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  • Staatsbibliothek zu Berlin  (7)
  • 2010-2014  (7)
  • History  (7)
  • Musicology  (5)
  • English Studies  (2)
Library
Region
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Book
    Book
    Forbidden music : the Jewish composers banned by the Nazis (2013)
    New Haven, Conn. [u.a.] : Yale Univ. Press
    Details
    ISBN: 9780300154306 , 9780300205350
    Language: English
    Pages: XII, 358 S , 24 cm
    Year of publication: 2013
    DDC: 780.89/924043
    RVK:
    LP 19507
    RVK:
    LQ 80107
    Keywords: Jewish composers History 20th century ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 Music and the war ; Jews Music ; Holocaust, Jewish (1939-1945) ; World War, 1939-1945 ; Music and the war ; Jews ; Germany ; Music ; Jews ; Austria ; Music ; Totalitarianism and music ; Germany ; History ; 20th century ; Juden ; Komponist ; Verfolgung ; Exil ; Nationalsozialismus
    Abstract: With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. -- Jacket
    Description / Table of Contents: German and Jewish Wagner and German Jewish composers in the nineteenth century An age of liberalism, Brahms, and the chronicler, Hanslick Mahler and his chronicler, Korngold The Jugendstil School of Schoenberg, Schrecker, Zemlinsky, and Weigl A musical migration Hey! We're alive! A question of musical potency : the Anti-romantics The resolute Romantics Between Hell and Purgatory Exile and worse Restitution.
    URL: Verlagsangaben
    URL: Autorenbiografie
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  • 2
    Book
    Book
    Fictions of conversion : Jews, Christians, and cultures of change in early modern England (2013)
    Philadelphia : Univ. of Pennsylvania Press
    Details
    ISBN: 9780812244823
    Language: English
    Pages: 263 S. , 24 cm
    Edition: 1st ed
    Year of publication: 2013
    DDC: 820.9/382
    RVK:
    HI 1161
    Keywords: English literature History and criticism Early modern, 1500-1700 ; Christianity and other religions Judaism 17th century ; History ; Religion and literature History 17th century ; Jews in literature ; Conversion in literature ; Culture conflict in literature History 17th century ; Hebrew literature Appreciation ; Jews Conversion to Christianity ; England ; Juden ; Christ ; Konversion ; Geschichte 1500-1700
    Note: Includes bibliographical references (p. [231]-253) and index
    URL: http://www.h-net.org/reviews/showrev.php?id=39333
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  • 3
    Book
    Book
    Rethinking Hanslick : music, formalism, and expression (2013)
    Rochester, NY : University of Rochester Press ; Boydell & Brewer Limited
    Show associated volumes/articles
    Details
    ISBN: 1580464327 , 9781580465229 , 9781580464321
    Language: English
    Pages: xv, 360 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Year of publication: 2013
    Series Statement: Eastman studies in music 97
    Series Statement: Eastman studies in music
    DDC: 720.973
    RVK:
    LP 64040
    Keywords: Hanslick, Eduard ; Hanslick, Eduard ; Music Philosophy and aesthetics 19th century ; Musical criticism History 19th century ; Hanslick, Eduard, 1825-1904 ; Criticism and interpretation ; Music theory ; History ; 19th century ; Music ; 19th century ; History and criticism ; Aufsatzsammlung ; Konferenzschrift 2009 ; Hanslick, Eduard 1825-1904
    Note: Literaturverzeichnis: Seiten 339-343 , Hier auch später erschienene, unveränderte Nachdrucke , Negotiating the "absolute" : Hanslick's path through musical history , Hanslick's composers , Hanslick, legal processes, and scientific methodologies : how not to construct an ontology of music , Otakar Hostinský, the musically beautiful, and the Gesamtkunstwerk , Hanslick on Johann Strauss Jr. : genre, social class, and liberalism in Vienna , Waltzing around the musically beautiful : listening and dancing in Hanslick's hierarchy of musical perception , "Poison-flaming flowers from the Orient and nightingales from Bayreuth" : on Hanslick's reception of the music of Goldmark , German humanism, liberalism, and elegy in Hanslick's writings on Brahms , The critic as subject : Hanslick's Aus meinem Leben as a reflection on culture and identity , "Faust und Hamlet in einer Person" : the musical writings of Eduard Hanslick as part of the gender discourse in the late nineteenth century , Body and soul, content and form : on Hanslick's use of the organism metaphor , Hanslick and Hugo Wolf , Battle rejoined : Hanslick and the symphonic poem in the 1890s , On "Jewishness" and genre : Hanslick's reception of Gustav Mahler
    URL: Inhaltsverzeichnis
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  • 4
    Book
    Book
    La musique à Paris sous l'Occupation (2013)
    [Paris] : Cité de la Musique, Fayard | [Paris] : Fayard | 12-Millau : Impr. Maury
    Details
    ISBN: 9782213677217
    Language: French
    Pages: 254, [32] S. , Ill. , 24 cm
    Year of publication: 2013
    DDC: 780.944 3610904
    RVK:
    LQ 82600
    Keywords: Music History and criticism 20th century ; Music Social aspects 20th century ; History ; Concerts 20th century ; World War, 1939-1945 Music and the war ; Vie musicale France Paris (France) 1900-1945 ; Guerre mondiale (1939-1945) Musique et guerre ; Musique et politique France Paris (France) 1900-1945 ; France History German occupation, 1940-1945 ; France 1940-1945 (Occupation allemande) ; Aufsatzsammlung ; Paris ; Musikpflege ; Geschichte 1940-1944 ; Frankreich ; Besetzung ; Musikleben ; Geschichte 1940-1944 ; Paris ; Besetzung ; Musikleben ; Geschichte 1940-1944
    Abstract: Sous l’Occupation, Paris ne reste pas silencieux. Peu après l’installation des Allemands, les musiciens reprennent leurs activités comme l’ensemble des artistes. Les salles de concerts et les studios radiophoniques et d’enregistrement se remettent à fonctionner. Dans ce contexte, nombre d’interprètes et de compositeurs français bénéficient de conditions de travail inédites, profitant de l’absence de concurrence étrangère conjuguée à la mise à l’écart des œuvres des compositeurs, morts ou vivants, exclus par les lois scélérates. Centré sur la musique savante, cet ouvrage collectif traite de la diffusion de la musique, grâce à des études sur quelques sociétés de concerts spécifiques à cette période, sur des œuvres du répertoire, sur la création contemporaine et sur le rôle de certains interprètes. Il met en évidence les personnalités de Francis Poulenc, Olivier Messiaen et Arthur Honegger ainsi que d’Alfred Cortot, Germaine Lubin, Charles Munch et Wilhelm Kempff, en insistant sur les ambiguïtés entretenues rétroactivement par certains acteurs de la vie musicale sur leur carrière pendant les années noires. Il analyse également la manière dont quelques grandes figures du passé (Mozart, Berlioz, Wagner) sont susceptibles de s’inscrire dans un discours de propagande, largement véhiculé par les critiques et les musicologues. Cette réflexion sur la trace mémorielle d’une époque se clôt par l’évocation de deux débats récents, qui montrent que ce passé passe difficilement.
