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  • English  (35)
  • 2010-2014  (35)
  • Fotografie
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Language
Year
  • 1
    Language: English
    Pages: 189 Seiten, [2] Blatt , Fotografien
    Year of publication: 2014
    Series Statement: KW Pocket 3
    Series Statement: KW Pocket
    Keywords: Fotografie ; Fotografin
    Abstract: Im Frühjahr 2013 hat das Shpilman Institut für Fotografie (Tel Aviv) in Kooperation mit den KW Institute for Contemporary Art und der Schir Foundation (Berlin) erstmalig ein Aufenthaltsstipendium für Fotografie vergeben. Ilit Azoulay (*1972, Israel) bezog im Juni 2013 ein Studio in den KW und nutzte in den fünf Monaten ihres Aufenthalts die Möglichkeit, ihr Interesse an der Archäologie der Städte zu vertiefen. In Deutschland sammelte und fotografierte sie Objekte und architektonische Fragmente in Berlin, Weimar, Kulmain, Regensburg, Dessau, Bamberg, Brandenburg, Xanten, Potsdam und Halle sowie in dem Gebäudekomplex der KW selbst. In einigen Fällen wählte Azoulay unterschiedlichste denkmalgeschütze Orte wie auch Gebäude, die Stein für Stein, gemäß den denkmalpflegerischen Maßgaben, rekonstruiert wurden. Jedes der 93 gesammelten Objekte wurde mit einer Technik, ähnlich der des Scannens, fotografiert. Diese Technik ist charakteristisch für die Arbeitsweise der Künstlerin und ermöglicht ihr die Nebeneinanderstellung verschiedener Betrachtungspunkte zu einem digital komponierten Bild. Nach ihrem Aufenthalt in Berlin begann Azoulay mit der Sammlung diverser Informationen, die mit der Herkunft jedes einzelnen Objektes in Verbindung stehen. Diese akribische Erfassung von Informationen wurde zentral für das Projekt und beinhaltet Korrespondenzen mit Klöstern, BewohnerInnen von besetzten Häusern, PräparationsexpertInnen, PflanzenforscherInnen, GebäudekonstrukteurInnen und AnwältInnen. Hinzu kommt eine Sammlung von Geräuschen, die im Bezug zu den Objekten aufgezeichnet wurden. Für ihre Ausstellung in den KW präsentiert Azoulay ihre fotografierten Objekte in einer ortsspezifischen Installation. Die gesammelten Objekte werden um einen Audioguide erweitert, der den Betrachter in die historischen, persönlichen und eigentümlichen Details des Forschungsprozesses der Künstlerin einweiht und dazu einlädt, die Textualität eines jeden Objektes zu entdecken.
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  • 2
    Language: English
    Pages: [12] Blatt , Illustrationen
    Year of publication: 2014
    Keywords: Künstlerin ; Malerei ; Fotografie ; Ausstellung
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  • 3
    ISBN: 9780815346630
    Language: English
    Pages: XIII, 266 Seiten
    Year of publication: 2014
    Keywords: Fotografie ; Museum
    Abstract: Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of ’difficult histories’. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.
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  • 4
    ISBN: 3869307234 , 9783869307237
    Language: English
    Pages: 259 Seiten , 28 cm
    Edition: 1. edition
    Year of publication: 2013
    DDC: 779.995694092
    RVK:
    Keywords: Bildband ; Ausstellungskatalog Tel Aviv Museum of Art 05.11.2013-22.03.2014 ; Yaʿari, Sharon 1966- ; Fotografie ; Israel ; Geschichte 1980-2011
    Note: Text englisch und hebräisch
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  • 5
    Book
    Book
    London [u.a.] : Sage
    ISBN: 9780761962472 , 9780761962489
    Language: English
    Pages: XVIII, 478 S. , Ill.
    Edition: 1. publ., repr.
    Year of publication: 2013
    DDC: 128.3
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    Keywords: Geschichte 1954-1997 ; Visuelle Medien - Kultur - Aufsatzsammlung ; Visuelle Wahrnehmung - Kultur - Aufsatzsammlung ; Sehen ; Fotografie ; Kultur ; Ästhetik ; Visuelle Wahrnehmung ; Film ; Aufsatzsammlung ; Visuelle Wahrnehmung ; Kultur ; Sehen ; Kultur ; Ästhetik ; Geschichte 1954-1997 ; Fotografie ; Ästhetik ; Film ; Ästhetik
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  • 6
    Book
    Book
    New Delhi [u.a.] : Oxford University Press
    ISBN: 9780198090267 , 0198090269
    Language: English
    Pages: XIX, 174 S. , Ill. , 24 cm
    Edition: 1. publ.
