Three early modern Hebrew scholars on the mysteries of song / by Don Harrán
"In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantu...
Ausführliche Beschreibung
PPN (Katalog-ID): |
794302203 |
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Personen: |
Harrán, Don - 1936- [VerfasserIn] |
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Medienart: |
Buch |
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Umfang: |
VI, 396 S. |
Sprache: |
Englisch |
Erschienen: |
Leiden Boston: Brill ; 2014 |
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Enthält: |
Judah Moscato on the spirituality of musicSounds for contemplation on a lyre -- Leon Modena on the legality of art music in the synagogue -- Is art music permissible in the synagogue? -- Abraham Portaleone on the practice of music in the ancient temple -- Music as practiced in the temple and the early modern era -- The Jewish contribution to music theory in the early modern era. |
Basisklassifikation: | |
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Schlagwörter: |
Italien / Judentum / Musik / Geschichte 1600-1700 Moscato, Judah ben Joseph, 1530-1593 / Modena, Leone, 1571-1648 / Portaleone, Avraham ben Daṿid, 1542-1612 |
weitere Schlagwörter: |
Moscato, Judah ben Joseph, approximately 1530-approximately 1593 |
Allgemeiner Hinweis: |
Includes bibliographical references and index |
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Reihe: |
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Links: | |
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ISBN: |
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245 | 1 | 0 | |a Three early modern Hebrew scholars on the mysteries of song |c by Don Harrán |
264 | 1 | |a Leiden |a Boston |b Brill |c 2014 | |
300 | |a VI, 396 S. | ||
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490 | 1 | |a Studies in Jewish history and culture |v 47 | |
500 | |a Includes bibliographical references and index | ||
505 | 8 | 0 | |a Judah Moscato on the spirituality of musicSounds for contemplation on a lyre -- Leon Modena on the legality of art music in the synagogue -- Is art music permissible in the synagogue? -- Abraham Portaleone on the practice of music in the ancient temple -- Music as practiced in the temple and the early modern era -- The Jewish contribution to music theory in the early modern era. |
520 | |a "In discoursing on music, three early modern Jewish scholars stand out for their originality. The first is Judah Moscato, who, as chief rabbi in Mantua, preached sermons, one of them on music: there Moscato presents music as a cosmic and spiritual phenomenon. The second scholar is Leon Modena, the foremost Jewish intellectual in early seventeenth-century Venice. Modena deals with music in two responsa to questions put to him for rabbinical adjudication, one of them an examination of biblical and rabbinical sources on the legitimacy of performing art music in the synagogue. Abraham Portaleone, the third scholar, treated music in a massive disquisition on the ancient temple and its ritual, describing it as an art correlating with contemporary Italian music. The introduction surveys the development of Hebrew art music from the Bible through the Talmud and rabbinical writings until the early modern era. The epilogue defines the special contribution of Hebrew scholars to early modern theory"--Provided by publisher | ||
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