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  • Film University Babelsberg  (4)
  • English  (4)
  • Hungarian
  • Juden  (3)
  • Israel  (2)
  • Jews History 1945-
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Material
Language
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  • 1
    Book
    Book
    Ann Arbor : University of Michigan Press
    ISBN: 9780472132010
    Language: English
    Pages: ix, 302 Seiten , Illustrationen
    Year of publication: 2020
    Series Statement: Social history, popular culture, and politics in Germany
    Parallel Title: Erscheint auch als
    DDC: 791.436552
    Keywords: Geschichte 1918-1968 ; Heimatfilm ; Kulturelle Identität ; Juden ; Deutschland ; Heimatfilme / History and criticism ; Jews in motion pictures ; Jews in the motion picture industry / Germany ; Motion pictures / Germany / History / 20th century ; Heimatfilme ; Jews in motion pictures ; Jews in the motion picture industry ; Motion pictures ; Germany ; 1900-1999 ; Criticism, interpretation, etc ; History ; Deutschland ; Heimatfilm ; Juden ; Kulturelle Identität ; Geschichte 1918-1968
    Abstract: "Anti-Heimat Cinema: The Jewish Invention of the German Landscape studies an overlooked yet fundamental element of German popular culture in the twentieth century. In tracing Jewish filmmakers' contemplations of "Heimat"--A provincial German landscape associated with belonging and authenticity-it analyzes their distinctive contribution to the German identity discourse between 1918 and 1968. In its emphasis on rootedness and homogeneity Heimat seemed to challenge the validity and significance of Jewish emancipation. Several acculturation-seeking Jewish artists and intellectuals, however, endeavored to conceive a notion of Heimat that would rather substantiate their belonging. This book considers Jewish filmmakers' contribution to this endeavor. It shows how they devised the landscapes of the German "Homeland" as Jews, namely, as acculturated, "outsiders within." Through appropriation of generic Heimat imagery, the films discussed in the book integrate criticism of national chauvinism into German mainstream culture from World War One to the Cold War. Consequently, these Jewish filmmakers anticipated the anti-Heimat film of the ensuing decades, and functioned as an uncredited inspiration for the critical New German Cinema"--
    URL: Cover
    URL: 034  (Verlag)
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  • 2
    Book
    Book
    Detroit : Wayne State University Press
    ISBN: 9780814339671
    Language: English
    Pages: xi, 324 Seiten , Illustrationen
    Year of publication: 2017
    Series Statement: Contemporary approaches to film and media series
    Parallel Title: Erscheint auch als
    DDC: 791.43095694
    Keywords: Motion pictures ; Women in motion pictures ; Feminism and motion pictures ; Film ; Frau ; Israel ; Israel ; Kino ; Frau
    Abstract: A woman's war: the Gulf War and the Israeli chick flick -- Women in conflict: the impact of militarism and male hegemony on women's lives -- Women waving guns: does feminism meet the IDF on the Israeli screen? -- "A woman of worth": who sees the religious woman? -- Witches and wailers: Mizrahi women's power -- Hot and fertile: sex, sexuality, and prostitution -- A question of rape: feminism, postfeminism, and issues of representation -- A move to the center: foreign workers, Arab women, and the shift from the margins
    Abstract: Warriors, Witches, Whores: Women in Israeli Cinema' is a feminist study of Israel?s film industry and the changes that have occurred since the 1990s. Working in feminist film theory, the book adopts a cultural studies approach, considering the creation of a female-centered and thematically feminist film culture in light of structural and ideological shifts in Israeli society. Author Rachel S. Harris situates these changes in dialogue with the cinematic history that preceded them and the ongoing social inequalities that perpetuate women?s marginalization within Israeli society
    Note: Enthält Literaturverzeichnis auf Seite [283]-291
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  • 3
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292747241
    Language: English
    Pages: XVII, 226 Seiten , Illustrationen
    Edition: 1. ed.
    Year of publication: 2001
    Parallel Title: Erscheint auch als Loshitzky, Yosefa Identity politics on the Israeli screen
    DDC: 791.43/095694
    RVK:
    Keywords: Arabes au cinéma ; Cinéma - Israël - Histoire ; Filmkunst ; Holocauste, 1939-1945, au cinéma ; Juifs au cinéma ; Nationale identiteit ; Relations judéo-arabes au cinéma ; Film ; Geschichte ; Nationalbewusstsein ; Arabs in motion pictures ; Holocaust, Jewish (1939-1945), in motion pictures ; Identity politics in motion pictures ; Jewish-Arab relations in motion pictures ; Jews in motion pictures ; Motion pictures History ; Araber ; Juden ; Film ; Judenvernichtung ; Israel ; Israel ; Film ; Juden ; Film ; Film ; Judenvernichtung ; Juden ; Film ; Araber
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  • 4
    Book
    Book
    Berkeley [u.a.] : Univ. of California Press
    ISBN: 0520204077
    Language: English
    Pages: XVI, 339 S. , Ill.
    Year of publication: 1996
    Series Statement: A centennial book
    DDC: 791.43/6520396073
    RVK:
    Keywords: Artistes juifs - États-Unis ; Artistes noirs - États-Unis ; Films ; Joden ; Juifs - Acculturation - Etats-Unis ; Juifs dans l'industrie cinématographique ; Negers ; Noirs américains - Au cinéma ; Film ; Juden ; Schwarze ; African Americans in motion pictures ; Blackface entertainers ; Jewish entertainers ; Jews in the motion picture industry ; Jews Cultural assimilation ; Film ; Schwarze ; Juden ; USA ; USA ; USA ; Film ; Schwarze ; USA ; Film ; Juden
    Abstract: The founding Hollywood movie, Birth of a Nation, celebrated the Ku Klux Klan. The first talking picture, The Jazz Singer, was a blackface film. Gone With the Wind remains the all-time box-office success. From their beginnings, Michael Rogin claims, motion pictures created a national culture by taking possession of African Americans. Blackface, White Noise investigates Hollywood's roots in the most popular original form of American mass culture, blackface minstrelsy. Through its use in films from Uncle Tom's Cabin and Birth of a Nation to Forrest Gump, motion picture blackface becomes an aperture opening onto major issues of American national identity: the meanings of whiteness, the role race has played in turning settlers and immigrants into Americans, and the tangled connections that have bound Jews to African Americans in popular culture and liberal politics
    Abstract: Immigrant Jews inherited the blackface role in vaudeville, Tin Pan Alley, and Hollywood; Blackface, White Noise treats burnt cork as their rite of passage to white America. Arguing against those who subsume racial under ethnic identities, Rogin demonstrates that blackface presided over an ethnically inclusive and racially exclusionary melting pot. Juxtaposing movies like The Jazz Singer with such early civil rights films as Pinky and Gentleman's Agreement, he shows how the blackface tradition infected even those motion pictures that wished to repudiate it
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