The visual dominant in eighteenth-century Russia / Marcus C. Levitt
Introduction: An archaeology of vision -- Prolegomena: Making Russia visible -- The moment of the muses: Lomonosov's odes -- Bogovidenie: Orthodox vis...
Ausführliche Beschreibung
| PPN (Katalog-ID): |
658076183 |
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| Personen: |
Levitt, Marcus C. - 1954- [VerfasserIn] |
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| Medienart: |
Buch |
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| Umfang: |
XII, 362 S. ; Ill. |
| Sprache: |
Englisch |
| Erschienen: |
DeKalb, Ill.: Northern Illinois Univ. Press ; 2011 |
|---|---|
| Enthält: |
Introduction: An archaeology of vision -- Prolegomena: Making Russia visible -- The moment of the muses: Lomonosov's odes -- Bogovidenie: Orthodox vision and the odes -- The staging of the self -- Virtue must advertise: The ethics of vision -- The seen, the unseen, and the obvious -- The icon that started a riot -- The dialectic of vision in Radishchev's journey -- Conclusion: Russian culture as a mirage. |
| Basisklassifikation: |
17.93 Literarische Stoffe literarische Motive literarische Themen |
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| RVK: |
KH 5030 / Geistes-, Ideen-, Kulturgeschichte, Kunst [Slawistik, Russische Sprache und Literatur, Russische Literatur im 18. Jahrhundert, Grenzbereiche der literarischen Forschung, Geistes-, Ideen-, Kulturgeschichte, Kunst] |
| Schlagwörter: | |
| weitere Schlagwörter: |
| Allgemeiner Hinweis: |
Includes bibliographical references and index Erscheinungsjahr in Vorlageform:c2011 |
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| Links: | |
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| ISBN: |
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| 245 | 1 | 4 | |a The visual dominant in eighteenth-century Russia |c Marcus C. Levitt |
| 246 | 3 | 0 | |a eighteenth-century |
| 264 | 1 | |a DeKalb, Ill. |b Northern Illinois Univ. Press |c 2011 | |
| 300 | |a XII, 362 S. |b Ill. | ||
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| 500 | |a Includes bibliographical references and index | ||
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| 505 | 8 | 0 | |a Introduction: An archaeology of vision -- Prolegomena: Making Russia visible -- The moment of the muses: Lomonosov's odes -- Bogovidenie: Orthodox vision and the odes -- The staging of the self -- Virtue must advertise: The ethics of vision -- The seen, the unseen, and the obvious -- The icon that started a riot -- The dialectic of vision in Radishchev's journey -- Conclusion: Russian culture as a mirage. |
| 520 | |a Introduction: An archaeology of vision -- Prolegomena: Making Russia visible -- The moment of the muses: Lomonosov's odes -- Bogovidenie: Orthodox vision and the odes -- The staging of the self -- Virtue must advertise: The ethics of vision -- The seen, the unseen, and the obvious -- The icon that started a riot -- The dialectic of vision in Radishchev's journey -- Conclusion: Russian culture as a mirage | ||
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