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  • Online Resource  (7)
  • 2020-2024  (7)
  • English Studies  (5)
  • Musicology  (2)
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  • 1
    ISBN: 9789004544109
    Language: English
    Pages: 1 Online-Ressource (XIII, 310 Seiten) , Karten, Illustrationen
    Year of publication: 2023
    Series Statement: Yearbook of the Research Centre for German and Austrian exile studies volume 22
    Parallel Title: Erscheint auch als Music and exile
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    Keywords: National socialism and music History 20th century ; Jewish composers Social conditions 20th century ; Jewish refugees Social conditions 20th century ; Expatriate musicians Social conditions 20th century ; Music Social aspects 20th century ; History ; Jews Migrations ; Music History and criticism 20th century ; Jews Music ; History and criticism ; Europe Emigration and immigration 20th century ; History ; United States Emigration and immigration 20th century ; History ; Australia Emigration and immigration 20th century ; History ; China Emigration and immigration 20th century ; History ; Neue Musik ; Auswanderung ; Musiksoziologie ; Nationalsozialismus ; Deutschland ; Judenverfolgung ; Exil ; Komponist ; Juden ; Musik ; Spoliansky, Mischa 1898-1985 ; Goldschmidt, Berthold 1903-1996 ; Granichstaedten, Bruno 1879-1944
    Abstract: "How did exiled musicians from Germany and Austria, who reached safety at Kitchener Camp in Britain, find themselves in an Australian internment camp in New South Wales in 1940? What were the institutions that helped Jewish refugee musicians survive in wartime Shanghai? What happened to Austrian musicians who were trapped in the Netherlands after the German occupation? These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his 'exile opera' Beatrice Cenci. Studies of Mischa Spoliansky's music for the movie Mr. Emmanuel (1944) and Franz Reizenstein's radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars"--
    Description / Table of Contents: Music and Exile : From 1933 to the Present Day / Malcolm Miller and Jutta Raab Hansen -- The Musical Identity of the Austrian Exile / Michael Haas -- An Ambiguous Story - Austrian Music Exile in the Netherlands / Primavera Driessen Gruber -- Vom Kitchener Camp in australische Wüstenlager : Der Weg jüdischer Exil-Musiker über Grossbritannien nach Down Under / Albrecht Dümling -- Creation of Jobs, Union Work and Cooperation : The Institutionalisation of Musical Life by the European Jewish Artist Society, the Shanghai Musicians Association, and the Association of Jewish Precentors in the Shanghai Exile, 1938-49 / Sophie Fetthauer -- 'A State of Crass Ideological Confusion' : Avant-Garde Music and Antisemitism in the Free German League of Culture / Florian Scheding -- 'Almost as Impressive as Its Legacy in the Visual Arts' : Ben Uri Art Society and Music in Exile, 1931-60 / Rachel Dickson -- Goldschmidt and Hamburg / Peter Petersen -- Preisgekrönt und doch kein Glück? Anmerkungen zu Berthold Goldschmidts Belcanto-Oper Beatrice Cenci / Barbara Busch -- 'A Place of Refuge in Your Arms' : Reizenstein's Anna Kraus as Holocaust Opera / Malcolm Miller -- Von grossen Erfolgen in der Zwischenkriegszeit zu relativer Vergessenheit : Die Komponisten Bruno Granichstaedten und Robert Katscher im Exil / Hanja Dämon -- Encounters with the Émigré Experience : Discovering the Chamber Music and Songs of Peter Gellhorn / Norbert Meyn -- Visits in Four Cities : Stations in the Musical and Familial Life of the Song Composer Max Kowalski (1882-1956) / Nils Neubert -- Der österreichische Musiker Ferdinand Rauter als Musiktherapeut in Camphill bei Aberdeen in Schottland (1945 bis 1947) / Jutta Raab Hansen -- Mischa Spoliansky's Music for the Movie Mr. Emmanuel (1944) / Jörg Thunecke.