    Note: Bibliogr. p. 25. Index
    URL: Inhaltsverzeichnis
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  • 5
    Book
    Book
    Stefan Wolpe and the avant-garde diaspora (2012)
    Cambridge [u.a.] : Cambridge University Press
    Details
    ISBN: 9781107003002 , 1107003008
    Language: English
    Pages: XII, 328 S. , Ill., Notenbeisp. , 26 cm
    Edition: 1. publ.
    Year of publication: 2012
    Series Statement: New perspectives in music history and criticism
    DDC: 780.92
    RVK:
    LP 95528
    Keywords: Wolpe, Stefan ; Musicians Biography ; Avant-garde (Music) History 20th century ; Wolpe, Stefan ; Musicians ; Biography ; Avant-garde (Music) ; History ; 20th century ; Wolpe, Stefan 1902-1972 ; Avantgarde ; Musik ; Exil
    Note: Formerly CIP Uk. - Includes bibliographical references (p. [304]-321) and index
    URL: Autorenbiografie
    URL: Verlagsangaben
    URL: Inhaltsverzeichnis
    URL: Autorenbiografie
    URL: Verlagsangaben
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  • 6
    Book
    Book
    Pen of iron : American prose and the King James Bible (2010)
    Princeton, N.J. [u.a.] : Princeton Univ. Press
    Details
    ISBN: 9780691128818 , 0691128812
    Language: English
    Pages: 198 S. , 22 cm
    Year of publication: 2010
    DDC: 810.9/3822
    RVK:
    HI 1475
    RVK:
    HR 1121
    Keywords: Bible Versions ; Authorized ; History ; Bible In literature ; Bible and literature ; American literature History and criticism ; Englisch ; Übersetzung ; Bibel ; Rezeption ; USA ; Prosa ; Geschichte ; Bible ; English ; Versions ; Authorized ; Influence ; Bible ; In literature ; American literature ; History and criticism ; Bible and literature ; Bibel ; Rezeption ; USA ; Roman ; Geschichte ; Literatur
    Abstract: In this book, biblical translator and literary critic Robert Alter traces some of the fascinating ways that American novelists--from Melville, Hemingway, and Faulkner to Bellow, Marilynne Robinson, and Cormac McCarthy--have drawn on the rich stylistic resources of the canonical English Bible to fashion their own strongly resonant styles and distinctive visions of reality. --from publisher description
    Description / Table of Contents: America as a Scriptural cultureStyle in America and the King James version -- Moby-Dick : polyphonu -- Absalom! Absalom! : lexicon -- Seize the day : American amalgam -- The world through parataxis.
    Note: Formerly CIP Uk. - Includes bibliographical references and index
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  • 7
    Book
    Book
    The most musical nation : Jews and culture in the late Russian empire (2010)
    New Haven, Conn. [u.a.] : Yale Univ. Press
    Details
    ISBN: 9780300137132 , 0300137133
    Language: English
    Pages: XI, 274 S. , Ill., Notenbeisp.
    Year of publication: 2010
    DDC: 780.89/924047
    RVK:
    LQ 86000
    RVK:
    NY 1700
    RVK:
    KI 1320
    Keywords: Jews Music ; History and criticism ; Jewish musicians History ; Music History and criticism 19th century ; Music History and criticism 20th century ; Jews ; Russia ; Music ; History and criticism ; Jewish musicians ; Russia ; History ; Music ; Russia ; 19th century ; History and criticism ; Music ; Russia ; 20th century ; History and criticism ; Russland ; Juden ; Musik ; Geschichte 1860-1917
    Description / Table of Contents: Emancipating sounds : Anton Rubinstein and the rise of the Russian Jewish musician -- National voices, imperial echoes : Joel Engel and the Russian Jewish musical fin de siecle -- The most musical nation : the birth of the society for Jewish folk music -- Frozen folk songs : modern Jewish culture between art and commerce -- The neighbors' melodies : the politics of music in war and revolution.
    Note: Includes bibliographical references and index
    URL: http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=020484514&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA$zInhaltsverzeichnis
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