jewish authors. Dwor argues that midrash, a classical rabbinic interpretive form, is a site of Jewish feeling and that literary works underpinned by midrashic concepts engage affect in a distinctly Jewish way. The book thus emphasises the theological function of literature and also the new opportunities afforded by nineteenth-century literary forms for Jewish women's theological expression. For authors such as Grace Aguilar (1816-1847) and Amy Levy (1861-1889), feeling is a complex and overlapping category that facilitates the transmission of Jewish ways of thinking into English literary forms. Dwor reads them alongside George Eliot, herself deeply engaged with issues of contemporary Jewish identity. This sheds new light on Eliot by positioning her works in a nexus of Jewish forms and concerns. Ultimately, and despite considerable differences in style and outlook, Aguilar and Levy are shown to deploy Jewish feeling in their ethics of futurity, resistance to conversion and closure, and in their foregrounding of a model of reading with feeling."--Bloomsbury Publishing
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