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  • Maimonides Centre, Hamburg  (2)
  • Berlin  (2)
  • Leiden : Brill  (1)
  • Leiden [u.a.] : Brill  (1)
  • Geschichte 1600-1700  (2)
Region
Material
Language
Years
Author, Corporation
Publisher
Subjects(RVK)
  • 1
    ISBN: 9789004283022 , 9789004283640
    Language: English
    Pages: VI, 396 S.
    Year of publication: 2014
    Series Statement: Studies in Jewish history and culture 47
    Series Statement: Studies in Jewish history and culture
    DDC: 780.89/924
    Keywords: Moscato, Judah ben Joseph ; Modena, Leone ; Portaleone, Abraham ben David ; Jews Music ; History and criticism ; Italien ; Judentum ; Musik ; Geschichte 1600-1700 ; Moscato, Judah ben Joseph 1530-1593 ; Modena, Leone 1571-1648 ; Portaleone, Avraham ben Daṿid 1542-1612
    Abstract: "In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the ancient temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory"--Provided by publisher
    Description / Table of Contents: Judah Moscato on the spirituality of musicSounds for contemplation on a lyre -- Leon Modena on the legality of art music in the synagogue -- Is art music permissible in the synagogue? -- Abraham Portaleone on the practice of music in the ancient temple -- Music as practiced in the temple and the early modern era -- The Jewish contribution to music theory in the early modern era.
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9789004274020 , 9789004203457
    Language: English
    Pages: X, 564 S. , Ill., graph. Darst.
    Year of publication: 2014
    Series Statement: Studies in Jewish history and culture volume 45
    Series Statement: Studies in Jewish history and culture
    Dissertation note: Teilw. zugl.: Paris, École Pratique des Haures Études, Diplomarbeit, 1993
    DDC: 296.3/5
    RVK:
    Keywords: Dias, Estêvão ; Geschichte 1600-1700 ; Christianity Controversial literature ; Judaism Apologetic works ; Religious disputations ; Spanish literature History and criticism Classical period, 1500-1700 ; Juden ; Christentum ; Polemik ; Marrakesch ; Hochschulschrift ; Marrakesch ; Juden ; Christentum ; Polemik ; Geschichte 1600-1700
    Abstract: "In sixteenth-century Marrakesh, a Flemish merchant converts to Judaism and takes his Catholic brother on a subversive reading of the Gospels and an exploration of the Jewish faith. Their vivid Spanish dialogue, composed by an anonym in 1583, has until now escaped scholarly attention in spite of its success in anti-Christian clandestine literature until the Enlightenment. Based on all nine available manuscripts, this critical edition rediscovers a pioneering work of Jewish self-expression in European languages. The introductory study identifies the author, Estêvão Dias, locates him in insurgent Antwerp at the beginning of the Western Sephardi diaspora, and describes his hybrid culture shaped by the Iberian Renaissance, Portuguese crypto-Judaism, Mediterranean Jewish learning, Protestant theology, and European diplomacy in Africa"--
    Note: Includes bibliographical references and index. - Introd. eng., critical ed. in span , Diálogos de dos hermanos, Obadia Ben Israel y Andrés Antonio, compuestos en Marruecos
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