ISBN:
9789004408906
Language:
English
Pages:
1 Online-Ressource (XXVIII, 446 Seiten)
Year of publication:
2020
Series Statement:
Balkan studies library volume 26
Series Statement:
Balkan studies library
Parallel Title:
Erscheint auch als Rajner, Mirjam, 1959 - Fragile images
Keywords:
Jewish artists Biography
;
Art, Yugoslav Themes, motives
;
Art and society
;
Jugoslawien
;
Juden
;
Kunst
;
Geschichte 1918-1945
Abstract:
Front Matter -- Copyright page -- Dedication -- Acknowledgments -- Illustrations -- Note on Personal Names -- Introduction -- In Search of an Identity: Sephardic, Zionist, Yugoslav -- Introduction to Part 1 -- From Dorćol to Paris and Back: Moša Pijade’s Self-Portraits -- Sarajevo’s Multiculturalism: Daniel Kabiljo’s Sephardic Types -- A Croatian Zionist: Adolf Weiller between the East European Shtetl and the Lure of Nature -- From Avant-Garde to Political Activism -- Introduction to Part 2 -- Bora Baruh’s Refugees -- Ivan Rein’s Paris: From the Quartier Latin to Camp Vernet -- The Ethnic and Universal Avante-Garde: Daniel Ozmo’s Linocuts -- “We Artists Have to Paint”: Art Created during the War and the Holocaust -- Introduction to Part 3 -- Bora Baruh in Occupied Belgrade: Images of Jewish and Christian Mourning -- Art in Jasenovac: Daniel Ozmo and the Artists of the Ceramic Workshop -- Refugee and Artist: Ivan Rein, Johanna Lutzer, and Jewish Cultural Life in Kraljevica -- The Rab Island Camp: From Internment to Freedom -- Producing Art for Partisans: Creativity between Ideology and Survival -- Introduction to Part 4 -- Bora Baruh as a Partisan, 1941–1942 -- Johanna Lutzer: Jewish Refugees with the Partisans in Croatia -- Postscript: Jewish Artists as National Heroes, Victims of Fascism, and Holocaust Survivors -- Conclusion -- Back Matter -- Bibliography -- Index.
Abstract:
In Fragile Images: Jews and Art in Yugoslavia, 1918-1945, Mirjam Rajner traces the lives and creativity of seven artists of Jewish origin. The artists - Moša Pijade, Daniel Kabiljo, Adolf Weiller, Bora Baruh, Daniel Ozmo, Ivan Rein and Johanna Lutzer - were characterized by multiple and changeable identities: nationalist and universalist, Zionist and Sephardic, communist and cosmopolitan. These fluctuating identities found expression in their art, as did their wartime fate as refugees, camp inmates, partisans and survivors. A wealth of newly-discovered images, diaries and letters highlight this little-known aspect of Jewish life and art in Yugoslavia, illuminating a turbulent era that included integration into a newly-founded country, the catastrophe of the Holocaust, and renewal in its aftermath
Note:
Beinhaltet Literaturhinweise und Index
DOI:
10.1163/9789004408906
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