    Year of publication: 2013
    DDC: 770.954
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    Keywords: Geschichte 1850- ; Geschichte ; Photography / History / India ; Fotografie ; Indien ; India / History / British occupation, 1765-1947 ; Indien ; Aufsatzsammlung ; Indien ; Fotografie ; Geschichte 1850-
    Abstract: The colonial eye -- Imaging India
    Note: Includes bibliographical references (p. [168]-171)
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  • 7
    Image
    Image
    London : Jonathan Cape
    ISBN: 9780224097130 , 022409713X
    Language: English
    Pages: 240 S. , zahlr. Ill.
    Year of publication: 2013
    RVK:
    Keywords: Taro, Gerta ; Capa, Robert ; Photojournalists Biography ; Taro, Gerta 1911-1937 Capa, Robert 1913-1954 ; Photojournalists / Biography / Germany ; Spain / History / Photography / Civil War, 1936-1939 ; Spain History Civil War, 1936-1939 ; Photography ; Biografie ; Bildband ; Taro, Gerta 1910-1937 ; Taro, Gerta 1910-1937 ; Capa, Robert 1913-1954 ; Fotografie ; Spanischer Bürgerkrieg ; Geschichte
    Abstract: In Paris in 1934, a young and beautiful émigrée from Germany, Gerda Pohorylles, met a Hungarian political exile, André Friedmann. They reinvented themselves as the photographers Gerda Taro and Robert Capa - and he would become the most important photojournalist of his generation. When Gerda was killed in the Spanish Civil war at the age of twenty-six, Robert Capa was her most notable mourner. Her funeral drew crowds of thousands and she became a hero of the political left. Despite the legend that was built around her, she subsequently became a mere footnote in Capa's story. Seventy years after her death a long-lost suitcase was discovered in Mexico, containing thousands of negatives by Capa and Taro. Most astonishingly of all, the 'Mexican suitcase' showed that photographs that had been attributed previously to Capa were, in fact, the work of Taro. Jane Rogoyska's book will trace Taro's life and reveal the depth of her relationship with Capa. Charismatic and extraordinary, they epitomised one of the most tumultuous periods of the century
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  • 8
    Book
    Book
    Heidelberg : Kehrer Verlag
    ISBN: 9783868284188
    Language: English
    Pages: 126 Seiten , Fotografien
    Year of publication: 2013
    Keywords: Fotografie ; Mischehe
    Abstract: Nach ihrer mehrfach ausgezeichneten Monografie 5683 miles away (Kehrer 2010) richtet Yael Ben-Zion in Intermarried erneut ihre Kamera auf ein persönliches, gleichwohl politisch aufgeladenes Thema. Im Jahr 2009 hat sie über eine Onlineplattform Paare in ihrer Nachbarschaft Manhattan kontaktiert, die ihre Beziehung als ůMischeheś bezeichnen. Ebenfalls in einer gemischten Partnerschaft lebend, interessierte sich die Fotografin besonders für die zahlreichen Herausforderungen, mit denen Paare konfrontiert werden, die ihr Leben unabhängig von ihrer unterschiedlichen Herkunft, Ethnie, Rasse oder Religion teilen. In vielschichtigen Bildern und den ergänzenden aufschlussreichen Texten (einschließlich Interviews mit den Paaren) verwebt Intermarried Fragmente der Wirklichkeit zu einer einfühlsamen Beschreibung, die sich mit den vielfältigen Fragen gemischter Ehen auseinandersetzt. Ben-Zions Arbeiten wurden bereits mehrfach in den USA und in Europa ausgestellt sowie mit verschiedenen Stipendien und Auszeichnungen gefördert, darunter Förderungen von Northern Manhattan Arts Alliance (NoMAA) und Puffin Foundation.
