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  • SUB Hamburg  (7)
  • EUV Frankfurt  (1)
  • Hamburg  (7)
  • Brandenburg  (6)
  • 2020-2024  (3)
  • 2010-2014  (5)
  • History
  • Musicology  (6)
  • Sociology  (2)
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  • 1
    ISBN: 9789004540651
    Language: English
    Pages: XIII, 310 Seiten , Illustrationen, Notenbeispiele, Karten
    Year of publication: 2023
    Series Statement: Yearbook of the Research Centre for German and Austrian exile studies volume 22 (2023)
    Parallel Title: Erscheint auch als Music and exile
    DDC: 780.89/924094
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    Keywords: Music Social aspects 20th century ; History ; National socialism and music History 20th century ; Music History and criticism 20th century ; Jews Migrations ; Jews Music ; History and criticism ; Jewish composers Social conditions 20th century ; Jewish refugees Social conditions 20th century ; Expatriate musicians Social conditions 20th century ; Europe Emigration and immigration 20th century ; History ; United States Emigration and immigration 20th century ; History ; Australia Emigration and immigration 20th century ; History ; China Emigration and immigration 20th century ; History ; Neue Musik ; Auswanderung ; Musiksoziologie ; Nationalsozialismus ; Deutschland ; Judenverfolgung ; Geschichte 1933-1945 ; Exil ; Komponist ; Juden ; Musik ; Spoliansky, Mischa 1898-1985 ; Goldschmidt, Berthold 1903-1996 ; Granichstaedten, Bruno 1879-1944
    Abstract: "How did exiled musicians from Germany and Austria, who reached safety at Kitchener Camp in Britain, find themselves in an Australian internment camp in New South Wales in 1940? What were the institutions that helped Jewish refugee musicians survive in wartime Shanghai? What happened to Austrian musicians who were trapped in the Netherlands after the German occupation? These and other questions, and the larger stories they refer to, form the compelling content of this book. Other topics include the struggle of the Vienna operetta composers Granichstaedten and Katscher in USA, the relationship of émigré composer Berthold Goldschmidt to his native Hamburg and the reception of his 'exile opera' Beatrice Cenci. Studies of Mischa Spoliansky's music for the movie Mr. Emmanuel (1944) and Franz Reizenstein's radio opera Anna Kraus form part of the fourteen essays on exile musical history in Britain, Europe, USA, Australia and the Far East, based on cutting edge archival research and interviews by leading scholars"--
    Description / Table of Contents: Music and Exile : From 1933 to the Present Day / Malcolm Miller and Jutta Raab Hansen -- The Musical Identity of the Austrian Exile / Michael Haas -- An Ambiguous Story - Austrian Music Exile in the Netherlands / Primavera Driessen Gruber -- Vom Kitchener Camp in australische Wüstenlager : Der Weg jüdischer Exil-Musiker über Grossbritannien nach Down Under / Albrecht Dümling -- Creation of Jobs, Union Work and Cooperation : The Institutionalisation of Musical Life by the European Jewish Artist Society, the Shanghai Musicians Association, and the Association of Jewish Precentors in the Shanghai Exile, 1938-49 / Sophie Fetthauer -- 'A State of Crass Ideological Confusion' : Avant-Garde Music and Antisemitism in the Free German League of Culture / Florian Scheding -- 'Almost as Impressive as Its Legacy in the Visual Arts' : Ben Uri Art Society and Music in Exile, 1931-60 / Rachel Dickson -- Goldschmidt and Hamburg / Peter Petersen -- Preisgekrönt und doch kein Glück? Anmerkungen zu Berthold Goldschmidts Belcanto-Oper Beatrice Cenci / Barbara Busch -- 'A Place of Refuge in Your Arms' : Reizenstein's Anna Kraus as Holocaust Opera / Malcolm Miller -- Von grossen Erfolgen in der Zwischenkriegszeit zu relativer Vergessenheit : Die Komponisten Bruno Granichstaedten und Robert Katscher im Exil / Hanja Dämon -- Encounters with the Émigré Experience : Discovering the Chamber Music and Songs of Peter Gellhorn / Norbert Meyn -- Visits in Four Cities : Stations in the Musical and Familial Life of the Song Composer Max Kowalski (1882-1956) / Nils Neubert -- Der österreichische Musiker Ferdinand Rauter als Musiktherapeut in Camphill bei Aberdeen in Schottland (1945 bis 1947) / Jutta Raab Hansen -- Mischa Spoliansky's Music for the Movie Mr. Emmanuel (1944) / Jörg Thunecke.
