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  • Brandenburg  (5)
  • English  (5)
  • Cambridge, Mass. [u.a.] : Harvard Univ. Press
  • New Haven, Conn. [u.a.] : Yale Univ. Press
  • Toronto : University of Toronto Press
  • Jews  (5)
Region
Material
Language
  • English  (5)
Subjects(RVK)
  • 1
    ISBN: 148750814X , 9781487508142
    Language: English
    Pages: xiii, 194 Seiten , Illustrationen , 24 cm
    Year of publication: 2021
    Series Statement: Latinoamericana
    Parallel Title: Erscheint auch als Pridgeon, Stephanie, 1986- Revolutionary vision
    Parallel Title: Erscheint auch als Pridgeon, Stephanie, 1986 - Revolutionary visions
    DDC: 791.43/65299240809046
    Keywords: Jews in motion pictures ; Motion pictures History ; Jews History 20th century ; Revolutions History 20th century ; Jews ; Jews in motion pictures ; Motion pictures ; Revolutions ; Jews ; Political activity ; Latin America ; Jews ; Latin America ; Migrations ; History ; 20th century ; Revolutions ; Latin America ; History ; 20th century ; Motion pictures ; Latin America ; History ; 20th century ; Jewish motion picture producers and directors ; Latin America ; Jews in motion pictures ; Jews ; Latin America ; History ; 20th century ; Christianity and other religions ; Judaism ; Judaism ; Relations ; Christianity ; History ; Latin America History 20th century ; Latin America ; Latin America
    Abstract: Introduction: "A place in the economy of being": revolutionary visions -- 1. Saintly politics: Christianity, revolution, and Jews -- 2. Here we are to build a nation: Jewish nation: Jewish immigrants to early twentieth-century Latin America -- 3. Poner el cuerpo femenino judío: Jewish women's bodies and revolutionary movement -- 4. Lost embraces: Jewish parent-child relationships and 1970s politics -- Epilogue: what sort of affinity? Conclusions and areas for future study.
    Abstract: "Revolutionary Visions examines recent cinematic depictions of Jewish involvement in 1960s and 1970s revolutionary movements in Latin America. In order to explore the topic, the book bridges critical theory on religion, politics, and hegemony from regional Latin American, national, and global perspectives. Placing these theories in dialogue with recent films, the author asks the following questions: How did revolutionary commitment change Jewish community and families in twentieth-century Latin America? How did Jews contribute to revolutionary causes and what is the place of Jews in the legacies of revolutionary movements? How is film used to project self-representations of Jewish communities in the national project for a mainstream audience? Jewish involvement in revolutionary movements is rife with contradictions. On the one hand, it was a natural progression of patterns of political participation, based on the ideological affinities shared between Socialist movements and Marxist revolutionary politics. On the other hand, involvement in revolutionary politics would also upset the status quo of Jewish communities due to the extreme nature of revolutionary practices (e.g. guerrilla warfare), revolutionary groups' alignment with Palestine, and the assimilation into non-Jewish culture that revolutionary involvement often entailed. These contradictions between Jewish self-identification and revolutionary activity continue to confound cultural understandings of the points of contact between identities and political affinities. In this way, Revolutionary Visions contributes to timely debates within cultural studies surrounding identities and politics."--
    Note: Includes bibliographical references (pages 175-188) and index
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  • 2
    Book
    Book
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 9780300154306 , 9780300205350
    Language: English
    Pages: XII, 358 S , 24 cm
    Year of publication: 2013
    DDC: 780.89/924043
    RVK:
    RVK:
    Keywords: Jewish composers History 20th century ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 Music and the war ; Jews Music ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 ; Music and the war ; Jews ; Germany ; Music ; Jews ; Austria ; Music ; Totalitarianism and music ; Germany ; History ; 20th century ; Juden ; Komponist ; Verfolgung ; Exil ; Nationalsozialismus
    Abstract: With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. -- Jacket
    Description / Table of Contents: German and Jewish Wagner and German Jewish composers in the nineteenth century An age of liberalism, Brahms, and the chronicler, Hanslick Mahler and his chronicler, Korngold The Jugendstil School of Schoenberg, Schrecker, Zemlinsky, and Weigl A musical migration Hey! We're alive! A question of musical potency : the Anti-romantics The resolute Romantics Between Hell and Purgatory Exile and worse Restitution.
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  • 3
    Book
    Book
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 9780300137132 , 0300137133
    Language: English
    Pages: XI, 274 S. , Ill., Notenbeisp.
    Year of publication: 2010
    DDC: 780.89/924047
    RVK:
    RVK:
    RVK:
    Keywords: Jews Music ; History and criticism ; Jewish musicians History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Jews ; Russia ; Music ; History and criticism ; Jewish musicians ; Russia ; History ; Music ; Russia ; 19th century ; History and criticism ; Music ; Russia ; 20th century ; History and criticism ; Russland ; Juden ; Musik ; Geschichte 1860-1917
    Description / Table of Contents: Emancipating sounds : Anton Rubinstein and the rise of the Russian Jewish musician -- National voices, imperial echoes : Joel Engel and the Russian Jewish musical fin de siecle -- The most musical nation : the birth of the society for Jewish folk music -- Frozen folk songs : modern Jewish culture between art and commerce -- The neighbors' melodies : the politics of music in war and revolution.
    Note: Includes bibliographical references and index
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  • 4
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard Univ. Press
    ISBN: 0674769767 , 067400566X
    Language: English
    Pages: IX, 277 S
    Year of publication: 1999
    DDC: 781.64/089/924073
    RVK:
    Keywords: Unterhaltungsmusik ; Schwarze ; Musik ; Juden ; Musik ; USA ; Amerika ; USA ; Popular music ; United States ; History and criticism ; Afro-Americans ; History and criticism ; Jews ; United States ; History and criticism
    Note: Includes bibliographical references and index , Literaturangaben
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  • 5
    Book
    Book
    Cambridge, Mass. [u.a.] : Harvard Univ. Press
    ISBN: 0674474619
    Language: English
    Pages: XIX, 492 S.
    Year of publication: 1983
    Series Statement: Harvard Judaic texts and studies 2
    DDC: 296.09031
    RVK:
    Keywords: Judaism ; History ; Medieval and early modern period, 425-1789 ; Jews ; Intellectual life ; 16th century ; Konferenzschrift 1982 ; Juden ; Renaissance ; Geistesgeschichte 1500-1600 ; Kongress ; Cambridge 〈Mass., 1982〉 ; Jüdische Philosophie ; Geschichte 1500-1600 ; Kongress ; Cambridge 〈Mass., 1982〉
    Note: Literaturverz. S. 488 - 492
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