    Note: Includes index , Beiträge englisch und deutsch
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  • 2
    ISBN: 9781433192982 , 9781433192999
    Language: English
    Pages: 1 Online-Ressource (viii, 222 Seiten)
    Year of publication: 2023
    Series Statement: Studies in composition and rhetoric vol. 20
    Series Statement: Studies in composition and rhetoric
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 808.042071173
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    Keywords: Sprachgebrauch ; Amerikanisches Englisch ; Antisemitismus ; Rhetorik ; Hochschulunterricht ; USA ; Academia ; Antiracism (or anti-racism) ; Antisemitism ; Composition ; Higher education ; Identity ; Jewish ; Judaism ; Race ; Racism ; Rhetoric ; Writing studies ; Antisemitism and the White Supremacist Imaginary ; Conflations and Contradictions in Composition and Rhetoric ; Mara Lee Grayson ; Amerikanisches Englisch ; Rhetorik ; Sprachgebrauch ; Antisemitismus ; USA ; Hochschulunterricht
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Philadelphia : University of Pennsylvania Press
    ISBN: 9780812298536
    Language: English
    Pages: 1 Online-Ressource (296 p.) , 3 bw halftones
    Year of publication: 2022
    Series Statement: The Middle Ages Series
    Parallel Title: Erscheint auch als Blurton, Heather Inventing William of Norwich
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    Keywords: LITERARY CRITICISM / Medieval ; De vita et passione Sancti Willelmi Martyris Norwicensis ; Antisemitismus
    Abstract: William of Norwich is the name of a young boy purported to have been killed by Jews in or about 1144, thus becoming the victim of the first recorded case of such a ritual murder in Western Europe and a seminal figure in the long history of antisemitism. His story is first told in Thomas of Monmouth's The Life and Miracles of William of Norwich, a work that elaborates the bizarre allegation, invented in twelfth-century England, that Jews kidnapped Christian children and murdered them in memory and mockery of the crucifixion of Christ.In Inventing William of Norwich Heather Blurton resituates Thomas's account by offering the first full analysis of it as a specifically literary work. The second half of the twelfth century was a time of great literary innovation encompassing an efflorescence of saints' lives and historiography, as well as the emergence of vernacular romance, Blurton observes. She examines The Life and Miracles within the framework of these new textual developments and alongside innovations in liturgical and devotional practices to argue that the origin of the ritual murder accusation is imbricated as much in literary culture as it is in the realities of Christian-Jewish relations or the emergence of racially based discourses of antisemitism. Resisting the urge to interpret this first narrative of the blood libel with the hindsight knowledge of later developments, she considers only the period from about 1150-1200. In so doing, Blurton redirects critical attention away from the social and economic history of the ritual murder accusation to the textual genres and tastes that shaped its forms and themes and provided its immediate context of reception. Thomas of Monmouth's narrative in particular, and the ritual murder accusation more generally, were strongly shaped by literary convention
    Note: In English
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    ISBN: 9781474418393
    Language: English
    Pages: 1 Online-Ressource (272 p.) , 3 B/W illustrations
    Year of publication: 2022
    Series Statement: Edinburgh Critical Studies in Shakespeare and Philosophy
    Series Statement: ECSSP
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    Keywords: Literary Studies ; DRAMA / Religious & Liturgical
    Abstract: A detailed exploration of the significance of Hebrew Biblical stories in The Merchant of VeniceWhat happens when we consider Shakespeare’s The Merchant of Venice as a play with ‘real’ Jewish characters who are not mere ciphers for anti-Semitic Elizabethan stereotypes? Is Shylock Jewish? studies Shakespeare’s extensive use of stories from the Hebrew Bible in The Merchant of Venice, and argues that Shylock and his daughter Jessica draw on recognizably Jewish ways of engaging with those narratives throughout the play. By examining the legacy of Jewish exegesis and cultural lore surrounding these biblical episodes, this book traces the complexity and richness of Merchant’s Jewish aspect, spanning encounters with Jews and the Hebrew Bible in the early modern world as well as modern adaptations of Shakespeare’s play on the Yiddish stage. Key FeaturesAnalyses alternative contexts for the moral agency of Jewish characters in The Merchant of VeniceProvides an innovative study of Renaissance Christian Hebraism in England and English perceptions of Jews and Jewishness in the sixteenth and early seventeenth centuriesDiscusses important nineteenth- and twentieth-century Yiddish-language adaptations of The Merchant of VeniceMakes a provocative and original argument about the importance of Judaic biblical exegesis to the long afterlife of Shakespeare’s The Merchant of Venice
    Note: Frontmatter , CONTENTS , Preface , Acknowledgments , Series Editor’s Preface , Introduction: Is Shylock Jewish? , 1. Renaissance England and the Jews , 2. Parti-Coloured Parables , 3. Stolen Daughters and Stolen Idols , 4. Rebellious Daughters on the Yiddish Stage , Conclusion , Index , In English
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    Manchester : Manchester University Press
    ISBN: 9781526146854 , 9781526146878
    Language: English
    Pages: 1 Online-Ressource (xi, 234 Seiten) , Illustrationen
    Edition: 1. published
    Year of publication: 2020
