ISBN:
9783110717693
,
9783110717778
Sprache:
Englisch
Seiten:
1 Online-Ressource (XX, 321 Seiten)
,
Illustrationen
Erscheinungsjahr:
2021
Originaltitel:
ha- Bamah ke-vayit araʿi
Paralleltitel:
Erscheint auch als Roṭman, Diego, 1972 - The Yiddish stage as a temporary home
Schlagwort(e):
Jewish actors Biography
;
Theater Political aspects
;
Theater, Yiddish History
;
Theater, Yiddish History
;
Polen
;
Theater
;
Yiddisch
;
Israel
;
HISTORY / General
;
Shumacher, Ysrael 1908-1961
;
Dzigan, Shimon 1905-1980
;
Israel
;
Polen
;
Jiddisch
;
Theater
;
Geschichte 1927-1980
Kurzfassung:
Frontmatter -- Acknowledgements -- Contents -- Introduction -- Chapter 1 Modernism, Avant Garde, and Innovation in Yiddish Theater: Dzigan and Shumacher in Łódź (1925–1933) -- Chapter 2 From a Collective to an Independent Artistic Endeavor: Dzigan and Shumacher in Warsaw (1934–1939) -- Chapter 3 Tribulations of the Last Decade in Eastern Europe: 1939–1949 -- Chapter 4 “And They Journeyed and They Encamped”: Dzigan and Shumacher in Israel (1950–1980) -- Chapter 5 The Text, the Body, and the Stage -- Conclusion -- Appendix A – Names of Spectacles and Shows -- Appendix B – Movies Starring Dzigan and Shumacher -- Appendix C – Television Programs in Israel Starring Shimen Dzigan -- Appendix D – List of Artists and the Shows in Which They Participated -- Bibliography -- Index of Names
Kurzfassung:
The Yiddish Theater Stage as a Temporary Home takes us through the fascinating life and career of the most important comic duo in Yiddish Theater, Shimen Dzigan and Isroel Shumacher. Spanning over the course of half a century – from the beginning of their work at the Ararat avant-garde Yiddish theater in Łodz, Poland to their Warsaw theatre – they produced bold, groundbreaking political satire. The book further discusses their wanderings through the Soviet Union during the Second World War and their attempt to revive Jewish culture in Poland after the Holocaust. It finally describes their time in Israel, first as guest performers and later as permanent residents. Despite the restrictions on Yiddish actors in Israel, the duo insisted on performing in their language and succeeded in translating the new Israeli reality into unique and timely satire. In the 1950s, they voiced a unique – among the Hebrew stages – political and cultural critique. Dzigan continued to perform on his own and with other Israeli artists until his death in 1980
Anmerkung:
Mode of access: Internet via World Wide Web.
DOI:
10.1515/9783110717693
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