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  • 9
    ISBN: 9781848221307
    Language: English
    Pages: 240 Seiten , Fotografien
    Year of publication: 2013
    Keywords: Fotografie ; Ausstellung
    Abstract: The early practitioners of photography in the late 19th century and first decades of the 20th century shaped the evolving language of the medium by expanding the limits of the photographic vision. Many of these pioneers were immigrants - people displaced by choice or, quite often, by necessity. These photographers became observers and interpreters of their new surroundings through the filters of their different cultures, languages and religions. Photography in the 20th century (particularly the Modernist vision) is deeply indebted to them. Displaced Visions reconsiders the work and influence of key figures in modernist photography from the point of view of their status as immigrants, considering how this condition affected their vision and creativity and enhanced the development of the photographic language in general. It features the work of nearly 100 photographers, including André Kertész, Brassai, Bill Brandt, Man Ray, Robert Frank, the New York School photographers, the Photo League Photographers, Lisette Model, Moholy-Nagy, Erich Salomon, Weegee, William Klein, Tina Modotti, Inge Morath and many more. It accompanies a major touring exhibition opening at The Israel Museum, Jerusalem in spring 2013.
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  • 10
    Book
    Book
    New York, NY : Routledge, Taylor & Francis Group
    ISBN: 9780415852432 , 0415852439 , 0415874769
    Language: English
    Pages: xviii, 253 Seiten , Illustrationen , 23 cm
    Edition: First issued in paperback
    Year of publication: 2013
    Series Statement: Routledge research in cultural and media studies 29
    Series Statement: Routledge research in cultural and media studies
    DDC: 779.99430860922
    RVK:
    Keywords: Silas, Susan ; Coetzee, J. M ; Schorr, Collier ; Miller, Lee ; Judenvernichtung ; Künste ; Fotografie ; Judenverfolgung ; Rezeption ; Judenvernichtung ; Drittes Reich
    Note: Literaturangaben
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  • 11
    Book
    Book
    London : MACK Books Ltd.
    ISBN: 9781910164013
    Language: English
    Pages: [72] Blatt , Fotografien
    Year of publication: 2013
    Keywords: Israel ; Fotografie ; Westjordanland
    Abstract: Rosalind Fox Solomon spent five months in Israel and the West Bank during 2010–11, working in Jerusalem, Tel Aviv, Nahariya, Bethlehem and Jenin. Travelling by local bus along with commuter workers, she photographed Jewish teenagers at Purim, Christians at the Church of the Holy Sepulchre, and Ghanaian pilgrims at the Mount of Olives. "Them" is part of a project entitled "This place", which explores the complexity of Israel and the West Bank through the eyes of twelve internationally acclaimed photographers. (...) "This place" consists of a travelling exhibition, companion publications and a program of live events.
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  • 12
    Book
    Book
    London : Jonathan Cape
    Language: English
    Pages: 240 Seiten, [4] Blatt , Ill.
    Year of publication: 2013
    Keywords: Fotografie ; Fotografin ; Fotograf
    Abstract: Paris im Jahre 1934: Aus der jungen, schönen jüdischen Emigrantin Gerda Pohorylles und dem ungarischen Exilanten André Friedmann werden die Fotografen Gerda Taro und Robert Capa - und er würde der wichtigste Fotojournalist seiner Generation werden. Als Gerda im spanischen Bürgerkrieg im Alter von nur 26 Jahren getötet wird, wird sie eine Heldin der politischen Linken. Trotz der Legende, die um sie herum gebaut wurde, war sie anschließend eine bloße Fußnote in Capas Geschichte. Siebzig Jahre nach ihrem Tod wurde ein lange verlorener Koffer in Mexiko entdeckt, mit Tausenden von Negativen von Capa und Taro. Die Sensation: Viele der Fotos, die zuvor Capa zugeschrieben worden waren, sind in Wirklichkeit die Arbeit von Gerda Taro. Jane Rogoyskas Buch beschreibt Taros Leben und zeigt die Tiefe ihrer Beziehung zu Robert Capa. Charismatisch und außergewöhnlich, verkörperte sie eine der turbulentesten Zeiten des 20. Jahrhunderts.
