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  • EUV Frankfurt  (3)
  • SUB Hamburg  (1)
  • Online Resource  (4)
  • Judenvernichtung  (4)
  • German Studies  (2)
  • Sociology  (2)
  • 1
    Online Resource
    Online Resource
    Rochester, New York : Camden House
    ISBN: 9781787448087 , 9781800102460
    Language: English
    Pages: 1 Online-Ressource (viii, 201 Seiten)
    Year of publication: 2022
    Series Statement: Dialogue and disjunction: studies in Jewish German literature, culture, and thought
    Parallel Title: Erscheint auch als
    DDC: 830.9/943109045
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    Keywords: Seghers, Anna ; Wander, Fred ; Hermlin, Stephan ; Becker, Jurek ; Heym, Stefan ; Edel, Peter ; German literature / Germany (East) / History and criticism ; German literature / Jewish authors / History and criticism ; Communism and literature / Germany (East) ; Holocaust survivors' writings / History and criticism ; Holocaust, Jewish (1939-1945), in literature ; Identity (Philosophical concept) in literature ; Judenvernichtung ; Überlebender ; Kommunismus ; Juden ; Literatur ; Deutschland ; Seghers, Anna 1900-1983 ; Heym, Stefan 1913-2001 ; Hermlin, Stephan 1915-1997 ; Becker, Jurek 1937-1997 ; Edel, Peter 1921-1983 ; Wander, Fred 1917-2006 ; Deutschland ; Literatur ; Juden ; Überlebender ; Kommunismus ; Judenvernichtung
    Abstract: "This study investigates the negotiation of Jewish-German-Communist identity in post-Holocaust Germany, specifically East Germany. After an introduction to the political-historical context, it highlights the conflicted writings of six East German Jewish writers: Anna Seghers (1900-1983), Stefan Heym (1913-2001), Stephan Hermlin (1915-1997), Jurek Becker (1937-1997), Peter Edel (1921-1983), and Fred Wander (1917-2006). All were Holocaust survivors. All lost family members in the Holocaust. All were important writers who played a leading role in East German cultural life, and all were loyal citizens and committed socialists, although their definitions and maneuvers regarding Party loyalty differed greatly. Good soldiers, they viewed their writing as contributing to the social-political revolution taking place in East Germany. Informed by Holocaust and trauma studies, as well as psychology and deconstruction, this study looks for moments when Party discipline falters and other, repressed, thoughts and emotions surface, decentering the works. Some recurring questions addressed include: What is the image of Germans? Do the works evidence revenge fantasies? How does the negotiation of ostensibly mutually exclusive identities play out? Is there acknowledgement of the insufficiency of Communist theory to explain anti-Semitism, as well as recognition of Stalinist or other forms of Communist anti-Semitism? Although these writers ultimately established themselves in East Germany, attaining positions of privilege and even power, their best works nonetheless evince an acute sense of endangerment and vulnerability; they are documents both created and marked by trauma"--
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    ISBN: 9783838276731
    Language: German
    Pages: 1 Online-Ressource (182 Seiten)
    Year of publication: 2021
    Series Statement: Literatur und Kultur im mittleren und östlichen Europa volume 25
    Series Statement: Literatur und Kultur im mittleren und östlichen Europa
    Parallel Title: Erscheint auch als
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    Keywords: Germanistik ; Holocaustliteratur ; Literatur ; Slavistik ; Judenvernichtung ; Deutsch ; Literatur ; Slawische Sprachen ; Textsorte ; Gattungstheorie ; Konferenzschrift 01.10.2015-03.10.2015 ; Slawische Sprachen ; Deutsch ; Literatur ; Judenvernichtung ; Textsorte ; Gattungstheorie
    Abstract: Die Erforschung der Holocaustliteratur hat Hochkonjunktur. Was aber ist unter dem Begriff eigentlich zu verstehen? Wo ist seine Verwendung sinnvoll, wo stößt sie an Grenzen? Bislang wurde der Terminus weitgehend unreflektiert benutzt, Versuche einer Konzeptualisierung haben in Literatur- und Kulturwissenschaft kaum stattgefunden. Insofern beschreitet der vorliegende Band neue Wege. Die Beiträge lassen anhand unterschiedlicher methodischer Näherungen und auf der Grundlage exemplarischen Textmaterials ein umfassendes Bild von der Reichweite und den Grenzen des Begriffs Holocaustliteratur als eines literaturwissenschaftlichen Konzepts entstehen. Dabei wird hinterfragt, wo Funktionalität und Sinnhaftigkeit einer solchen Begrifflichkeit, insbesondere mit Blick auf immer neue und in der zeitgenössischen Literatur vielfältiger werdende Formen der Auseinandersetzung mit dem Genozid, zu verorten sind. Die Beiträge bringen eine wichtige Erkenntnis klar zum Vorschein: Die literaturwissenschaftliche Erforschung der Holocaustliteratur kommt ohne präzise Definition ihres Untersuchungsgegenstandes nicht aus, doch impliziert eine solche Definition keineswegs, dass es sich dabei um ein starres System handelt. Vielmehr erweist sich die Holocaustliteratur als ein in all seinen strukturellen wie funktionalen Facetten veränderliches Phänomen der Literatur- und Kulturgeschichte, das aufgrund seiner thematischen Breite und der Vielfalt ästhetischer Gestaltungsmöglichkeiten zu immer neuen Lektüren und Relektüren einlädt
