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  • Film University Babelsberg  (2)
  • English  (2)
  • 2015-2019  (1)
  • 1995-1999  (1)
  • 1960-1964
  • 1945-1949
  • Jews in the motion picture industry  (2)
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  • English  (2)
Years
  • 2015-2019  (1)
  • 1995-1999  (1)
  • 1960-1964
  • 1945-1949
  • 2020-2024  (1)
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  • 1
    Online Resource
    Online Resource
    West Lafayette, Indiana : Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life
    ISBN: 1612494781 , 1557537631 , 9781557537638 , 9781612494784 , 9781612494791 , 9781557537881
    Language: English
    Pages: 1 Online-Ressource (xvi, 190 pages)
    Year of publication: 2017
    Series Statement: Jewish role in American life volume 14
    Keywords: Motion picture industry / California / Los Angeles / History ; Television broadcasting / California / Los Angeles / History ; Jews on television ; Jews in the motion picture industry / United States ; Television broadcasting ; BUSINESS & ECONOMICS ; Industries ; Media & Communications ; TECHNOLOGY & ENGINEERING ; Telecommunications ; California ; Los Angeles ; California ; Los Angeles ; Hollywood ; United States ; History ; HISTORY ; Jewish ; Jews on television ; Civilization ; Jewish influences ; Jews in the motion picture industry ; Motion picture industry ; Hollywood (Los Angeles, Calif.) / History ; United States / Civilization / Jewish influences
    Abstract: Foreword -- Editorial introduction / Michael Renov and Vincent Brook, guest editors -- part 1. Histories -- 1. Still an empire of their own : how Jews remain atop a reinvented Hollywood / Vincent Brook -- 2. The Ben Urwand controversy : exploring the Hollywood-Hitler relationship / Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook -- part 2. Case studies -- 3. Dirty Jews : Amy Schumer and other vulgar Jewesses / Shaina Hammerman -- 4. "The woman thing and the Jew thing" : transsexuality, transcomedy, and the legacy of subversive Jewishness in transparent / Joshua Louis Moss -- 5. Eastern-European fatalism in Minnesota : the mournful destinies of A serious man / Howard A. Rodman -- 6. "If Jewish people wrote all the songs" : the anti-folklore of Allan Sherman / Jeffrey Shandler -- part 3. Up-close and personal -- 7. Comedy and corned beef : the genesis of the sitcom writing room / David Isaacs -- 8. The faemmle business : Laemmle Theaters, Los Angeles, and the moviegoing experience -- an interview with Bob and Greg Laemmle / Ross Melnick -- 9. An outsider's view of sixties America : Matthew Weiner talks with Michael Renov about the Jews of Mad men / Michael Renov
    Abstract: The influence of Jews in American entertainment from the early days of Hollywood to the present has proved an endlessly fascinating and controversial topic, for Jews and non-Jews alike. From Shtetl to Stardom: Jews and Hollywood takes an exciting and innovative approach to this rich and complex material. Exploring the subject from a scholarly perspective as well as up close and personal, the book combines historical and theoretical analysis by leading academics in the field with inside information from prominent entertainment professionals. Essays range from Vincent Brook's survey of the stubbornly persistent canard of Jewish industry "control" to Lawrence Baron and Joel Rosenberg's panel presentations on the recent brouhaha over Ben Urwand's book alleging collaboration between Hollywood and Hitler. Case studies by Howard Rodman and Joshua Louis Moss examine a key Coen brothers film, A Serious Man (Rodman), and Jill Soloway's groundbreaking television series, Transparent (Moss). Jeffrey Shandler and Shaina Hamermann train their respective lenses on popular satirical comedians of yesteryear (Allan Sherman) and those currently all the rage (Amy Schumer, Lena Dunham, and Sarah Silverman). David Isaacs relates his years of agony and hilarity in the television comedy writers' room, and interviews include in-depth discussions by Ross Melnick with Laemmle Theatres owner Greg Laemmle (relative of Universal Studios founder Carl Laemmle) and by Michael Renov with Mad Men creator Matthew Weiner. In all, From Shtetl to Stardom offers a uniquely multifaceted, multimediated, and up-to-the-minute account of the remarkable role Jews have played in American movie and TV culture
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 0520204077
    Language: English
    Pages: XVI, 339 S. , Ill.
    Year of publication: 1996
    Series Statement: A centennial book
    DDC: 791.43/6520396073
    RVK:
    Keywords: Artistes juifs - États-Unis ; Artistes noirs - États-Unis ; Films ; Joden ; Juifs - Acculturation - Etats-Unis ; Juifs dans l'industrie cinématographique ; Negers ; Noirs américains - Au cinéma ; Film ; Juden ; Schwarze ; African Americans in motion pictures ; Blackface entertainers ; Jewish entertainers ; Jews in the motion picture industry ; Jews Cultural assimilation ; Film ; Schwarze ; Juden ; USA ; USA ; USA ; Film ; Schwarze ; USA ; Film ; Juden
    Abstract: The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics
    Abstract: Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it
    Library Location Call Number Volume/Issue/Year Availability
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