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  • 13
    Language: English
    Pages: 119 Seiten, [3] Blatt , Illustrationen
    Year of publication: 2013
    Keywords: Kunst ; Videokunst ; Fotografie ; Installation ; Kunstausstellung ; Ausstellung
    Abstract: ״If you are lonely when you are alone, you are in bad company״ Jean Paul Sartre Loneliness is a major contemporary phenomenon, gaining more and more impact on people’s lives. The exacting urban environment, in the face of social and technological changes, never leaves the individual in peace – it forever urges him, stimulates his nerves and attacks his senses in an endless sequence of fleeting perceptions and random impressions. Many amongst us seek simulations of life that seem more exciting than life itself. We fear a reality which is not mediated by computers. Thousands of text messages sent daily by people all over the world, who spend endless hours in social networks, have created a new reality of social alienation, unparalleled in its dimensions compared to past generations. Thus we become victims of the illusion of virtual friendships on the web, where we collect thousands of friends whom we imagine to be human relationships that only lead us to further loneliness. The more technology advances, the more our mental lives retreat. Loneliness and solitude are seemingly similar but are in fact very different scenarios, in which the individual is alone. Loneliness is a state of segregation of the individual, while solitude is a voluntary state in which the individual is independent and can appreciate the space surrounding him, and where perhaps, he might find the best possible company. In his book "Between Man and Man" Martin Buber writes: “We have seen how in the history of the human spirit man again and again becomes solitary… that is, he seeks a divine form of being with which, solitary as he is, he can communicate ;he stretches his hands out beyond the world to meet this form. But we have also seen that there is a way leading from one edge of solitude to the next, that is, that each solitude is colder and stricter than the preceding, and salvation from it more difficult. But finally man reached a condition where he can no longer stretch his hands out from his solitude to meet a divine form. That is at the basis of Nietzsche’s saying, ‘God is dead’. Apparently, nothing more remains now to the solitary man but to seek an intimate communication with himself.” Raphie Etgar, Curator
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  • 14
    Language: English
    Pages: 213 Seiten , Fotografien
    Year of publication: 2012
    Parallel Title: Erscheint auch als Online-Ausgabe [Marianne Breslauer] ; herausgegeben von Kathrin Beer und Christina Feilchenfeldt Marianne Breslauer - Fotografien
    Keywords: Fotografie ; Porträtfotografie ; Sozialdokumentarische Fotografie ; Fotografin
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  • 15
    Language: English
    Pages: 48 Seiten
    Additional Material: Werkfotos ([2] Blatt)
    Year of publication: 2012
    Keywords: Künstlerin ; Fotografie ; Ausstellung
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  • 16
    Language: English
    Pages: 183 Seiten , Illustrationen
    Year of publication: 2012
    Series Statement: Israel Museum Catalogue = Katalog 582
    Series Statement: Israel Museum Catalogue
    Keywords: Chassidismus ; Chassidim ; Ultraorthodoxes Judentum ; Fotografie ; Ausstellung
    Abstract: This ethnographic exhibition highlights facets of Hasidic culture that may not be known to the wider public. It illustrates the Hasidic experience through the rich, complex attire of men, women, and children and through objects with meaning for the group's social and spiritual life, which revolves around its charismatic leader, the Rebbe.
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  • 17
    Language: English
    Pages: [21] Blatt , Fotografien
    Additional Material: Einladungskarte [1] Bl.; Lebenslauf [3] Bl., Ausstellungsinformationen [12] Bl.
    Year of publication: 2012
    Keywords: Künstlerin ; Fotografie ; Sozialdokumentarische Fotografie ; Badestrand ; Jüdin (Motiv) ; Ausstellung
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  • 18
    Book
    Book
    Paris : Editions Letzalem
    Language: English
    Pages: ungez. , überw. Ill.