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Ithaca ; London : Cornell University Press
    ISBN: 9781501754210 , 9781501754203
    Language: English
    Pages: 1 Online-Ressource (xii, 294 Seiten) , Illustrationen
    Year of publication: 2021
    Series Statement: Battlegrounds: Cornell studies in military history
    Parallel Title: Erscheint auch als
    DDC: 940.5318019
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    Keywords: Geschichte 1933-1945 ; History ; Military History ; World War II. ; HISTORY / Military / World War II. ; Drinking of alcoholic beverages History 20th century ; Holocaust, Jewish (1939-1945) Psychological aspects ; Alkoholkonsum ; Nationalsozialistischer Verbrecher ; Judenvernichtung ; Deutschland ; Deutschland ; Nationalsozialistischer Verbrecher ; Alkoholkonsum ; Judenvernichtung ; Geschichte 1933-1945
    Abstract: In Drunk on Genocide, Edward B. Westermann reveals how, over the course of the Third Reich, scenes involving alcohol consumption and revelry among the SS and police became a routine part of rituals of humiliation in the camps, ghettos, and killing fields of Eastern Europe. Westermann draws on a vast range of newly unearthed material to explore how alcohol consumption served as a literal and metaphorical lubricant for mass murder. It facilitated "performative masculinity," expressly linked to physical or sexual violence. Such inebriated exhibitions extended from meetings of top Nazi officials to the rank and file, celebrating at the grave sites of their victims. Westermann argues that, contrary to the common misconception of the SS and police as stone-cold killers, they were, in fact, intoxicated with the act of murder itself. Drunk on Genocide highlights the intersections of masculinity, drinking ritual, sexual violence, and mass murder to expose the role of alcohol and celebratory ritual in the Nazi genocide of European Jews. Its surprising and disturbing findings offer a new perspective on the mindset, motivation, and mentality of killers as they prepared for, and participated in, mass extermination
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Evanston, Illinois : Northwestern University Press | Berlin : Knowledge Unlatched
    ISBN: 0810134098 , 081013411X , 0810134101 , 9780810134096 , 9780810134119 , 9780810134102
    Language: English
    Pages: 1 Online-Ressource (IX, 263 Seiten) , illustrations, figures, tables
    Year of publication: 2017
    Series Statement: Cultural expressions of world war II
    Parallel Title: Print version Third-Generation Holocaust Representation, Trauma, History, and Memory
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    Keywords: Psychic trauma in literature ; Memory in literature ; Holocaust, Jewish (1939-1945) Influence ; Literature, Modern History and criticism 20th century ; Judenvernichtung ; Kollektives Gedächtnis ; Angehöriger ; Enkel
    Abstract: Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish—gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of these writers, this bold new work examines those structures, ironies, disjunctions, and tensions that produce a literature lamenting loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of “postmemory”; the intergenerational transmission of trauma; inherited memory; the psychological tensions of post-Holocaust Jewish identity; tropes of memory and the personalized narrative voice; generational dislocation and anxiety; the recurrent antagonisms of assimilation and alienation; the imaginative reconstruction of the past; and the future of Holocaust memory and representation
    Abstract: On the periphery : the "tangled roots" of Holocaust remembrance for the third generation -- The intergenerational transmission of memory and trauma : from survivor writing to post-Holocaust representation -- Third-generation memoirs : metonymy and representation in Daniel Mendelsohn's The Lost -- Trauma and tradition : changing classical paradigms in third-generation novelists -- Nicole Krauss : inheriting the burden of Holocaust trauma -- Refugee writers and Holocaust trauma -- "There were times when it was possible to weigh suffering" : Julie Orringer's The Invisible Bridge and the extended trauma of the Holocaust
    Note: eng
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