Publicly Available
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|
i |
Publicly Available
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|
v |
Publicly Available
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|
ix |
Zeʾev Meshel
Requires Authentication
Unlicensed
Licensed
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|
1 |
SECTION I YOTVATA HILL THE IRON I “FOR TRESS” AND OTHER REMAINS
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PART I THE SITE IN CONTEXT
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Uzi Avner and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
7 |
PART II ARCHITECTURAL REMAINS
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Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
21 |
PART III ARTIFACTS
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Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
51 |
David Ben-Shlomo and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
69 |
Tali Erickson-Gini and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
71 |
Steven A Rosen and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
73 |
Daniella E. Bar-Yosef Mayer and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
81 |
Etan Ayalon and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
85 |
Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
89 |
Aaron Greener and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
91 |
Yigal Sitry and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
97 |
Yigal Sitry and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
99 |
Naama Sukenik, Orit Shamir and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
109 |
PART IV ECOFACTS
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Nili Liphschitz and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
119 |
Mark Cavanagh, Mordechay Benzaquen, Dafna Langgut and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
125 |
Mordechay Benzaquen, Mark Cavanagh, Dafna Langgut and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
131 |
Liora Kolska Horwitz and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
133 |
Israel Carmi, Dror Segal, Linda Scott Cummings, Peter Kováčik, Uzi Avner and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
141 |
PART V CONCLUDING REMARKS
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Uzi Avner and Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
149 |
Lily Singer-Avitz
Requires Authentication
Unlicensed
Licensed
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|
161 |
Uzi Avner
Requires Authentication
Unlicensed
Licensed
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|
179 |
Requires Authentication
Unlicensed
Licensed
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|
181 |
SECTION II THE EARLY ISLAMIC SETTLEMENT
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PART VI ARCHITECTURAL REMAINS
|
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Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
183 |
PART VII ARTIFACTS
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Itamar Taxel and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
241 |
Paula Waiman-Barak, Willie Ondricek and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
281 |
Itamar Taxel and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
287 |
Ruth E. Jackson-Tal and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
295 |
Nitzan Amitai-Preiss, Etan Ayalon and Itamar Taxel
Requires Authentication
Unlicensed
Licensed
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|
299 |
Nitzan Amitai-Preiss, Ariel Berman and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
311 |
Orit Shamir and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
315 |
PART VIII ECOFACTS
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Naama Sukenik, Zohar Amar, David Iluz and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
327 |
Nili Liphschitz and Etan Ayalon
Requires Authentication
Unlicensed
Licensed
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|
337 |
Vered Kishon, Shlomo Hellwing and Etan Ayalon
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Unlicensed
Licensed
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|
345 |
Henk K. Mienis and Etan Ayalon
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Unlicensed
Licensed
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|
363 |
PART IX CONCLUDING REMARKS
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|
Itamar Taxel, Zeʾev Meshel and Etan Ayalon
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Unlicensed
Licensed
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|
367 |
Requires Authentication
Unlicensed
Licensed
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|
385 |