    Year of publication: 2012
    Keywords: Fotografie ; Fotograf ; Jerusalem Tempel ; Klagemauer
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  • 19
    Book
    Book
    New Brunswick, NJ [u.a.] : Rutgers Univ. Press
    ISBN: 0813548845 , 9780813548845
    Language: English
    Pages: XIII, 283 S. , Ill. , 26 cm
    Year of publication: 2011
    Series Statement: Jewish cultures of the world
    DDC: 770.947
    RVK:
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    Keywords: Photographers History ; Photographers Biography ; Jewish photographers History ; Jewish photographers Biography ; Documentary photography History ; World War, 1939-1945 Photography ; War photography ; World War, 1939-1945 Pictorial works ; Photographers ; Soviet Union ; History ; Photographers ; Soviet Union ; Biography ; Jewish photographers ; Soviet Union ; History ; Jewish photographers ; Soviet Union ; Biography ; Documentary photography ; Soviet Union ; History ; World War, 1939-1945 ; Photography ; War photography ; Europe, Eastern ; World War, 1939-1945 ; Europe, Eastern ; Pictorial works ; Sowjetunion ; Juden ; Fotograf ; Zweiter Weltkrieg ; Judenvernichtung ; Sowjetunion ; Juden ; Fotografie ; Judenvernichtung
    Note: Formerly CIP Uk. - Includes bibliographical references and index
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  • 20
    ISBN: 9783865609489
    Language: English
    Pages: 189 S , überw. Ill., Kt , 29 x 24 cm
    Year of publication: 2011
    DDC: 770
    Keywords: Bildband ; Maayan, Dror 1967- ; Fotografie ; Grenzbefestigung ; Palästinensische Autonomiegebiete ; Israel
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  • 21
    ISBN: 9789652783868
    Language: English
    Pages: 18, 156 Seiten , Fotografien
    Year of publication: 2011
    Series Statement: Israel Museum Catalogue = Katalog 570
    Series Statement: Israel Museum Catalogue
    Keywords: Fotografie ; Porträtfotografie ; Sozialdokumentarische Fotografie ; Fotograf ; Ausstellung
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  • 22
    Book
    Book
    Munich : Hirmer Verlag
    Language: English
    Pages: 476 Seiten, [2] Blatt , Fotografien
    Year of publication: 2011
    Keywords: Fotograf ; Fotografie ; Sozialdokumentarische Fotografie ; Ukraine
    Abstract: This volume offers an overview of the career of the Ukrainian photographer Boris Mikhailov. The work of Mikhailov is seen through the eyes of filmmaker David Teboul who completed a documentary about the artist in 2010 – Boris Mikhailov: I’ve Been Here Once Before. Mikhailov is one of the most important artists to have emerged from the former Soviet Union, and for more than 30 years has taken photographs that engage with the idea of the individual living within the historical and political system, the breakup of the Soviet Union and its many human casualties. Extensively illustrated with stills from Teboul’s film including Mikhailov with his work, the book also includes transcripts of Mikhailov’s conversations with Teboul; here he provides insight into both his own work and, more generally, the life of an artist in the Soviet Union before and after its fall. This volume brings into focus Mikhailov’s beautifully crafted and often melancholy body of work, which was relatively unknown prior to the collapse of the Soviet Union.
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  • 23
    ISBN: 9780815609872 , 0815609876
    Language: English
    Pages: XXXI, 300 Seiten , Fotografien
    Edition: 1st edition
    Year of publication: 2011
    Series Statement: Judaic traditions in literature, music, and art
    Series Statement: Judaic traditions in literature, music, and art
    Keywords: Fotografie ; USA
    Abstract: "In his latest book, Morris explores the works of 10 Jewish photographers and how their work relates to their Jewish heritage, as well as why and how Jewish photographers have distinguished themselves in their field. Morris begins with Weegee (Arthur Fellig), 'a chronicler of death and heartbreak,' and moves on to the photographs of Bruce Davidson, Jim Goldberg, Mel Rosenthal, Diane Arbus, Lee Friedlander, Allen Ginsberg, Annie Leibovitz, Tyagan Miller, and Marc Asnin. . Morris concludes that photography is one means of ĺwitnessing as a form of social responsibility related to the biblical imperative, the injunction to Remember (Zakhor).'" - Publishers Weekly
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  • 24
    Language: English
    Pages: [48] Blatt , Illustrationen
    Year of publication: 2011
    Keywords: Künstlerin ; Malerei ; Grafik ; Fotografie ; Installation ; Ausstellung
    Note: Projektbeschreibung; Lebenslauf der Künstlerin; Werkfotos
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  • 25
    Language: English
    Pages: Ill.
    Year of publication: 2011
    Titel der Quelle: Ars Judaica : the Bar-Ilan journal of Jewish art
    Publ. der Quelle: Ramat-Gan
    Angaben zur Quelle: 7 (2011), Seite 67 - 82
    Keywords: Gidāl, Naḥûm Tim ; Raviv-Vorobeichic, Moshé ; Fotografie ; Stetl
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  • 26
    Language: English
    Pages: 90 Seiten , Ill.
