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  • Maimonides Centre, Hamburg  (4)
  • Film
  • Hochschulschrift
  • General works  (4)
  • Economics
Material
Language
Years
Subjects(RVK)
  • 1
    Book
    Book
    Berlin :Neofelis Verl.,
    ISBN: 978-3-95808-327-1
    Language: German
    Pages: 492 S. : Ill.
    Year of publication: 2021
    Series Statement: Jüdische Kulturgeschichte in der Moderne 24
    DDC: 338.76107092
    RVK:
    RVK:
    RVK:
    Keywords: Schocken, Salman ; Hochschulschrift ; Biografie ; Biografie ; Hochschulschrift
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Book
    Book
    Berlin : De Gruyter
    ISBN: 9783110546392 , 3110546396
    Language: English
    Pages: X, 484 Seiten , Illustrationen , 23 cm x 15.5 cm
    Year of publication: 2017
    Series Statement: Studies in manuscript cultures volume 13
    Series Statement: Studies in manuscript cultures
    DDC: 091
    RVK:
    RVK:
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    Keywords: Konferenzschrift 2014 ; Hochschulschrift
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  • 3
    Book
    Book
    New York, NY [u.a.] : Bloomsbury Academic
    ISBN: 9781501310973
    Language: English
    Pages: XIII, 335 S , Ill
    Year of publication: 2016
    Series Statement: Thinking media
    Parallel Title: Erscheint auch als Schmerheim, Philipp, 1979 - Skepticism films
    DDC: 791.4301
    RVK:
    Keywords: Skepticism in motion pictures ; Knowledge, Theory of, in motion pictures ; Motion pictures Philosophy ; Film ; Realitätsbezug ; Täuschung
    Abstract: "A study of how contemporary cinema and film-philosophers explore radical skepticism about our knowledge of the world"--
    Abstract: "A study of how contemporary cinema and film-philosophers explore radical skepticism about our knowledge of the world"--
    Description / Table of Contents: Machine generated contents note:List of figuresAcknowledgements1. Introduction: Skepticism Films. A Certain Tendency in Contemporary CinemaPart I: Thinking Through Cinema2. Films as Configurations of Philosophical Thought3. Remediating Philosophy, or: The Media of Philosophical ThoughtPart II: Skepticism in Film Philosophy4. Varieties of Philosophical Skepticism: Knowledge, Acknowledgement, and Trust5. A Moving Image of Skepticism? Philosophy's Acknowledgement of Film6. A Cinema for Believers. Trust, Belief, and the Expulsion from the Paradise of ChildhoodPart III: Skepticism Films7. Varieties of Skepticism Films8. Tools for Philosophical Film Analysis9. (Not) Knowing My World: External World Skepticism Films10. Not Knowing My Self, or: Being One's Own Evil Deceiver11. Coda. From Doubt to Acknowledgement, or: The Philosophical Significance of Skepticism Films revisitedBibliography and FilmographyIndex.
    Note: Includes bibliographical references and index
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  • 4
    ISBN: 9780231151498 , 9780231151481 , 0231525214 , 0231151497 , 0231151489 , 9780231525213
    Language: English
    Pages: XVIII, 372 S. , Ill. , 23 cm
    Year of publication: 2011
    Series Statement: Film and culture series
    Uniform Title: Film und Stereotyp 〈engl.〉
    DDC: 791.43/6552
    RVK:
    Keywords: Stereotypes (Social psychology) in motion pictures ; Film ; Stereotyp ; Geschichte
    Abstract: Introduction -- Stereotype theory: concepts, perspectives, and controversies. The stereotype in psychology and the humanities -- Some aspects and levels of stereotypization in film -- The intellectual viewpoint versus the stereotype in mass culture -- A discourse history: the topic of the "stereotype" throughout film theory -- Prelude : Walther Rathenau's cultural criticism, Hugo Munsterberg's Euphoric -- Concept of film as art, and the neglect of the stereotype -- Bela Balazs's new visual culture, the tradition of linguistic skepticism, and Robert Musil's notion of the "formulaic" -- The readymade products of the fantasy machine : Rudolf Arnheim, Rene Fulop-Miller, and the discourse on the "standardization" of film -- The stereotype as intelligible form : Cohen-Seat, Morin, and semiology -- Irony and transfiguration : the postmodern view of the stereotype -- Film analysis : critique and transfiguration-three case studies -- Enjoying the stereotype and intense double-play acting : the performance of Jennifer Jason Leigh in the Hudsucker proxy -- Epilogue
    Description / Table of Contents: Introduction -- Stereotype theory: concepts, perspectives, and controversies. The stereotype in psychology and the humanities -- Some aspects and levels of stereotypization in film -- The intellectual viewpoint versus the stereotype in mass culture -- A discourse history: the topic of the "stereotype" throughout film theory -- Prelude : Walther Rathenau's cultural criticism, Hugo Munsterberg's Euphoric -- Concept of film as art, and the neglect of the stereotype -- Bela Balazs's new visual culture, the tradition of linguistic skepticism, and Robert Musil's notion of the "formulaic" -- The readymade products of the fantasy machine : Rudolf Arnheim, Rene Fulop-Miller, and the discourse on the "standardization" of film -- The stereotype as intelligible form : Cohen-Seat, Morin, and semiology -- Irony and transfiguration : the postmodern view of the stereotype -- Film analysis : critique and transfiguration-three case studies -- Enjoying the stereotype and intense double-play acting : the performance of Jennifer Jason Leigh in the Hudsucker proxy -- Epilogue.
    Note: Literaturangaben
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