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  • 1
    Language: German
    Year of publication: 2003
    Titel der Quelle: Journal of English and Germanic Philology
    Angaben zur Quelle: 102,1 (2003) 88-104
    Keywords: Mann, Thomas, ; Antisemitism in literature ; German literature History and criticism
    Abstract: Surveys the "Jewish" noses that appear in every one of Mann's novels through the First World War, noting that they are described as prominent and identified as Jewish only by other characters in the novel or by first-person narrators. Third-person narrators describe the Jewish characteristics of the noses as only slightly noticeable and avoid the word "Jewish", though heavy hints lead the reader to make this identification himself. The owner of the "Jewish" nose is always paired with a non-Jew who views him as dangerous. Hermann Hagenström, for instance, is never explicitly identified as Jewish, but his nose grows heavier the more he triumphs over his rivals, the Buddenbrooks. In the interwar period Mann was, in his own words, "philosemitic", but the dangerous Jew reappears in the World War II novel "Doktor Faustus". The exception is Dr. Sammet in "Königliche Hoheit" (1909), who readily admits to being a Jew, has no ambition to improve his status, and is described sympathetically.
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  • 2
    Language: English
    Year of publication: 2000
    Titel der Quelle: Nordisk Judaistik
    Angaben zur Quelle: 21,1-2 (2000) 57-64
    Keywords: Mann, Thomas, ; Antisemitism in literature ; German literature History and criticism
    Abstract: Discusses the methodological problems of studying antisemitism in literature. Warns against the authorial fallacy, i.e. asking whether the author was an antisemite, on the grounds that the text may say more than the author meant to. also notes the limitations of motif-seeking, i.e. looking for "the image of the Jew, " on the grounds that there are other, more subtle "modulations" of literary antisemitism. Using Mann's "Buddenbrooks" as a case study, points out how a careful study of structure and associations in the novel reveals a clear antisemitic discourse. The decline of the Buddenbrooks family is paralleled by the rise of a family associated with negative stereotypes of the Jew, thus creating an antisemitic bi-polarity: Christian (or non-Jewish) is good and Jewish is bad. Another example of clandestine antisemitism is the association of the idea of a parasite or vermin by which one of Mann's characters refers to the Jews. This echoes contemporary antisemitic terminology and foreshadows the Nazis' use of this concept to dehumanize the Jews.
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