    Note: Includes index , Articles in English and German
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  • 2
    ISBN: 9783881881678
    Language: German
    Pages: X, 471 Seiten , Illustrationen, Notenbeispiele , 25 cm
    Year of publication: 2022
    Series Statement: Veröffentlichungen des Beethoven-Hauses Bonn Band 32
    Series Statement: Reihe 4, Schriften zur Beethoven-Forschung
    DDC: 780
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    Keywords: Beethoven, Ludwig van Congresses ; Beethoven, Ludwig van - 1770-1827 ; 1900-1999 ; Music and war Congresses 20th century ; Music Congresses History ; World War, 1939-1945 ; Collective memory ; Musique et guerre - Europe - 20e siècle - Congrès ; Musique - Allemagne - Histoire - Congrès ; Guerre mondiale, 1939-1945 ; Mémoire collective ; Collective memory ; Music ; Music and war ; proceedings (reports) ; Conference papers and proceedings ; History ; Conference papers and proceedings ; Actes de congrès ; Europe ; Germany ; Konferenzschrift ; Beethoven, Ludwig van 1770-1827 ; Rezeption ; Zweiter Weltkrieg ; Exil ; Kollektives Gedächtnis ; Geschichte 1933-1945 ; Bekker, Paul 1882-1937 ; Beethoven-Haus Bonn
    Note: Aufsätze überwiegend deutsch, einige Aufsätze englisch
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 3
    Online Resource
    Online Resource
    Ithaca ; London : Cornell University Press
    ISBN: 9781501754210 , 9781501754203
    Language: English
    Pages: 1 Online-Ressource (xii, 294 Seiten) , Illustrationen
    Year of publication: 2021
    Series Statement: Battlegrounds: Cornell studies in military history
    Parallel Title: Erscheint auch als
    DDC: 940.5318019
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    Keywords: Geschichte 1933-1945 ; History ; Military History ; World War II. ; HISTORY / Military / World War II. ; Drinking of alcoholic beverages History 20th century ; Holocaust, Jewish (1939-1945) Psychological aspects ; Alkoholkonsum ; Nationalsozialistischer Verbrecher ; Judenvernichtung ; Deutschland ; Deutschland ; Nationalsozialistischer Verbrecher ; Alkoholkonsum ; Judenvernichtung ; Geschichte 1933-1945
    Abstract: In Drunk on Genocide, Edward B. Westermann reveals how, over the course of the Third Reich, scenes involving alcohol consumption and revelry among the SS and police became a routine part of rituals of humiliation in the camps, ghettos, and killing fields of Eastern Europe. Westermann draws on a vast range of newly unearthed material to explore how alcohol consumption served as a literal and metaphorical lubricant for mass murder. It facilitated "performative masculinity," expressly linked to physical or sexual violence. Such inebriated exhibitions extended from meetings of top Nazi officials to the rank and file, celebrating at the grave sites of their victims. Westermann argues that, contrary to the common misconception of the SS and police as stone-cold killers, they were, in fact, intoxicated with the act of murder itself. Drunk on Genocide highlights the intersections of masculinity, drinking ritual, sexual violence, and mass murder to expose the role of alcohol and celebratory ritual in the Nazi genocide of European Jews. Its surprising and disturbing findings offer a new perspective on the mindset, motivation, and mentality of killers as they prepared for, and participated in, mass extermination
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 9780300154306 , 9780300205350
    Language: English
    Pages: XII, 358 S , 24 cm
    Year of publication: 2013
    DDC: 780.89/924043
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    Keywords: Jewish composers History 20th century ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 Music and the war ; Jews Music ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 ; Music and the war ; Jews ; Germany ; Music ; Jews ; Austria ; Music ; Totalitarianism and music ; Germany ; History ; 20th century ; Juden ; Komponist ; Verfolgung ; Exil ; Nationalsozialismus
    Abstract: With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. -- Jacket
    Description / Table of Contents: German and Jewish Wagner and German Jewish composers in the nineteenth century An age of liberalism, Brahms, and the chronicler, Hanslick Mahler and his chronicler, Korngold The Jugendstil School of Schoenberg, Schrecker, Zemlinsky, and Weigl A musical migration Hey! We're alive! A question of musical potency : the Anti-romantics The resolute Romantics Between Hell and Purgatory Exile and worse Restitution.