    Year of publication: 2011
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 2011/20
    Series Statement: Catalogue
    Keywords: Israel ; Fotografie ; Ausstellung
    Abstract: The photographs of Gaston Zvi Ickowicz (b. Buenos Aires, 1974) excel in attentive observation of "place" and conduct a unique dialogue with modern and contemporary photography. His precise, introverted gaze captures signs and remnants of occurrences, often facing down, to the ground. His focusing on the layered surface exposes an esthetic, political and emotional complexity and crystallizes into a typological poetic definition of the place.
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  • 27
    ISBN: 9780300146875
    Language: English
    Pages: 248 Seiten , zahlr. Ill.
    Year of publication: 2011
    Keywords: New York, NY ; Ausstellung ; Fotografie
    Abstract: Artists in the Photo League, active from 1936 to 1951, were known for capturing sharply revealing, compelling moments from everyday life. Their focus entered on New York City and its vibrant streets a newsboy at work, a brass band on a bustling corner, a crowded beach at Coney Island. Though beautiful, the images harbor strong social commentary on issues of class, child labor, and opportunity. The Radical Camera explores the fascinating blend of aesthetics and social activism at the heart of the Photo League, tracing the group's left-leaning roots and idealism to the worker-photography movement in Europe. Influenced by mentors Lewis Hine, Berenice Abbott, and Paul Strand, artists in the Photo League worked within a unique complex comprising a school, a darkroom, a gallery, and a salon, in which photography was discussed as both a means for social change and an art form. The influence of 'the Photo League' artists on modern photography was enormous, ushering in the New York School. Presenting 150 works of the members of 'the Photo League' alongside complementary essays that offer new interpretations of the League's work, ideas, and pedagogy, this beautifully illustrated book features artists including Margaret Bourke-White, Sid Grossman, Morris Engel, Lisette Model, Ruth Orkin, Walter Rosenblum, Aaron Siskind, W. Eugene Smith, and Weegee, among many others.
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  • 28
    ISBN: 9789655390254
    Language: English
    Pages: 103 Seiten , Ill.
    Year of publication: 2011
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 2011/3
    Series Statement: Catalogue
    Keywords: Israel ; Fotografie ; Kunstpreis
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  • 29
    ISBN: 9789655390261
    Language: English
    Pages: 205 Seiten , Ill.
    Year of publication: 2011
    Series Statement: [Tel Aviv Museum of Art] Catalogue = Katalog / Muze'on Tel Aviv la-Omanut 2011/1
    Series Statement: Catalogue
    Keywords: Fotografie
    Abstract: Artist Avi Ganor has been involved in photography since 1975. A Science Studies graduate at the Technion, he studied Business Management at the Hebrew University, Jerusalem; Photography at the San Francisco Art Institute and the Pratt Institute, New York; and Digital Media Studies at the Interdisciplinary Center, Herzliya. He has taught at the Departments of Photography and of Visual Communication at Bezalel, Jerusalem, and held solo exhibitions at the Tel Aviv Museum in 1985 and The Israel Museum in 1990. Alongside his photographic work, Ganor researches theoretical aspects of the medium. His works deal with the necessity of using forced metaphors, and the fluid moderation of the relationships between actuality and physical existence, between trauma and reality. The exhibition presents some 30 works from the series "RealityTrauma" (2003-2010), in direct "close to home" documentary diary style, through an allegorical poetic observation of both concepts and their conversion into a third, unified concept into which they collapse. In their reductive manner, the works offer a way to deal with horror as the concept of trauma escapes an appropriate interpretation, whether literal or visual. Beyond description, they seek to represent the indefinable, conducting a complex, tortuous discourse with the medium and with the way various genres deal with representation.
