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  • Potsdam University  (5)
  • Thuringia  (5)
  • English  (5)
  • Portuguese
  • 2015-2019  (5)
Library
Region
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    AV-Medium
    AV-Medium
    György Ligeti edition (1996-)
    [Frankfurt (Main)] : Sony Music Entertainment
    Details
    Language: English
    Year of publication: 1996-
    Keywords: CD
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  • 2
    Online Resource
    Online Resource
    A companion to music in sixteenth-century Venice (2018)
    Leiden : Brill
    Details
    ISBN: 9789004358300
    Language: English
    Pages: 1 Online-Ressource (XXI, 554 Seiten) , Illustrationen, Notenbeispiele
    Year of publication: 2018
    Series Statement: Brill's companions to the musical culture of medieval and early modern Europe volume 2
    Series Statement: Brill's companions to the musical culture of medieval and early modern Europe
    Parallel Title: Erscheint auch als A companion to music in sixteenth-century Venice
    RVK:
    LQ 82003
    Keywords: Music History and criticism ; 16th century ; Italy ; Venice ; Music Social aspects ; History ; 16th century ; Italy ; Venice ; Music History and criticism 16th century ; Music Social aspects 16th century ; History ; Music
    Abstract: Introduction. Mapping musical life in cinquecento Venice / Katelijne Schiltz -- Musical institutions. San Marco / Giulio M. Ongaro ; Music at parish, monastic, and nunnery churches and at confraternities / Jonathan Glixon ; Parish and monastic churches : civic custom and the quotidian in the system of institutional patronage / Elena Quaranta ; Music and the academies of Venice and the Veneto / Iain Fenlon -- Music in the public and private space. Music, ritual, and festival : the ceremonial life of Venice / Iain Fenlon ; Ridotti and salons : private patronage / Rodolfo Baroncini -- Musical actors. The maestri di cappella / Francesco Passadore ; Silent voices : professional singers in Venice / Paolo Da Col ; Instrumentalists and instrument makers before c. 1550 / Bonnie J. Blackburn ; Instruments, instrument makers, and instrumentalists in the second half of the sixteenth century / Jeffrey Kurtzman -- Music printing and publishing in cinquecento Venice / Sherri Bishop ; From Aaron to Zarlino : music theorists in the social and cultural matrix of sixteenth-century Venice / Rebecca Edwards -- Genres, styles, and cross-cultural traditions. Cori spezzati in composition and sound / David Bryant ; The frottola in the Veneto / Giovanni Zanovello ; Venetian instrumental music in the sixteenth century / Eleanor Selfridge-Field ; Language, style, and subgenre in Venetian-language polyphony / Daniel Donnelly ; Jewish art music in late sixteenth- and early seventeenth-century Italy / Don Harran ; The 'other' coastal area of Venice : musical ties with Istria and Dalmatia / Ivano Cavallini
    Note: Includes bibliographical references and index
    DOI: 10.1163/9789004358300
    URL: Volltext
    URL: Volltext
    URL: DOI
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    Online Resource
    Potsdam University
    UoM FRANZ LISZT Weimar
    Fulltext
  • 3
    Book
    Book
    The fetish revisited : Marx, Freud, and the gods black people make (2018)
    Durham : Duke University Press
    Details
    ISBN: 9781478000754 , 9781478001058
    Language: English
    Pages: xx, 362 Seiten , Illustrationen
    Year of publication: 2018
    Parallel Title: Erscheint auch als Matory, James Lorand, 1961 - The fetish revisited
    DDC: 306.777
    RVK:
    BE 2330
    RVK:
    LC 30465
    Keywords: Marx, Karl 1818-1883 ; Freud, Sigmund 1856-1939 ; Marx, Karl ; Freud, Sigmund ; Fetishism ; Fetishism ; Fetishism ; Freud, Sigmund 1856-1939 ; Marx, Karl 1818-1883 ; Africa ; Africa Religion ; Africa Religion ; Marx, Karl 1818-1883 ; Freud, Sigmund 1856-1939 ; Fetisch ; Marx, Karl 1818-1883 ; Freud, Sigmund 1856-1939 ; Fetisch ; Freud, Sigmund 1856-1939 ; Marx, Karl 1818-1883 ; Subsaharisches Afrika ; Fetisch ; Religion
    Abstract: A note on orthography -- Part I. The factory, the coat, the piano,and the "Negro slave": on the Afro-Atlantic sources of Marx's fetish -- The Afro-Atlantic context of historical materialism -- The "Negro slave" in Marx's labor theory of value -- Marx's fetishization of people and things -- Conclusion to part I -- Part II. The acropolis, the couch, the fur hat, and the "savage": on Freud's ambivalent fetish -- The fetishes that assimilated Jewish men make -- The fetish as an architecture of solidarity and conflict -- The castrator and the castrated in the fetishes of psychoanalysis -- Conclusion to part II -- Pots, packets, beads, and foreigners: the making and the meaning of the real-life "fetish" -- The contrary ontologies of two revolutions -- Commodities and gods -- The madeness of gods and other people -- Conclusion to part III -- Conclusion: Eshu's hat, or an Afro-Atlantic theory of theory
    Note: Includes bibliographical references and index
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  • 4
    Book
    Book
    Musical Text As Ritual Object (2015)
    Turnhout : Brepols
    Show associated volumes/articles
    Details
    ISBN: 2503540740 , 9782503540740
    Language: English
    Pages: 220 S. , Ill., Notenbeisp.