    Series Statement: Manchester medieval literature and culture 36
    Parallel Title: Erscheint auch als Black, Daisy Play time
    DDC: 822.051609
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    Keywords: Christian drama, English (Middle) History and criticism ; Antisemitism in literature ; Sex in literature ; Bible plays History and criticism ; Bible plays ; Antisemitism in literature ; Christian drama, English (Middle) ; Sex in literature ; Criticism, interpretation, etc ; Mittelenglisch ; Biblisches Drama ; Zeit ; Geschlecht ; Antisemitismus
    Abstract: This book presents an important re-theorisation of gender and anti-Semitism in medieval biblical drama. It charts conflicts staged between dramatic personae in plays that represent theological transitions, including the Incarnation, Flood, Nativity and Bethlehem slaughter. Interrogating the Christian preoccupation with what it asserted was a superseded Jewish past, it asks how models of supersession and typology are subverted when placed in dramatic dialogue with characters who experience time differently. The book employs theories of gender, performance, anti-Semitism, queer theory and periodisation to complicate readings of early theatre’s biblical matriarchs and patriarchs. Dealing with frequently taught plays as well as less familiar material, the book is essential reading for specialist, undergraduate and postgraduate researchers working on medieval performance, gender and queer studies, Jewish-Christian studies and time
    Note: Includes bibliography (pages 207-228) and index
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  • 6
    Online Resource
    Online Resource
    Stuttgart : UTB GmbH | Bielefeld : transcript
    ISBN: 9783838553627
    Language: German
    Pages: 1 Online-Ressource (384 Seiten)
    Edition: 3. Auflage
    Year of publication: 2020
    Series Statement: UTB 5362
    Series Statement: utb-studi-e-book
    Parallel Title: Erscheint auch als Castro Varela, María do Mar, 1964 - Postkoloniale Theorie
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    Keywords: Lehrbuch, Skript ; Kulturwissenschaft/Kulturgeschichte ; Literaturwissenschaft ; Literaturtheorie ; Kultur/Musik/Theater ; Personen & Werke ; Grundlagen (Bachelor) ; Kultur 2020-1 ; Postkolonialismus; Gayatri Spivak; Homi Bhabha; Edward Said; Dekolonisierung; Kolonialismus; Kolonisierung; Postkolonialismus; Provenienzforschung; Kulturgutverluste; Kolonialzeit; Geschichte; Soziologie; Politikwissenschaft; koloniales Erbe; geraubte Identität; Unrecht; Antikolonialer Widerstand; Säkularismus; Religion; Empire; Marxismus; Orientalismus; utb; Lehrbuch; transcript ; Einführungen und Grundlegungen ; Postkolonialismus ; Gayatri Spivak ; Homi Bhabha ; Edward Said ; Dekolonisierung ; Kolonialismus ; Kolonisierung ; Postkolonialismus ; Provenienzforschung ; Kulturgutverluste ; Kolonialzeit ; Geschichte ; koloniales Erbe ; geraubte Identität ; Unrecht ; Antikolonialer Widerstand ; Säkularismus ; Religion ; Empire ; Marxismus ; Orientalismus ; utb ; Lehrbuch ; transcript ; Soziologie ; Politikwissenschaft ; Postkolonialismus ; Theorie ; Postkolonialismus ; Ethnologie ; Soziologie ; Politische Wissenschaft
    Abstract: Postkoloniale Studien zählen aktuell zu den einflussreichsten kritischen Interventionen, was angesichts der massiven Effekte des Kolonialismus nicht verwundern kann. Postkoloniale Theorie zielt darauf ab, die verschiedenen Ebenen kolonialer Begegnungen zu analysieren und dabei die sozio-historischen Interdependenzen und Verflechtungen zwischen den Ländern des »Südens« und des »Nordens« herauszuarbeiten. Diese Einführung erschließt das weite Feld postkolonialer Theoriebildung über eine kritische Debatte der Schriften der drei prominentesten postkolonialen Stimmen – Edward Said, Gayatri Spivak und Homi Bhabha. Die aktualisierte dritte Auflage unterzieht insbesondere die neuen Schriften Spivaks und Bhabhas einer kritischen Würdigung, setzt sich aber auch mit den gegenwärtigen Diskussionen um Globalisierung, Religion, Menschenrechte und Dekolonisierung auseinander.
    Note: Literaturverzeichnis: Seite 355 - 384
    URL: Cover
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  • 7
    ISBN: 9781787446625
    Language: English
    Pages: 1 Online-Ressource (xiv, 314 Seiten) , Illustrationen
    Year of publication: 2020
    Series Statement: Eastman studies in music 167
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 780.92
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    Keywords: Bernstein, Leonard ; Musiksoziologie ; Politische Beteiligung ; Musikleben ; Kulturpolitik ; Washington, DC ; Bernstein, Leonard / 1918-1990 / Criticism and interpretation ; Bernstein, Leonard / 1918-1990 / Political activity ; United States / Politics and government / 1945-1989 ; Music and diplomacy / United States / History / 20th century ; Music / Political aspects / United States ; Washington (D.C.) / Songs and music ; Music / Social aspects / United States / History / 20th century ; Music / United States / 20th century / History and criticism ; Bernstein, Leonard / 1918-1990 ; Music ; Music and diplomacy ; Music / Political aspects ; Music / Social aspects ; Political participation ; Politics and government ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Bernstein, Leonard 1918-1990 ; Washington, DC ; Musikleben ; Kulturpolitik ; Musiksoziologie ; Musikleben ; Kulturpolitik ; Politische Beteiligung
    Abstract: "Bold new essays demonstrate how Leonard Bernstein influenced American culture, society, and politics through his conducting, composing, political relationships, and activism"--
    Note: Introduction
    URL: Volltext  (URL des Erstveröffentlichers)
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