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  • 1
    Language: English
    Pages: 265, 71 Seiten , Illustrationen
    Year of publication: 2014
    Keywords: Israel ; Kunsthandwerk ; Ausstellung ; Judaica
    Abstract: New Permanent Exhibition - Local Judaica Judaica artifacts produced in the Land of Israel, 1880 - 1967 The finest products of Judaica that developed in the country, beginning in late 19th century until the 1960s, is now on display in this new permanent exhibition opening at the museum. The fascinating exhibit deals with the development of local Israeli culture, the changes made by the waves of immigration and their impact on the shape and symbolism of the Judaica artifacts; the renewed ties of the people with its land; the creation of the new Jew, the halutz and the sabra, in sharp contrast with the atmosphere of the Diaspora. The exhibit relates to the holy sites and their religious-historical symbolism, such as the Western Wall and the Tower of David, alongside the buildings of the national institutions and the Hebrew University on Mount Scopus as an expression of modern renewal. Incorporating the map of Eretz Israeli also emphasizes the moral connections to the country. The Hebrew Judaica artifacts relate to the landscape of the homeland, biblical topics and figures of heroes as a symbol of heroism and national pride such as the Maccabees; after the state was established they were replaced by the figures of men and women soldiers. A prominent place is devoted to the holidays in the city and in the kibbutzim, and to the incorporation of artifacts from Jewish heritage in the life of the secular communities. The new permanent exhibition, next to the exhibit of the Jewish holidays and the Jewish cycle of life, complete the content of the Museum's ethnographical pavilion, offering a full and rich experience to the visitors. Ethnography and Folklore The many facets of Jewish life find expression in the rich array of items used in religious rituals and the ethnographic objects associated with traditions and ceremonies. The nuances and particularities of family and community are reflected in the styles, techniques and iconography characteristic of their period and place of origin. The Holiday Cycle The exhibit begins with a display of symbols and motifs that have become an integral part of Jewish cultural heritage. Having influenced the design and ornamentation of articles used for religious and ritual purposes throughout the ages, the wide and varied use of these symbols provide a celebratory tour of the holiday cycle. The diverse symbols in the exhibit include the iconic seven-branched candelabrum, as well as archetypes based on lions, shofars (ram's horns), etrogs (citrons), lulavs (palm fronds) and incense holders. Among the architectural motifs are schematic depictions of a gabled façade, paired columns, arch and conch shell, which symbolize the Temple in Jerusalem. Over time, these symbols were complemented by those of the Holy Tablets and the Star of David. A special display case illustrates the nexus of Christian, Muslim and Jewish creative art, as well as the influences created with the Jews' return to Israel in current time. The Cycle of Jewish Life The Jewish home and family ceremonies are as diverse as the communities that make up the Jewish world. The ingathering of Jews from so many locations during the great waves of immigration to Israel contributed to the creation of this fascinating collection. Among the cultural pieces a long the side corridors are ornate wedding costumes, jewelry, amulets used for protection and healing, and bags for prayer shawls and phylacteries presented to 13-year-old boys on the occasion of their Bar Mitzvah. The decorated ketubot (Jewish marriage contracts), embellished with ceremonial scenes as well as a variety of symbolic motifs, from the simple to the magnificent, reflect the couple's community of origin - Italy, Holland, the Ottoman Empire, Iran, Afghanistan, India and the Land of Israel.
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  • 2
    Language: English
    Pages: 171, 69 Seiten , Illustrationen
    Year of publication: 2014
    Keywords: Israel ; Kunst ; Textilien ; Ausstellung
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  • 3
    Language: English
    Pages: 156, 44 Seiten , Illustrationen
    Year of publication: 2011
    Keywords: Israel ; Puppe ; Souvenir ; Ausstellung
    Abstract: National costume dolls as a socio-cultural phenomenon are part of popular a culture that began before the establishment of the State of Israel, and came to its end in the late 1980s; its halcyon days were between the 1950s and the 1970s. These dolls were made by artists, artisans and craftspeople who used an array of techniques and styles, typically employing straightforward methods. Most of the doll makers and designers were not born in the country; some of them had had art or artisan education and others had a modicum of knowledge of the field. The dolls were displayed and sold privately, in souvenir shops or in shops owned by institutional bodies such as WIZO, Maskit and Hameshakem. They were bought as souvenirs, mementoes of a place or an experience, by Israelis and particularly Jewish tourists who took them home with them after they left the country, a scrap of their national homeland in the shape of ornamental dolls that depicted local types, later to be put on display in their faraway homes. In retrospect, the repertoire of these national costume dolls evokes memories, and perhaps even yearning. However, the exhibit seeks to expand the scope beyond the nostalgic context and regard these dolls as a symbolic unit that conveys messages and meaning about the period, and the changes that took place over seven decades. The dolls in this exhibit manifest symbols, values and myths that relate to the creation of Israeli identity: nationality, ethnicity, the melting pot, pluralism and multiculturalism. Presenting and interpreting the doll collection will draw the boundaries of representation and reveal the figures that are included, as well as those which are not. The exhibit attests to the tension embodied in the dolls, while attempting to answer the question: did these dolls - created over the years -reflect, represent, shape or invent the sought-after imagined and hegemonic Israeliness?
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  • 4
    Language: English
    Pages: 33, 136 Seiten , zahlr. Ill.
    Year of publication: 2008
    Keywords: Israel ; Goldschmiedekunst ; Schmuck ; Ausstellung
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  • 5
    ISBN: 9789652172563 , 9652172561
    Language: English
    Pages: XVI Seiten, [12] Blatt, 153 Seiten , Illustrationen
    Year of publication: 2006
    Keywords: Israel ; Metallkunst ; Ausstellung
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  • 6
    Language: English
    Pages: 166 Seiten, [1] Blatt , Illustrationen
    Year of publication: 2003
    Keywords: Israel ; Keramik ; Armenien
    Abstract: The Armenian Ceramics of Jerusalem is exclusively focussed on and carries the flag for this group or school of Armenian ceramists whose work the author feels should be seen as an entity. She describes the social, artistic, practical adaptations and survival of the group chronologically: its leaving the ceramic centre of Kutahya in Turkish Anatolia in 1919 (at the 'Arts and Crafts ' inspired request of the British Mandatory government in Jerusalem) and arrival in Jerusalem where there was no current tradition of tile making, to work on a project to restore the Dome of the Rock (later cancelled) and on to the present through the work of its leading artists and their workshops. The work of David Ohannessian, Megerdish Karakashian and Neshan Balian, Stephen Karakashian and Marie Balian is covered in individual chapters discussing specific commissions along with the roots of their iconography. They adapt Iznik and Kutahya designs combined with Armenian, Mameluke, Byzantine, Moslem and Jewish imagery, to produce work which is seen today as typical of Jerusalem and bought by all its three monotheistic religions; a process that modern politicians could possibly learn from. Review by Bronwyn Williams Ellis
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  • 7
    Language: Hebrew
    Year of publication: 1
    Dates of Publication: N.S. 1=19.1983/84=5743 -
    Keywords: Israel ; Geschichte
    Note: Zusammenfassung in englischer Sprache
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