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  • 5
    ISBN: 1580464327 , 9781580465229 , 9781580464321
    Language: English
    Pages: xv, 360 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Year of publication: 2013
    Series Statement: Eastman studies in music 97
    Series Statement: Eastman studies in music
    DDC: 720.973
    RVK:
    Keywords: Hanslick, Eduard ; Hanslick, Eduard ; Music Philosophy and aesthetics 19th century ; Musical criticism History 19th century ; Hanslick, Eduard, 1825-1904 ; Criticism and interpretation ; Music theory ; History ; 19th century ; Music ; 19th century ; History and criticism ; Aufsatzsammlung ; Konferenzschrift 2009 ; Hanslick, Eduard 1825-1904
    Note: Literaturverzeichnis: Seiten 339-343 , Hier auch später erschienene, unveränderte Nachdrucke , Negotiating the "absolute" : Hanslick's path through musical history , Hanslick's composers , Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music , Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk , Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna , Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception , "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark , German humanism, liberalism, and elegy in Hanslick's writings on Brahms , The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity , "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century , Body and soul, content and form : on Hanslick's use of the organism metaphor , Hanslick and Hugo Wolf , Battle rejoined : Hanslick and the symphonic poem in the 1890s , On "Jewishness" and genre : Hanslick's reception of Gustav Mahler
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  • 6
    Book
    Book
    Oxford [u.a.] : Oxford Univ. Press
    ISBN: 9780199946846
    Language: English
    Pages: XXXIII, 280 S. , Ill., Notenbeisp. , 23 cm
    Edition: 1. issued as an Oxford Univ. Press paperback
    Year of publication: 2012
    Series Statement: AMS studies in music
    Parallel Title: Erscheint auch als Bohlman, Philip V., 1952 - Jewish music and modernity
    DDC: 780.89924
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    Keywords: Jews Music ; History and criticism ; Modernism (Music) ; Jews ; Germany ; Music ; Jews ; Germany ; History ; Deutschland ; Judentum ; Musik ; Geschichte ; Judentum ; Musik ; Modernität ; Urbanität ; Geschichte 1890-1933 ; Zionismus ; Musik ; Zionismus ; Musik
    Description / Table of Contents: Prologue: before Jewish music -- Places of Jewish music. The Jewish village: music at the border of myth and history ; The people without music history: rediscovering Jewish music in the Mediterranean ; East and West -- Ontologies of Jewish music. Inventing Jewish music ; Self-reflecting-self: Jewish music collecting in the mirror of modernity ; Paths toward Utopia -- Beyond Jewish music. Parables of the metropole ; Jewishness in music: mirrors of selfness in Jewish music ; Staging Jewish music -- Epilogue: after Jewish music.
    Note: Orig. publ. 2008 , Includes bibliographical references (S. 247 - 263) and index -- Discography: S. 265 - 266
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  • 7
    ISBN: 9783924566463
    Language: German
    Pages: 192 S. , Ill., graph. Darst.
    Year of publication: 2012
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    Keywords: Universität Heidelberg History 19th century ; Universität Heidelberg History 20th century ; Universität Heidelberg ; Geschichte 1871-1918 ; Geschichte 1800-1900 ; Neuzeit 1800-1900 ; Neuzeit 1871-1918 ; Women Education (Higher) 19th century ; History ; Women Education (Higher) 20th century ; History ; Frauenbildung ; Universität ; Hochschulzulassung ; Mädchenbildung ; Doktorandin ; Frauenstudium ; Studentin ; Frau ; Universitätsgeschichte ; Heidelberg ; Hochschulschrift ; Universität Heidelberg ; Frauenstudium ; Geschichte 1869-1918 ; Universität Heidelberg ; Frau ; Studium ; Geschichte 1869-1918
    Note: Literaturverz. S. 169 - 176
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  • 8
    Book
    Book
    New Haven, Conn. [u.a.] : Yale Univ. Press
    ISBN: 9780300137132 , 0300137133
    Language: English
    Pages: XI, 274 S. , Ill., Notenbeisp.
    Year of publication: 2010
    DDC: 780.89/924047
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    Keywords: Jews Music ; History and criticism ; Jewish musicians History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Jews ; Russia ; Music ; History and criticism ; Jewish musicians ; Russia ; History ; Music ; Russia ; 19th century ; History and criticism ; Music ; Russia ; 20th century ; History and criticism ; Russland ; Juden ; Musik ; Geschichte 1860-1917
    Description / Table of Contents: Emancipating sounds : Anton Rubinstein and the rise of the Russian Jewish musician -- National voices, imperial echoes : Joel Engel and the Russian Jewish musical fin de siecle -- The most musical nation : the birth of the society for Jewish folk music -- Frozen folk songs : modern Jewish culture between art and commerce -- The neighbors' melodies : the politics of music in war and revolution.
    Note: Includes bibliographical references and index
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