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  • English  (6)
  • 2020-2024  (6)
  • Musikleben
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  • 1
    ISBN: 9780197532973
    Language: English
    Pages: 644 Seiten , 23,5 cm
    Year of publication: 2021
    Keywords: Deutschland ; Geschichte 1945-1989 ; Musik ; Musiker ; Juden ; Musikleben ; Deutschland ; Musik ; Geschichte 1945-1989 ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Verfasser Tina Fruhauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust. Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity - from its role in commemorations and community events to synagogue concerts and its presence on the radio - across the divided Germany until the Fall of the Wall in 1989. Fruhauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on the circulation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States and Israel, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context.
    Note: Englisch
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  • 2
    ISBN: 9783955655235 , 3955655237
    Language: English
    Pages: 367 Seiten , 291 Illustrationen , 29.7 cm x 21 cm
    Edition: 1. Auflage
    Year of publication: 2021
    Keywords: Rubensohn, Emmy ; Leipzig ; Kassel ; Berlin ; New York, NY ; Mäzenatentum ; Musikleben
    Abstract: Emmy Rubensohn (1884–1961) war Musikmäzenin, Konzertmanagerin, Salonnière und Briefautorin. Geboren 1884 in Leipzig als Tochter der jüdischen Unternehmerfamilie Frank, ging sie schon als Kind leidenschaftlich gern in Konzerte, insbesondere im Gewandhaus Leipzig, und sammelte Autogramme prominenter Künstlerinnen und Künstler ihrer Zeit. Nach der Heirat mit Ernst Rubensohn 1907 zog sie nach Kassel, wo sie und ihr Mann ihr Haus zu einem kulturellen Treffpunkt machten, an dem u. a. der Dirigent Wilhelm Furtwängler oder der Maler Oskar Kokoschka verkehrten. Dank eines „Residenzstipendiums“ konnte der Komponist Ernst Krenek hier auch seine Oper „Jonny spielt auf“ vollenden, die 1927 ihre Uraufführung in Leipzig feierte, bevor sie zum Welterfolg wurde. Nach der Machtübernahme durch die Nationalsozialisten gründete Emmy Rubensohn den Jüdischen Kulturbund in Kassel, für den sie Dutzende Konzerte organisierte, etwa mit dem Dirigenten Joseph Rosenstock oder der Pianistin Grete Sultan. Erst 1938 entschloss sich das Ehepaar Rubensohn zur Emigration und flüchtete 1940 nach Shanghai, 1947 schließlich in die USA. An allen Lebensstationen pflegten Emmy Rubensohn und ihr Mann, auch nach dessen Tod 1951, einen künstlerischen Freundeskreis, dem der Geiger Roman Totenberg ebenso angehörte wie der Dirigent Dimitri Mitropoulos oder Alma Mahler-Werfel, und der sich anhand ihres erhaltenen Gästebuches rekonstruieren lässt.
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  • 3
    ISBN: 9780197532973 , 0197532977
    Language: English
    Pages: xxiii, 613 Seiten , Illustrationen
    Year of publication: 2021
    Parallel Title: Erscheint auch als Frühauf, Tina Transcending dystopia
    Parallel Title: Erscheint auch als Frühauf, Tina, 1972 - Transcending dystopia
    DDC: 780.8992404309045
    RVK:
    Keywords: Jews Music ; History and criticism ; Music History and criticism 20th century ; Deutschland ; Musiker ; Juden ; Musikleben ; Geschichte 1945-1989
    Abstract: By the end of the Second World War, Germany was in ruins and its Jewish population so gravely diminished that a rich cultural life seemed unthinkable. And yet, as surviving Jews returned from hiding, the camps, and their exiles abroad, so did their music. Transcending Dystopia tells the story of the remarkable revival of Jewish musical activity that developed in postwar Germany against all odds. Tina Frühauf provides a kaleidoscopic panorama of musical practices in worship and social life across the country to illuminate how music contributed to transitions and transformations within and beyond Jewish communities in the aftermath of the Holocaust. Drawing on newly unearthed sources from archives and private collections, this book covers a wide spectrum of musical activity – from its role in commemorations and community events to synagogue concerts and its presence on the radio – across the divided Germany until the Fall of the Wall in 1989. Frühauf's use of mobility as a conceptual framework reveals the myriad ways in which the reemergence of Jewish music in Germany was shaped by cultural transfer and exchange that often relied on the circulation of musicians, their ideas, and practices within and between communities. By illuminating the centrality of mobility to Jewish experiences and highlighting how postwar Jewish musical practices in Germany were defined by politics that reached across national borders to the United States and Israel, this pioneering study makes a major contribution to our understanding of Jewish life and culture in a transnational context.
