Philosophical skepticism as the subject of art : Maria Bussmann's drawings / David Carrier
"The artwork of Maria Bussmann, a trained academic German philosopher and a significant visual artist, provides an ideal test case for a philosophical...
Ausführliche Beschreibung
PPN (Katalog-ID): |
1815922311 |
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Personen: |
Carrier, David - 1944- [VerfasserIn] Bußmann, Maria - 1966- [IllustratorIn] |
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Medienart: |
Buch |
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Umfang: |
xxviii, 179 Seiten ; Illustrationen ; 24 cm |
Sprache: |
Englisch |
Erschienen: |
London New York Oxford New Delhi Sydney: Bloomsbury Academic ; 2023 |
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Basisklassifikation: | |
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RVK: |
LI 99999 / Sonstige (CSN der Person) [Kunstgeschichte, Künstler-Monografien, Sonstige (CSN der Person)] |
Schlagwörter: | |
weitere Schlagwörter: |
Allgemeiner Hinweis: |
Includes bibliographical references and index |
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Ungezählte Reihe: | |
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Bibliogr. Zusammenhang: |
Erscheint auch als Online-Ausgabe: Carrier, David, 1944- ; London : Bloomsbury Academic, 2022 ; Philosophical skepticism as the subject of art |
Bibliogr. Zusammenhang: |
Erscheint auch als Online-Ausgabe: Philosophical skepticism as the subject of art - Carrier, David, 1944-, London : Bloomsbury Academic, 2022 |
Links: | |
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ISBN: |
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245 | 1 | 0 | |a Philosophical skepticism as the subject of art |b Maria Bussmann's drawings |c David Carrier |
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264 | 1 | |a London |a New York |a Oxford |a New Delhi |a Sydney |b Bloomsbury Academic |c 2023 | |
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490 | 0 | |a Aesthetics and contemporary art | |
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520 | |a "The artwork of Maria Bussmann, a trained academic German philosopher and a significant visual artist, provides an ideal test case for a philosophical study of visual art. Bussmann has internalized the relationship between art and philosophy. In this exploration of the history of German aesthetics through Bussmann's work, David Carrier places the philosophical tradition in the context of contemporary visual culture. Each chapter focuses on the arguments of a major philosopher whose concerns Bussmann has dealt with as an artist: Kant, Hegel, Merleau-Ponty, Wittgenstein and Arendt. Offering comparative accounts of artists and philosophers whose work is of especial relevance, Carrier shows how Bussmann responds visually to writings of philosophers in art that has an elusive but essential relationship to theorizing. Tackling the question of whether philosophical subjects can be presented visually, Carrier offers a fresh perspective on the German idealist position through the visual art of 21st-century artist steeped in the tradition and continually challenging it through her work"-- | ||
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