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  • 30
    Book
    Book
    Heidelberg : Kehrer Verlag
    ISBN: 9783868281378
    Language: English
    Pages: [44] Blatt , Fotografien
    Year of publication: 2010
    Keywords: Israel ; Fotografie ; Alltag
    Abstract: 5683 Meilen ist Tel Aviv von New York entfernt. Und aus dieser Entfernung hat Yael Ben-Zion (*1973) in den letzten zehn Jahren ihr Vaterland betrachtet, insbesondere im Hinblick auf die Bedeutung des ůnormalen Lebensś an diesem brisanten Ort. Bei ihren häufigen Besuchen in Israel hat die Fotokünstlerin nuancierte und vielschichtige Aufnahmen gemacht, die das Wesen des Alltagslebens der Israelis erfassen. Alle ihre Bilder, ob Innen- oder Außenaufnahmen, Porträts oder Stillleben, sind durch ihre Sensibilität für Details gekennzeichnet. Obwohl sie persönlich und intim wirken, weisen die Fotografien dennoch auf die Komplexität des politischen Klimas in Israel hin und stellen seine emotionalen und sozialen Konsequenzen in Frage. Statt Antworten zu liefern, bietet "5683 miles away" eine poetische Reflexion über die Art, wie die Menschen ihr Leben verbringen. Ben-Zions Arbeit wurden in den USA und in Europa gezeigt. Im Jahr 2007 wurde ihre Fotografie Crash für das Cover der American Photography ausgewählt. "5683 miles away" ist ihre erste Monografie.
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  • 31
    Article
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    In:  Jewish artists and central-eastern Europe, art centers, identity, heritage from the 19th century to the Second World War : [the first congress of Jewish art in Poland] (2010), Seite [363] - 370
    Language: English
    Pages: Fotografien
    Year of publication: 2010
    Titel der Quelle: Jewish artists and central-eastern Europe, art centers, identity, heritage from the 19th century to the Second World War : [the first congress of Jewish art in Poland]
    Publ. der Quelle: 2010
    Angaben zur Quelle: (2010), Seite [363] - 370
    Keywords: Chassidismus ; Fotografie
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  • 32
    Language: English
    Pages: 15 Postkarten , Illustrationen
    Year of publication: 2010
    Keywords: Grafik ; Fotografie ; Postkarte ; Bildpostkarte ; Schoa
    Abstract: Postkarten aus den Seminaren der Jahre 2008 bis 2010
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  • 33
    ISBN: 9789040086380
    Language: English
    Pages: 223 Seiten , Illustrationen
    Year of publication: 2010
    Keywords: Palästina ; Fotografie ; Souvenir ; Kunst ; Judaica ; Jüdisches Kunsthandwerk ; Gelobtes Land
    Abstract: From Jerusalem with Love tells the story of the images of the Holy Land created by artists, photographers and travellers from 1799-1948. The objects are chosen from the famous Willy Lindwer Collection. The interaction between European and local styles and the special significance of Eretz Israel for the Jewish people to create a unique visual language.
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  • 34
    Language: English
    Pages: Illustrationen
    Year of publication: 2010
    Titel der Quelle: Images : journal of Jewish art and visual culture
    Publ. der Quelle: Leiden [u.a.]
    Angaben zur Quelle: 4 (2010), Seite 57 - 81
    Keywords: Fotografie ; New York- Lower East Side ; Juden
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  • 35
    ISBN: 9780870707216 , 0870707213
    Language: English
    Pages: 338 Seiten , Fotografien
    Edition: 3. printing
    Year of publication: 2010
    Keywords: Ausstellung ; Bilddruck ; Druckgrafik ; Fotografie
    Abstract: The Printed Picture traces the changing technology of picture-making from the Renaissance to the present, focusing on the vital role of images in multiple copies. The book surveys printing techniques before the invention of photography; the photographic processes that began to appear in the early nineteenth century; the marriage of printing and photography; and the rapidly evolving digital inventions of our time. From woodblocks to chromolithographs, from engravings to bar codes, from daguerreotypes to contemporary color photographs, the book succinctly examines the full range of pictorial processes. Exploring how pictures look by describing how they are made, author Richard Benson reaches fascinating and original conclusions about what pictures can mean. Although many of the techniques he discusses have been used to create exceptional works of art, Benson concentrates on the typical, everyday pictures that have played and continue to play such a prominent role in our lives. In conjunction with the publication of the book, an educational installation of this material will be presented in the photography galleries at The Museum of Modern Art, New York in the fall of 2008. Presented as a series of one-page essays opposite the pictures they examine, the book retains the lively, engaging style of the informal lectures through which Benson developed his ideas over the course of 30 years at Yale University. Rooted in hands-on descriptions of practical techniques, The Printed Picture offers a rich and imaginative interpretation of the enormous cultural and social influence of multiple images.
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