    Note: Quellen- und Literaturverzeichnis: Seite 571-593
    URL: Rezension  (H-Soz-Kult)
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  • 4
    ISBN: 9781789208269 , 9781789200324
    Language: English
    Pages: xii, 307 Seiten , Illustrationen, Notenbeispiele
    Edition: First paperback edition
    Year of publication: 2020
    Series Statement: Spektrum / publications of the German Studies Association volume 18
    Series Statement: Spektrum
    Parallel Title: Erscheint auch als Dreams of Germany
    DDC: 780.9430904
    RVK:
    RVK:
    Keywords: Music Social aspects ; History ; 20th century ; Germany ; Music History and criticism ; 20th century ; Germany ; National characteristics, German ; Music German influences ; Aufsatzsammlung ; Deutschland ; Musik ; Gesellschaft ; Nationalbewusstsein ; Geschichte 1900-2000 ; Deutsches Sprachgebiet ; Musik ; Musikleben ; Nationalbewusstsein ; Geschichte 1900- ; Deutsches Sprachgebiet ; Musiksoziologie ; Geschichte 1900-2019
    Abstract: Klappentext: For many centuries, Germany has enjoyed a reputation as the 'land of music'. But just how was this reputation established and transformed over time, and to what extent was it produced within or outside of Germany? Through case studies that range from Bruckner to the Beatles and from symphonies to dance-club music, this volume looks at how German musicians and their audiences responded to the most significant developments of the twentieth century, including mass media, technological advances, fascism, and war on an unprecedented scale.
    Note: Enthält Literaturangaben und ein Register , Introduction , "The German in the concert hall" : concert-going and belonging in the early twentieth century , "Music made in Hamburg" : how one city's music scene helped make rock and roll the lingua franca of youth , "With every inconceivable finesse, excess and good music" : sex, affect, and techno at Snax Club in Berlin , Bruckner, Munich, and the Longue Durée of musical listening between the imperial and postwar eras , Female musicians and "Jewish" music in the Jewish Kulturbund in Bavaria, 1934-38 , Pride of place : the 1963 rebuilding of the Munich Nationaltheater , Was ist Japanisch? : Wagnerism and dreams of nationhood in modern Japan , Hubert Parry, Germany, and the "North" , Between musicology and mythology at the Stunde Null : Austria's 950th "birthday" and the 50th anniversary of Bruckner's death , Hearing the Nazi past in the German Democratic Republic : antifascist fantasies, acoustic realities, and haunted memories in Georg Katzer's Aide-Mémoire (1983) , Sprockets + Autobahn : Kraftwerk parodies, German electronic music, and retro dreams in Amerika
    URL: Cover
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  • 5
    ISBN: 9788881095216 , 8881095211
    Language: English
    Pages: viii, 312 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Year of publication: 2020
    Series Statement: Ad parnassum studies 12
    Series Statement: Ad parnassum studies
    DDC: 780
    Keywords: Aufsatzsammlung ; Juden ; Musik ; Kultur ; Geschichte 1800-1900 ; Europa ; Musikleben ; Judentum ; Oper ; Juden ; Identität ; Geschichte 1800-1900
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  • 6
    ISBN: 9781787446625
    Language: English
    Pages: 1 Online-Ressource (xiv, 314 Seiten) , Illustrationen
    Year of publication: 2020
    Series Statement: Eastman studies in music 167
    Series Statement: Eastman studies in music
    Parallel Title: Erscheint auch als
    DDC: 780.92
    RVK:
    Keywords: Bernstein, Leonard ; Musiksoziologie ; Politische Beteiligung ; Musikleben ; Kulturpolitik ; Washington, DC ; Bernstein, Leonard / 1918-1990 / Criticism and interpretation ; Bernstein, Leonard / 1918-1990 / Political activity ; United States / Politics and government / 1945-1989 ; Music and diplomacy / United States / History / 20th century ; Music / Political aspects / United States ; Washington (D.C.) / Songs and music ; Music / Social aspects / United States / History / 20th century ; Music / United States / 20th century / History and criticism ; Bernstein, Leonard / 1918-1990 ; Music ; Music and diplomacy ; Music / Political aspects ; Music / Social aspects ; Political participation ; Politics and government ; United States ; 1900-1999 ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Bernstein, Leonard 1918-1990 ; Washington, DC ; Musikleben ; Kulturpolitik ; Musiksoziologie ; Musikleben ; Kulturpolitik ; Politische Beteiligung
    Abstract: "Bold new essays demonstrate how Leonard Bernstein influenced American culture, society, and politics through his conducting, composing, political relationships, and activism"--
    Note: Introduction
    URL: Volltext  (URL des Erstveröffentlichers)
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