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  • English  (4)
  • 2015-2019  (4)
  • 2018  (4)
  • Geschichte  (4)
  • Sociology  (3)
  • Slavic Studies  (1)
Material
Language
Years
  • 2015-2019  (4)
Year
  • 1
    Book
    Book
    Cambridge, Massachusetts : The Belknap Press of Harvard University Press
    ISBN: 9780674980716
    Language: English
    Pages: ix, 458 Seiten , Illustrationen
    Edition: First printing
    Year of publication: 2018
    DDC: 303.48/247018210904
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    Keywords: Public opinion Soviet Union ; Soviets (People) Attitudes ; Public opinion ; Soviets (People) Attitudes ; Soviet Union Civilization ; Western influences ; Soviet Union History ; 1953-1985 ; Western countries Foreign public opinion, Soviet ; Western countries Foreign public opinion, Soviet ; Soviet Union Civilization ; Western influences ; Soviet Union History 1953-1985 ; Sowjetunion ; Tauwetter-Periode ; Kulturwandel ; Geschichte ; Sowjetunion ; Kulturkontakt ; Westliche Welt ; Geschichte 1953-1991 ; Sowjetunion ; Tauwetter-Periode ; Kulturwandel ; Geschichte
    Abstract: The Soviet Union was a notoriously closed society until Stalin's death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. At the heart of this story is a process of translation, in which Western figures took on Soviet roles: Pablo Picasso as a political rabble-rouser; Rockwell Kent as a quintessential American painter; Erich Maria Remarque and Ernest Hemingway as teachers of love and courage under fire; J. D. Salinger and Giuseppe De Santis as saviors from Soviet clichés. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. The main protagonists of To See Paris and Die are small-town teachers daydreaming of faraway places, college students vicariously discovering a wider world, and factory engineers striving for self-improvement. They invested Western imports with political and personal significance, transforming foreign texts into intimate possessions. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd's history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.--
    Abstract: Soviet internationalism -- The Tower of Babel -- Books about us -- Cinema without an accent -- Barbarians in the temple of art -- Books and borders -- Epilogue: Exit
    Note: Enthält Literaturangaben und ein Register
    URL: Rezension  (H-Soz-Kult)
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  • 2
    ISBN: 9783110595451 , 3110595451
    Language: English
    Pages: X, 278 Seiten , 23 cm x 15.5 cm
    Year of publication: 2018
    Series Statement: Perspectives on Jewish Texts and Contexts volume 8
    Series Statement: Perspectives on Jewish texts and contexts
    Parallel Title: Erscheint auch als Aschheim, Steven E., 1942 - Fragile spaces
    Parallel Title: Erscheint auch als Aschheim, Steven E., 1942 - Fragile spaces
    Parallel Title: Elektronische Reproduktion
    Parallel Title: Elektronische Reproduktion
    DDC: 305.8924043
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    Keywords: Aufsatzsammlung ; Deutschland ; Judenvernichtung ; Kollektives Gedächtnis ; Deutschland ; Geistesleben ; Juden ; Intellektueller ; Identität ; Antisemitismus ; Geschichte ; Judenvernichtung ; Kollektives Gedächtnis ; Rezeption ; Juden ; Identität ; Kultur
    Abstract: "This book consists of a range of essays covering the complex crises, tensions and dilemmas but also the positive potential in the meeting of Jews with Western culture. In numerous contexts and through the work of fascinating individuals and thinkers, the work examines some of the consequences of political, cultural and personal rupture, as well as the manifold ways in which various Jewish intellectuals, politicians (and occasionally spies!) sought to respond to these ruptures and carve out new, sometimes profound, sometimes fanciful, options of thought and action. It also delves critically into the attacks on liberal and Enlightenment humanism. In almost all the essays the fragility of things is palpably present and the book touches on some of the ironies, problematics and functions of responses to that condition. The work mirrors the author's ongoing fascination with the always fraught, fragile and creatively fecund confrontation of Jews (and others) with European modernity, its history, politics, culture and self-definition. In a time of increasing anxiety and feelings of fragility, this work may be helpful in understanding how people at an earlier (and sometimes contemporary) period sought to come to terms with a similar predicament." (Verlagsinformation)
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  • 3
    Book
    Book
    New York : New York University Press
    ISBN: 9781479827893
    Language: English
    Pages: ix, 371 Seiten , Illustrationen
    Year of publication: 2018
    DDC: 305.892/4
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    Keywords: Jews Social life and customs 19th century ; Jews Social life and customs 20th century ; Jews Intellectual life 19th century ; Jews Intellectual life 20th century ; Coffeehouses Social aspects ; Juden ; Kultur ; Kaffeehaus ; Geschichte ; Juden ; Kaffeehaus ; Künstlercafé ; Geschichte
    Note: Enthält Literaturangaben und Index
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  • 4
    ISBN: 9781138630888 , 9781351120821
    Language: English
    Pages: xii, 474 Seiten , Illustrationen, Diagramm
    Year of publication: 2018
    Parallel Title: Erscheint auch als
    DDC: 305.8924
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    Keywords: Geschichte ; Antijudaismus ; Antisemitismus ; Antisemitism / History ; Antisemitism ; Konferenzschrift 2015 ; Antisemitismus ; Antijudaismus ; Geschichte
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