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  • Film University Babelsberg  (3)
  • English  (3)
  • 1995-1999  (3)
  • 1975-1979  (2)
  • Geschichte  (2)
  • Artistes noirs - États-Unis  (1)
Region
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Journal/Serial
    Journal/Serial
    Durham, NC : Duke University Press | Milwaukee, Wis. : Univ. | New York, NY : Telos Press ; 1.1973/74 - 4.1976/77 = Nr. 1-12; [5.]1978,[1]=Nr. 13; 5.1978,2=Nr. 14 -
    ISSN: 0094-033X , 1558-1462
    Language: English
    Year of publication: 1973-
    Dates of Publication: 1.1973/74 - 4.1976/77 = Nr. 1-12; [5.]1978,[1]=Nr. 13; 5.1978,2=Nr. 14 -
    Parallel Title: Online-Ausg. New German critique
    RVK:
    Keywords: Geschichte ; Kultur ; Germanistik ; Literatur ; Deutschland ; Deutschland 〈DDR〉 ; Deutschland 〈Bundesrepublik〉 ; Zeitschrift ; Deutschland ; Kultur ; Geschichte ; Germanistik ; Deutschland ; Literatur ; Geschichte ; DE-605
    Description / Table of Contents: Ungezählte Beil.: Suppl.
    Note: Beteil. Körp. anfangs: University of Wisconsin, German Department , [5,1] fälschlich als 4,3 gez.; ersch. dreimal jährl. , Index 1/2.1974/75 in: 2.1975,3=Nr. 6; 3/4.1976/77 in: 4.1977,3=Nr. 12; 5/6.1978/79 in: 7.1979,1=Nr. 19; 7/9.1980/82 in: 9.1982,3=Nr. 27; 10/11.1983/84 in: 11.1984,3=Nr. 33
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Journal/Serial
    Journal/Serial
    London : Inst. ; [1.]1979,He. - [9.]1987,Frü. = Nr. 1-24; 9.1987,2 -
    ISSN: 0269-8552 , 0269-8552
    Language: English
    Year of publication: 1979-
    Dates of Publication: [1.]1979,He. - [9.]1987,Frü. = Nr. 1-24; 9.1987,2 -
    Additional Information: Ab 2009 Beil. Deutsches Historisches Institut London Bulletin / Supplement. Supplement / German Historical Institute London
    Parallel Title: Online-Ausg. Deutsches Historisches Institut London Bulletin / German Historical Institute London
    RVK:
    Keywords: Deutsches Historisches Institut London ; Geschichte ; Politik ; Deutschland ; Zeitschrift ; Deutschland ; Geschichte ; Deutsches Historisches Institut London ; Deutschland ; Politik ; Geschichte
    Note: Ersch. 2x jährl., anfangs 3x jährl.
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 0520204077
    Language: English
    Pages: XVI, 339 S. , Ill.
    Year of publication: 1996
    Series Statement: A centennial book
    DDC: 791.43/6520396073
    RVK:
    Keywords: Artistes juifs - États-Unis ; Artistes noirs - États-Unis ; Films ; Joden ; Juifs - Acculturation - Etats-Unis ; Juifs dans l'industrie cinématographique ; Negers ; Noirs américains - Au cinéma ; Film ; Juden ; Schwarze ; African Americans in motion pictures ; Blackface entertainers ; Jewish entertainers ; Jews in the motion picture industry ; Jews Cultural assimilation ; Film ; Schwarze ; Juden ; USA ; USA ; USA ; Film ; Schwarze ; USA ; Film ; Juden
    Abstract: The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics
    Abstract: Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it
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