    Year of publication: 2015
    DDC: 261.5/78
    RVK:
    LR 55400
    Keywords: Music History and criticism 17th century ; Music Congresses Manuscripts 17th century ; Dissemination of music Congresses History 17th century ; Musical notation Congresses Manuscripts ; Aufsatzsammlung ; Musikhandschrift ; Musikdruck ; Materialität ; Ritual
    Abstract: "Texts often occupy a central role within ritual practices. They serve as prescripts for the organization of the ritual or as an explanation of cosmological backgrounds, as records of ritual performance, or simply as items that are handled and recited during the performance itself. Musical texts may assume some of these roles within certain ceremonial procedures, especially in serving as prescripts for recitation, but also as ritual paraphernalia (for example, where collectors aer concerned). Most importantly, they may serve as records of the performance of those rituals in which music forms a central part, as is the case with opera productions. This volume aims to identify the mechanisms according to which texts, and especially musical texts, may become ritual agents in their own right. It assesses the value of such texts as sources for the reconstruction of rituals, and discusses questions of how ritual aspects of these texts may be represented in modern editions. While the main focus is on music, contributors from a variety of other fields concerned with textual studies (Egyptology, Classical and Modern Indology, Jewish and Islamic Studies) facilitate comparison between different types of texts, emphasizing different approaches to the subject"--Back cover
    Abstract: Introduction / Hendrik Schulze -- Text and tradition. 'I bring many boxes filled with manuscripts on papyrus and big leather rolls ...' / Andreas H. Pries ; Ritual texts in Hindu initiation / Christof Zotter ; Performance sources of 'spoken' drama : incidental music on the nineteenth-century German stage / Antje Tumat ; Texts of musical practice--sources for interpretation and fragments of performances / Christa Brüstle ; From patronage to collectionism : dissemination of Roman cantata score in France / Alessio Ruffatti ; Roman cantatas manuscripts (1640-80) : a musical cabinet of curiosities / Christine Jeanneret -- Text and ritual. Ritual text and music in Turkish Alevism : dimensions of transmission and bearers of knowledge / Janina Karolewski ; Performing vows : rituals of transition in the nunneries of early modern Venice / Jonathan Glixon ; The symbolism of modal design / Gregory Barnett ; 'Every Friday evening music is performed in the Hall of Mirrors ...' Claudio Monteverdi and the rituals of courtly exchange in early seventeenth-century Italy / Tim Carter ; Rhythm, agency and divine presence in the Garwal Himalayas / Karin M. Polit -- Text as object. The Torah scroll and its function as a ritual object in Jewish culture / Hanna Liss ; Collecting opera scores in the seventeenth century--ritual aspects / Norbert Dubowy ; Seventeenth-century Roman cantata manuscripts as a source for a material history / Arnaldo Morelli ; The score on the shelf : valuing the anonymous and unheard / Margaret Murata ; Ritualistic vs transcendental work concept : editing operatic texts / Hendrik Schulze
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  • 5
    Book
    Book
    The shofar : its history and use (2015)
    Lanham : Rowman & Littlefield
    Details
    ISBN: 9781442250277
    Language: English
    Pages: xxii, 180 Seiten , Illustrationen, Notenbeispiele
    Year of publication: 2015
    DDC: 788
    RVK:
    LR 11710
    Keywords: Shofar ; Synagogue music History and criticism ; Jews Music ; History and criticism
    Abstract: Description and preliminary history -- Liturgical use -- The sounding of the shofar -- Who can blow and on what -- The secular uses of the shofar -- Making a shofar -- How to choose and how to blow a shofar -- Shofar typology, old and new -- The shofar and its meaning -- Biblical, talmudic, and post talmudic sources
    Description / Table of Contents: Description and preliminary historyLiturgical use -- The sounding of the shofar -- Who can blow and on what -- The secular uses of the shofar -- Making a shofar -- How to choose and how to blow a shofar -- Shofar typology, old and new -- The shofar and its meaning -- Biblical, talmudic, and post talmudic sources.
    Note: Includes bibliographical references and index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=028659719&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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